All posts by Bobby Franklin

George Foreman Not An All Time Great

Weak Opposition And Fatal

Flaw Keeps Him From Elite Status

By Bobby Franklin

George Foreman

Big George Foreman is remembered as a powerful man and a devastating puncher. His brutal destruction of Joe Frazier in 1973 is etched in every fight fan’s memory. It is mainly off of this performance that George made it onto many people’s lists of all time greats. That January night in Jamaica he looked fearsome. In taking Frazier apart so one sidedly, he took on an almost superhuman status. But on closer examination of his record and boxing technique, the all time great designation doesn’t hold up.

Going into the title fight with Frazier, George had an impressive undefeated record of 37 and 0. Only three opponents had gone the distance with him. Yet, even with those impressive numbers, Frazier was made a 3 1/2 to 1 favorite to retain the title. Joe was also undefeated at the time and had defeated Muhammad Ali in the Fight of the Century less than two years earlier.

While Foreman’s record looks good on paper, when taking a closer look at his opposition the numbers give a clearer picture of why he was the underdog. Out of those 37 opponents there were very few that could be considered serious competition. In fact, in his last bout before facing Joe, George fought Terry Sorrell, who at the time had had a total of 19 fights winning only 4. Sorrell would close out his career with a record of 29 fights with only 6 wins (3 by KO), 22 losses (10 by KO), and 1 draw. 

Some might argue this was just a warmup bout for George before stepping in with the Champ. Well, a warmup bout usually involves having a warm body for opposition. I’m not sure it was ever verified Sorrell had a pulse when he stepped into the ring. 

Three fights earlier George had faced the immortal Clarence Boone. Boone had a record of 30 fights, winning only 3 with 26 losses and 2 draws. Of those 26 losses he had been stopped 14 times. I think the promoters used the same undertaker that provided Terry Sorrell for George.

George Foreman’s vs Gregorio Peralta. February 16, 1970.

Go back one more fight and you will see where an opponent was dug up who made Boone and Sorrell look like Louis and Dempsey. On January 29, 1972, George faced the immortal Joe Murphy Gordwin of Houston, Texas. This would be the final fight of Gordwin’s career and he would bring his remarkable record of 1 win, 1 draw, and an astounding 15 losses (13 by KO) into the ring with him that night. George surely had to be terrified; terrified he might kill Joe Murphy. 

Go back a little further in George’s career and you will find such immortals as Vic Scott (1 win 2 losses), Bob Hazelton (3 wins, 6 losses), Leo Peterson (3 wins, 4 losses), and Fred Askew (2 wins, 6 losses, 1 draw).

Of course, when a young fighter is being brought along, it is not unusual for him to be given “opponents” to face. But usually those “opponents” are fighters who, while not posing much of a threat, do have beating hearts and the ability to provide some opposition so the prospect will have a chance to learn his trade and improve.

Looking back at the rest of George’s opposition in those 37 fights, you will not find a lot of strong opposition. While many are better than those I have just mentioned, most aren’t too far ahead of the Boones and Sorrells. 

George did face a few solid “opponents” during those years. Levi Forte (20 wins, 21 losses 12 by KO, and 2 draws) and Roberto Davila (21 wins, 14 losses 3 by KO) both were the type of boxer an up and coming prospect would be expected to face, and both extended George the full ten round limit.

The most notable names on Foreman’s record at the time were Boone Kirkman, Gregorio Peralta (twice), and George Chuvalo. His wins over Kirkman and Chuvalo were impressive, he struggled with Peralta.

Kirkman was another up and comer who had faced a series of “opponents” and had not been tested. George simply overpowered him.

Chuvalo was known as incredibly tough. He had never been knocked off his feet, and a number of years earlier had given Muhammad Ali a tough go of it. But with the exception of a very odd win over Jerry Quarry, the Canadian never beat a top rated contender. His slow moving style made him an easy target for Foreman’s heavy but wide swings. Big George did look impressive in stopping Chuvalo.

I have written about Foreman’s fights with Peralta. George won their first fight by decision, and stopped Peralta in their rematch. In both fights, George’s flaws were exposed. It was these flaws Ali exploited a few years later to regain the crown.

Looking at the accumulated record of Foreman’s opposition at the time of the Frazier fight you see that combined they had a total of 289 wins, 376 losses, and 58 draws. if you remove the three fighters who had a pulse from that group, Peralta, Chuvalo, and Kirkman you end up with a group that had a total of only 100 wins with 355 losses, and 48 draws. 

Foreman Staggered By Jimmy Young

After defeating Frazier, Foreman defended the title twice in impressive fashion knocking out Joe Roman in one round and Ken Norton in two. Roman would have been considered an opponent if he had fought Foreman earlier, and was far from having an impressive record. Norton was never able to stand up to a big puncher as was seen when he went on to be kayoed in one round by both Earnie Shavers and Gerry Cooney.

After those two defenses George lost the title to Ali who used many of the tactics the over the hill Peralta had employed a few years earlier. After the loss to Ali, George still did not score any major wins with the exception of his victory in a slugfest with Ron Lyle, which was a battle of attrition, not skill.

He closed out his career with a loss to the light punching Jimmy Young, who also used technique to neutralize George’s power. Without that power Foreman had no boxing skill to fall back on to win a fight.

Foreman’s Flaw On Display

His major flaw was extending his arms when trying to parry punches. If you watch him in action, it appears he is trying to emulate Jack Johnson’s strategy of catching punches with an open glove. Only with Johnson, he would grab the punch just before it was about to land on him. With George, he would reach out and try to stop it just as it was being thrown. As a fight moved along he would begin pawing with both his hands and leave himself open. Ali, Young, Peralta, and Lyle were all able to land on him because of this fatal flaw. Any one off the great, and even not so great heavyweights of the past would have spotted this flaw and taken advantage of it. 

George certainly had amazing raw power, but that only takes a fighter so far. He did not develop the skills to make him a great fighter. Sure, he would always have a puncher’s chance against anyone. But hoping for a lucky punch is not the stuff of greatness. George simply never showed the skills to be considered an all-time great heavyweight champion.

I have not discussed Foreman’s second career because it really is not relevant to this discussion. Foreman 1.0 was the prime George and the one to look at when judging him as an all time great.  

Boston Lyric Opera Presents “Champion: An Opera In Jazz”

THE GRIPPING TRUE STORY OF A PRIZEFIGHTING BOXER IS TOLD IN

“CHAMPION: AN OPERA IN JAZZ”

From the Grammy- and Pulitzer Prize-winning, Oscar-nominated team of composer Terence Blanchard and librettist Michael Cristofer.

Boston Lyric Opera returns to first full staging in a theater since 2019

May 18, 20 and 22 at the Emerson Cutler Majestic Theatre

 

The true story of six-time world champion prizefighter Emile Griffith is told in Boston Lyric Opera’s (BLO) new production of Champion: An Opera in Jazz by Grammy Award-winning composer Terence Blanchard (Fire Shut Up in My Bones), with a libretto by Pulitzer Prize winner Michael Cristofer. The contemporary opera is brought to the stage by acclaimed theater director Timothy Douglas and award-winning conductor Kwamé Ryan, and will be presented for three performances on May 18, 20 and 22 at the Emerson Cutler Majestic Theater. Tickets are available now.

Champion chronicles Griffith’s sweeping life story, from his beginnings in the Virgin Islands to his athletic success in America, through passionate love affairs and a tragedy that changed his life. The story is told as memories from an older Emile with dementia who is on a journey to redeem himself from the fight that left his opponent Benny “Kid” Paret dead.

Brian Major

Champion’s story alternates between the story of the physically strong yet gentle Young Emile, who finds success in St. Thomas as a women’s hatmaker with a raucous social life before being recruited by an American boxing promoter, and an older Emile whose post-boxing life includes a long-time male companion who helps him navigate mental and physical decline, and a search for redemption.

Griffith’s rise as a champion athlete ran parallel with his complex personal life; he married a woman, had sexual relationships with men, and openly frequented gay bars in 1960s New York. Whispers about Griffith became public when his opponent Benny “Kid” Paret taunted him in front of the media at a pre-match weigh-in. Enraged, Griffith dominated Paret in a brutal fight, landing a rapid series of 17 blows that ended the match and put Paret in a coma. Paret died of a brain injury soon after.

Markel Reed

“The story of Champion is one of a desire to find a sense of belonging,” says Acting Stanford Calderwood General & Artistic Director Bradley Vernatter. “The details may be unique to Emile Griffith, but it is the story of many.  Terence Blanchard’s score is a mix of styles, one that is uniquely American, and reveals the warmth of Emile’s story, and the complexities of his life.”

The cast of Champion: An Opera in Jazz includes returning artists and company debuts:

  • Brian Major (playing Emile Griffith) who makes his BLO debut;
  • Markel Reed (Young Emile) who makes his BLO debut;
  • Tichina Vaughn (Emelda Griffith, Emile’s mother) who makes her BLO debut;
  • Chabrelle L. Williams (Cousin Blanche/Sadie Griffith) who sang the lead role, Milica, in BLO’s Svadba and originated this role in the World Premiere cast of Champion at Opera Theater of Saint Louis;
  • Jesus Garcia (Luis Rodrigo Griffith) who starred in BLO’s most recent productions of The Barber of Seville and La Bohème;
  • Todd Thomas (promoter Howie Albert), who makes his BLO debut;
  • Stephanie Blythe (Kathy Hagen), who makes her BLO debut with this performance and was recently cast in the Metropolitan Opera’s 2023 production of Champion;
  • Neal Ferreira (Ring Announcer) a BLO Emerging Artist alumnus and veteran of many BLO productions, including the 2018 production of Leonard Bernstein’s Trouble in Tahiti; and
  • Nicholas LaGesse (Man in the Bar/Young Man), a BLO Emerging Artist.
Chabrelle Williams

Boston Lyric Opera’s Champion: An Opera in Jazz will be performed Wed., May. 18 @ 7:30PM, Friday May 20 @ 7:30PM and Sun., May 22 @ 3PM  at the Emerson Cutler Majestic Theater, 219 Tremont Street, Boston. Individual tickets start at $25 (plus fees) and are available now at blo.org/champion

 

 

Frank Dell’Apa Remembers Mike Marley

Mike Marley

Remembered By His Friend 

Frank Dell’Apa

By Bobby Franklin

Michael Marley

The Harvard and Commonwealth Avenue Section of the Allston neighborhood of Boston was a very interesting place back in the 1950s and early 60s. Comprised mostly of apartment buildings along with some two family homes, it had a very New York feel to it. With a combination of nice restaurants and dive bars it attracted all types. The variety of immigrants that had settled there differentiated it from other parts of the city which tended to be defined by one group or another.

 Among the people who lived there over the years were Wrestler Maurice Tillet; also known as the French Angel, Killer Kowalski, and Wallis Warfield Simpson, the future Duchess of Windsor. Add the name of Michael Marley to that eclectic crowd.

From an early age Mike was a natural in front of a camera. He was quick on his feet, had a great sense of humor, and was never afraid to speak his mind. He grew up in Boston, but in many ways he was an old time New York City guy. He easily fit in with the crowd at Jimmy Glenn’s Corner Bar on West 44th Street while also being welcomed by a redneck crowd in Reno. Mike was comfortable in almost any setting.

LeRoy Neiman Sketch Of Mike During Exhibition Bout With Tommy Hearns

Mike Marley passed away on March 2 at his home in Falmouth, MA. The cause of death was Parkinson’s Disease. He was 71.

Recently, I had the pleasure of speaking with Mike’s longtime friend, Boston Globe journalist Frank Dell’Apa. The two attended the University of Nevada at Reno and it was Mike who encouraged Frank in becoming a newspaper writer. I already knew quite a bit about Mike, but in talking with Frank I really have gotten to know what a truly remarkable guy he was. 

I’d like to share some what Frank Dell’Apa told me about Mike:

Friendship With Ali

15 Year Old Mike Marley Upstages Muhammad Ali

 “It was the Ali relationship that defined Mike’s life. He was 12-year-old when Herb Ralby gave him a ticket to B’Nai B’rith Sports Lodge dinner at Sheraton – Mike was there to get Stan Musial’s autograph, he was a baseball fan at the time. But 20-year-old Cassius Clay stole the show, according to Ralby’s story in the Globe. That was it, Mike became an Ali fan and he started the Cassius Clay Fan Club, which became the Muhammad Ali Fan Club – Mike got business cards that billed him as “The World’s Youngest Boxing Writer” (also Ted Whitfield Fan Club) and became a Ring Magazine correspondent.

“Two years later, Ali came to Boston for the Liston fight and Mike called him at his hotel: Mike fired off an Ali-like rhyme and Ali recognized him as “you’re that kid that’s following me …” and asked Mike if he was “a black boy or white boy,” and Mike replied: “I’m a white boy, should I hang up?” Ali said no and invited him up to his room.

“Then Ali had the hernia operation and the fight was postponed; Mike went to the press conference at Boston City Hospital and Ali put him on the dais as “this little boy from Boston, My No. 1 fan”/ that’s when Mike praised Ali for his boxing prowess, etc. … and also his “humility,” which brought a smile to Ali’s face and also was Ali’s cue to get Mike off the podium since he was starting to actually take the limelight somewhat … they stayed in touch.

“Mike went to Lewiston and almost every Ali fight after that … he got to the training camp in Chicopee,  met everyone, including Diamond Jim Riley, Rudolph Valentino “Rahman” (Ali’s Brother). Angelo Dundee didn’t want to be responsible for Mike and prevented him from boarding the bus to Lewiston. (Mike ended up getting a ride with Diamond Jim Riley). Malcolm X had been assassinated Feb. 21, 1965; Ali-Liston 1 Feb. 25, 1965; Ali-Liston II May 25, 1965 – some thought Ali could be a target of assassins, etc.

“At that time, Mike met another Bostonian — Louis X, who became Farrakhan, they made a connection and met a couple times later – both went to Boston English. … Drew “Bundini” Brown, Wali Muhammad … Mike got on the bus with all of them post-fight (he was only white person on bus) and was part of the family from then on.  Mike’s mother, Dorothy, raised him and he loved her (a photo of her greeted you at his Falmouth home) and his brother Joe (Chip), but father figures/male role models were the boxing guys.”

As  Journalist

Mike With Kris Kristofferson

“Mike’s roots were in journalism and newspaper writing, old school Boston –  totally influenced by the sports writers of the Globe, Herald, Traveler, Post, Record-American, etc. he grew up with. … it was a competitive business and they were clever writers, wise cracking, sense of humor – Bud Collins took a liking to Mike when Mike was abut 12 – Mike always talked about Col. Dave Egan, John Gillooly, etc

“Then came the sports talk shows, they were naturals. Mike was a Glick Nick, he was up late with Larry Glick. To the end, he went to sleep listening to late-night radio talk, now on an Alexa. 

“Also, not many fight writers actually ever got into the ring, at least the modern generation – you guys that did get in there bring an unequaled understanding of the sport to your writing. Bobby Townsend in Brockton was another, he went on to modest pro career. Mike decisioned Townsend in the amateurs. Mike got his start in boxing at New Garden gym where he was trained by Al Clemente and Johnny Dunn. He fought at Arena Annex, the Fargo Building, and in Lowell. He received a boxing scholarship to University of Nevada-Reno, which is where I met him – first time I saw him he was in the ring and he won by TKO against an opponent from Chico State – he was basically all footwork, jab and move. (Crazy having a collegiate boxing team; those were the most passionate college sporting events I’ve seen to this day – forget Final 4s, Beanpots, football Bowl Games – when your classmates are in the ring, it’s not just school pride on the line, it’s something else, as well). [btw – just happened we both went to UNR, lucky for me]

“He told me it was after he fought Johnny Coiley that he realized he wasn’t going to be a pro. Later when at NY Post Mike sparred with Tommy Hearns in Atlantic City.

“We worked together in Reno, Mike got me hired on the school newspaper, then part-time at the Nevada State Journal. I went to Las Vegas before Mike, because Mike actually had been fired three times (and hired back twice) in Reno; minor things, and he would’ve gotten hired back had he stayed – but he decided to come back to Boston and was driving for Ambassador Taxi in Cambridge. Las Vegas Sun hired him and two years later he was hired by sports editor Jerry Lisker at the  NY Post – he covered the Yankees for a couple years, then boxing. I’d say Mike was destined for NY – he loved coming back to Boston and North End was a must (Limoncello, Mare; coffee at Café Dello Sport, Paradiso) … but Boston couldn’t hold him, he needed to be in NY.

 “It was a competitive scene covering boxing in NY; NYT/Daily News/Post/Newsday, also SI and AP/UPI – regulars, experts – Phil Berger, Michael Katz, Marley, Wallace Matthews, Pat Putnam, Ed Schuyler, Dave Raffo – ringside seats and up front at press conferences. Mike was ahead of everybody in “scoops,” and sheer New York-brashness even though Bostonian. He  found Roberto Duran’s father working in a kitchen, I think; also found Tyson’s father; wrote about Tyson getting into a street fight, etc. Mike was close with Tyson, and of course Ali. He also knew Larry Holmes well. As much as Mike admired Ali, he thought Holmes would’ve defeated Ali.

With Lifelong Friend Ali

 “Mike is the only person I know who worked for both Cosell and Don King … he passed the NY bar and could go toe to toe with Harvard Law grad Bob Arum and did so in press conferences. Won  6 Emmys (producer for SportsBeat / Cosell). He was in the room when Arum got involved in boxing for first time, Chuvalo v. Ali in Toronto – as Mike said, Arum had never seen a fight or been in one.”

Mike’s Character

“Mike had a heart of gold – he was a criminal defense lawyer, picked up a law degree from Fordham in his “spare time” while working for NY Post. He basically raised a young kid from Harlem via Big Brother, also sponsored young kids in Ghana. The essence of Mike was he never went after anyone that couldn’t defend themselves; he challenged the guys with the money and the frauds. He was a muckraking journalist and he defended those who needed help, whether in print or courtroom – and the rest of the time he just enjoyed life to the max.”

Thank you to Frank Dell’Apa for sharing his memories of Mike Marley. Mike will be sorely missed. I smiled when I learned Mike’s slogan for his law practice was “Reasonable doubt for a reasonable price.” It is tempting to call Mike a character, but that term isn’t fair. He was a truly interesting person who lived life to the fullest and did his best to help others. 

My deepest condolences to Mike’s brother and former grammar school classmate Joe Shadyac. 

Rest In Peace Mike Marley.

Remembering Ron Stander

Rest In Peace Ron Stander

Trained In Boston For His

Shot At The Heavyweight Title 

Against Frazier

By Bobby Franklin

Ron At The New Garden Gym In 1972

Ron Stander is best remembered for the courage he showed when he challenged Joe Frazier for the heavyweight title in 1972. The fight was stopped after the fourth round with Stander suffering multiple facial lacerations; however, he was never off his feet and had rocked Frazier in the first round. 

Stander, who was known as The Council Bluffs Butcher after one of two places he called home; Council Bluffs, Iowa. He also lived not far away in Omaha, Nebraska where the fight with Frazier took place.

Tom Lovgren was a boxing promoter in Omaha and he arranged for the fight to take place there. He was also an enthusiastic supporter of Stander who believed his local hero had a real chance at upsetting Frazier. Tom decided to bring Ron to Boston to train under the guidance of local fight guy Johnny Dunn. Mighty Joe Young a talented heavyweight from Brooklyn, NY was brought in as a sparring partner.

Young was managed by Frank Gioseffi who had been a heavyweight boxer himself in the 1950s. Frank fought on the undercard of the Marciano/Moore fight. Gioseffi later changed his name to Frank Gio and became a successful actor playing in movies and television. He was in Moonstruck, Once Upon In America, King Of New York, and Analyze That among many others.

Frank wasn’t able to make it to Boston with his fighter so I was asked to handle Joe for the training sessions. That was quite an exciting assignment for a teenage kid; working in the camp for a boxer training to fight for the heavyweight championship. 

His quietness could be taken as brooding, but in reality he was a very nice guy; very easy going.

I got to know Ron Stander while he was in Boston during that time. At first he was a bit scary and intimidating. His quietness could be taken as brooding, but in reality he was a very nice guy; very easy going. 

The ring at the New Garden Gym was quite small, so the sparring sessions turned into spirited affairs. Joe Young was no soft touch and the two of them went at it pretty hard. In an early session Young caught Ron with a left hook that cracked his nose. Not wanting to postpone the bout and risk losing their title chance altogether, Stander and Lovgren opted to use a full face headgear for the rest of the sparring sessions. This protected his nose but limited Stander’s vision while boxing.

After the workouts Dunn and Stander would head downstairs to the Ninety-Nine Club for dinner and pitchers of beer. While a hard worker in the gym, Stander wouldn’t give up his beer.

Ron Defeating Earnie Shavers

Tom Lovgren told me he was convinced Stander had a great shot at winning against Frazier based on the time Ron kayoed Earnie Shavers. It was early in both men’s careers with Shavers having a record of 12 wins and 1 loss with 12 knockouts, and Stander being undefeated in 9 fights with 7 knockouts. 

Shavers gave Stander a real going over in the first two rounds but Ron withstood the battering. Lovgren told me Ron actually broke his arm during the exchanges. Stander came on in the next two rounds and put Earnie down for the count in round four. Lovgren figured Stander could have a similar performance against Frazier. He even put his money where his mouth was by betting $10,000 on Stander at ten to one odds.

The fight took place on May 25, 1972 in at the Civic Auditorium in Omaha. As expected, Ron came out swinging. In the first round he caught Joe with a right hand that shook the champion. Stander held his own and many gave him that round. The crowd was pumped.

Trading With Frazier

Frazier went to work in the second round and by the third was starting to bust Stander up. By the end of the fourth round the referee intervened and put an end to the fight. Ron ended up with 32 stitches in his face, but he never went down and was swinging until the very end. 

For his efforts, Stander’s purse was $100,000 of which he took home about $40,000, the biggest payday of his career. Lovgren lost his bet but not his respect for Stander. He was proud of his fighter as were the fans at the Civic Center who turned out to cheer him on. Ron Stander had nothing to be ashamed of. 

Ron Stander passed away on March 8th from complications related to diabetes. He was 77.

Ron’s son Frank told Peter Huguenin of the Council Bluffs Daily Nonpareil, “As a father, he was probably one of the greatest guys in the world. He never would spank me. He was very, very gentle and loving to me and my sister. He was kind of a gentle giant. He was a different person when he was in the ring obviously, but he was very loving and caring and just always wanted me to keep it real with my deal and make sure I didn’t ever do anybody wrong and he never did anybody wrong and just be a good, genuine person.” 

That’s the Ron Stander I remember from back in Boston in 1972. 

Joe Frazier And Ron Stander

Stander would continue fighting after the loss to Frazier. He stepped in with the likes of Ken Norton, Scott LeDoux, James Tillis, Jeff Merritt, and Gerrie Coetzee. He was never able to pull out the big win, but always gave it his all. 

He retired in 1982 with a career record of 37 wins (28 by knockout), 21 losses, and 3 draws. After leaving the ring he worked as a machine operator at Vickers Inc. He made a decent living and was a good father and grandfather, well loved by his family and in his community of Council Bluffs where he lived until his death.

Ron Stander may not have been the most talented of fighters, but he was among the toughest. More importantly, he is remembered as a good man, something much more important than being a champion.

 

Cassius Vs Sonny: Banks That Is 

Cassius Tickles The Ivories While Sonny Dreams Of Victory

Clay Hits the Canvas for the First Time, Banks’ Life Ends In Tragedy

By Bobby Franklin

Cassius Clay was making quite the name for himself by the time 1962 had rolled around. He had a stellar amateur career behind him culminating in an Olympic Gold medal, and was undefeated in ten professional fights when he signed to fight Sonny Banks in Madison Square Garden on February 10 of the year.

Clay had already defeated some very respectable heavyweights, and this, coupled along with his self-promotion had drawn a lot of attention to the young man from Louisville, Kentucky. He had wins over the likes of Willi Besmanoff, Alex Miteff, LaMar Clark, and Alonzo Johnson. All were decent opponents.

Sonny Banks had a different career arc. He had not had any amateur bouts, and in his 12 fights leading up to his match with Cassius, he had won 12 and lost 2. He had been kayoed by Joe Shelton and lost a decision to Chuck Garett. He avenged the loss to Shelton with a knockout victory. His level of opposition was nowhere near the level of Clay’s, but he was known for having a solid punch. They had one common opponent, Tunney Hunsaker, whom Clay had beaten by decision in his first pro fight. Banks stopped him in two rounds. Hunsaker was the best Sonny had fought.

On fight night Clay was a five to one favorite. The bout didn’t attract a very big crowd but was on national television. It was a replacement fight for a match between Eddie Machen and Cleveland Williams, which had been postponed.

Clay was not expected to have any problem defeating Banks. He had much more experience, was faster, and was riding high at this early stage of his career. Banks was still getting his footing in the game. However, this was boxing and anything can happen in a fight. Cassius Clay was briefly tested in the early moments of the fight, and how he reacted gave some great insight into what he was made of.

Banks Drops Clay

In the first round of the fight, Clay came out dancing and self-assured. He was taking control early and moving on his feet a lot. Banks was following after him. At one point Cassius backed Sonny into a corner and appeared to have him trapped when suddenly, Banks unleashed a vicious left hook that caught Clay flush on the jaw. The former Olympian went down hard. I have seen this referred to as a flash knockdown, and Clay did get up fast, but make no mistake about it; he was tagged hard and appeared to have lost consciousness right after being hit.

As hard as he was hit, Clay regained his feet very fast. He was sent to a neutral corner by referee Ruby Goldstein while receiving an eight count. Another sign he was hurt was the fact that he put both hands on the ropes while in the neutral corner. Goldstein pulled his arms off the strands and sent him back into action.

Cassius recovered very quickly and was almost immediately on the attack. It was the first time he had been decked as a professional and he was not happy it happened.

Clay now stopped moving as much on his feet and focused on laser focused shots to the head. His hand speed was phenomenal, and he had precision accuracy. Banks began taking a frightful beating. This was quite a first round.

Clay Opens Up On Banks

In round two, Clay came out ready to end it. He battered Banks around the ring and dropped him near the end of the round. In the third round, the attack continued, and while Clay was not able to drop Banks again, he gave him a terrible going over. It was getting so bad that the referee called the doctor in to examine Sonny between rounds. The doctor told Ruby to keep a careful eye on the fighter and not hesitate to stop the fight.

As the fourth round opened, Clay continued his relentless assault. Referee Goldstein mercifully stopped the carnage after just 26 seconds. Other than the knockdown scored by Banks, this fight was as one sided as they come. However, it did tell us quite a bit about the potential of a young Cassius Clay. It also was the beginning of another tragedy in boxing. This one involving Banks.

Clay showed he could take a really hard punch, could be on the verge of being knocked out, and come roaring back. The fact that he rose from such a serious punch so quickly showed he was made of championship material. Cassius also displayed a killer instinct.
Once he perceived Banks to be a threat, he went to work, taking him apart mercilessly. He didn’t waste any motion, a fault he had throughout his career, and made every move count. He could be a brutal puncher when he put his mind to it. He had power, but more importantly, he had accuracy.

Banks Hits The Canvass

Poor Sonny Banks would end up one of boxing’s victims after the fight. He should never have been in with Clay to begin with. Even though they had similar professional records, Sonny had nowhere near the experience. He had no amateur career behind him and had not been in with the same caliber of opposition. I believe he was called in late to the fight as the promoters were looking to fill in the spot left open when the Machen/Williams bout fell through. Because of this, Banks gained notoriety by ending up on television and also because he had decked Clay. It was the worse thing that could have happened to him.

He was definitely seriously hurt by Clay, and worse, he was now a salable commodity. He would now be elevated to a level that was beyond where he would have been had he not fought Clay and had been brought along at a normal pace for a young prospect. In his very next fight he was matched with Young Jack Johnson. Johnson was a top ten heavyweight and vastly more experience than Banks, having stopped Zora Folley and beaten Willi Besmanoff, Ezzard Charles, and Marty Marshall. He had fought 41 times when he faced Banks. Johnson kayoed Sonny in the fifth round.

Referee Stops The Fight

After the Johnson loss, Banks went back to facing opposition more on his level and put together a number of wins over the next year and a half. He had not shown much improvement but still was a known name. In 1964 he was put in with Cleveland Williams. Williams had over 60 wins at the time with most coming via knockout. He gave Sonny a terrible beating stopping him in the 6th round.

This should have been it for Sonny Banks, but it wasn’t. Eleven months later he was put in with top prospect Leotis Martin. At this point Sonny had already taken at least three serious beatings. Boxing was not a profession he should have been pursuing, but he had a name because of the Clay fight.

It is said Sonny Banks died from injuries incurred in the Martin fight, but the circumstances leading up to his death began three years earlier in Madison Square Garden when he had his moment of glory against Cassius Clay.

Unfortunately, that notoriety cost him his life. In the Martin fight, Sonny was knocked out in the ninth round and died three days later. It is said Sonny Banks died from injuries incurred in the Martin fight, but the circumstances leading up to his death began three years earlier in Madison Square Garden when he had his moment of glory against Cassius Clay. His fame made him marketable for promoters, but he never made anything himself and was killed at the age of 24. A story not unusual in the fight game.

Rest In Peace Marion Conner

Former New England Heavyweight and Light Heavyweight

page1image19644608Champion Passes at the Age of 81

By Bobby Franklin

Marion Conner had a magical smile. When you would see him flash it, it was hard to believe this man had a career in the most violent sport there is. Yet, there was a kindness to his face that belied his career as a professional prizefighter. On January 12, 2022 Marion Conner passed away. He had been suffering for a number of years from dementia brought on from his years in the ring.

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Marion was born in 1940 in Canton, Ohio. From an early age he was athletically gifted and participated in swimming, basketball, track, and football, but it was boxing that captured his imagination. I first met Marion Conner in 1965. I was a ten-year-old boy, and my father had taken me to some sort of sporting show.

At the time, I was a very shy kid, but for some reason loved to watch boxing on TV. When my father asked me if I would like to meet a real boxer in person, though a bit nervous, I jumped at the chance. He brought me over to this very handsome fellow with the friendliest smile. It was such a thrill for me to meet Marion Conner, and he made me feel like his friend. We squared off for a photo, and I never forgot that moment and the nice person who made me feel so important.

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About two years later, I would attend my first professional boxing card. It was on December 18, 1967. My father brought me to the Boston Garden where we were seated a couple of rows behind former Governor Foster Furcolo. As I sat there, I saw my friend Marion Conner step into the ring with the number one heavyweight contender, Joe Frazier. I now had a personal connection right into that ring, and I was so proud of how my friend handled himself. Outweighed by thirty pounds and in with one of the all-time greats, Marion did not give an inch. He was not an opponent. He was in there to win and go on to become world champion.

Unfortunately, he had run into one of boxing’s greatest fighting machines. Not only had Marion been decked, but the referee went down as well. When you look at a picture taken right after the fight, you can see the disappointment etched in Marion’s face. He had come to win and felt he had let everyone down. Well, he hadn’t let me down. He showed this now 12- year-old what courage and determination was all about. To me, he was a winner and a champion, and I was proud of him.

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Forty-five years later I would meet Marion Conner once again when he came to Boston to receive an award. We got to have another picture taken, and you can still see that wonderful smile on his face. We talked about his boxing career and how it still pains him that he never became a world champion. How thrilled he was to have met such greats as Joe Louis, Ezzard Charles, and Jersey Joe Walcott. His time living in Roxbury and training at the New Garden Gym, a gym I would later work out at as I tried my hand at a boxing career. His friendship with New England Boxing Champ Larry Carney and how much he respected Larry.

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When I asked him about his fighting style, he told me he was an aggressive body puncher with a very strong left hook to the head and wore his opponents down. As an amateur, he had competed as a southpaw and was turned around when he became a pro. In his first fight with Tom McNeeley, Marion credits a part of that win to switching to lefty midway through the bout. Boxing scribe Mike Marley remembers the bout that way as well.

When our discussion turned to his fight with Joe Frazier I was surprised to learn from Marion that his handlers told him to trade left hooks with Joe Frazier. That wasn’t very wise advice. I believe Marion’s best chance would have been to use his speed and a sneak right hand.

’On November 16, 1966, tragedy struck when Marion met rugged Greatest Crawford of Brooklyn, NY at the Canton Memorial Auditorium. Marion had an outstanding record of 30 fights, 23 wins, six losses, and one draw going into this fight. Crawford, who was 26 years old, was knocked out in the ninth round and was taken to a hospital after efforts to revive him failed. He underwent surgery to remove a blood clot in his brain but succumbed to the injury on November 17, 1966. The tragedy of that night took the fire out of Marion.

Marion’s wife, Emma, told me he was never the same after that fight. He would now let up when he had an opponent hurt. In his rematch with Herschel Jacobs, Marion had Jacobs cut but then backed off out of fear of hurting him. His post-Crawford record of 7-17-1 shows just what an effect the sad outcome of that fight had on him.

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During his career, Marion Conner fought many of the top names in an era when boxing was still a sport with many great fighters. Look at his record, and along with Joe Frazier, you will see many familiar names. Henry Hank, Herschel Jacobs,

Tom McNeeley, Jimmy Dupree, Levan Roundtree, Mark Tessman, Billy Tisdale, Billy Douglas, and Ronnie Harris, to name just a few. It is also something to note that Joe Frazier had 37 bouts against 30 different opponents. Only two of them were light heavyweights, one being Bob Foster and the other Marion Conner. Quite an exclusive club to be in. It has been a long time since that ten year old boy first met the boxer with the warm smile, but he was still the man I remember so well from that day. When heard he had died I felt very sad. I know he is still smiling. There was something very special about him.

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Marion and his lovely wife Emma had just celebrated their 60th Wedding Anniversary in November. Emma was his strength, and their’s was a wonderful love story. In his later years Marion devoted much time at the Food Ministry at the Community Life Church Of God In Christ. He was a good man.

So long Champ, you will be missed.

 

 

 

Mauriello Vs Louis

Tami Mauriello 

vs 

Joe Louis

Short But Exciting

By Bobby Franklin

Tami Mauriello

Tami Mauriello began his boxing career in 1939 fighting as a welterweight. He went undefeated in his first 24 fights before losing to the great Billy Soose by a split decision. He then went on an eight fight winning streak while moving up to the light heavyweight ranks where he earned a title shot in a bout with Gus Lesnevich. In only his second loss, Tami was robbed of the title coming out in the short end of a very unpopular decision.

Three months later the two would fight again and this time Lesnevich won a unanimous decision over Mauriello. After this loss Tami began his move into the heavyweight ranks. In his debut fight at the new weight he demolished Jay D Turner in the first round. Turner had nearly forty pounds on Tami but was no match for him.

Mauriello continued successfully campaigning at the heavier weight in hopes of landing a shot at champion Joe Louis. WWII put things on hold for Joe who was serving in the Army. Meanwhile, having scored wins over Gunnar Barland, Tony Musto, Red Burman, and a draw with Bob Pastor, In 1942 Tami was matched against Jimmy Bivins for the Interim Heavyweight Title. The fight with Bivins was a spirited affair with Jimmy gaining a 10 round split decision and the Interim Title.

Tami was back in the ring soon after scoring four wins including victories over Lou Nova and Lee Savold, he got another shot at Bivins. This time Jimmy won by a majority decision.

Tami On The Attack Against Lesnivich

Mauriello would have to wait a few years before getting another crack at a title, but he stayed busy. He fought 26 times before finally getting his shot at Joe Louis. Out of those 26 fights Tami won 24, losing only to Joe Baski and Lee Oma. He avenged the Oma defeat. He also beat Gunnar Barland, Lee Savold, and Lou Nova again, as well as knocking out British Champ Bruce Woodcock. He now was signed to fight Joe Louis.

Most observers felt that even an older Joe Louis who had recently returned from the Army and had won a long awaited but disappointing rematch over Billy Conn, would have no trouble with Tami. Yet, they also knew Mauriello possessed dynamite in his right hand, and there were distant memories of what Max Schmeling had done to Joe back in 1936, kayoing the Brown Bomber with overhand rights. Joe had learned from that loss, but could the fact that he had slowed down over the past ten years coupled with his inactivity because of the war make him vulnerable once again? That, coupled with the fact that Tami was a legitimate contender, was enough to make the match interesting to fans. 

On September 18, 1946 the two stepped into the ring at Yankee Stadium before a crowd of 38,494 fans. The fight would last just a little over 2 minutes but there were fireworks. 

Tami came to win and he went right after Joe. Many believe what happened in the opening seconds of the first round was just a lucky punch by Mauriello, but if you watch the film closely you will see Tami had a plan, though one he was able to follow through to completion. 

Mauriello Lands The Right On Louis

At the bell the two came out of their corners with Joe stalking the challenger and Tami circling to his left. After just a few seconds Mauriello threw a wide left hook with caught Joe’s attention. While Louis was distracted by that punch, Tami let go with solid straight right hand catching the Champion flush on the jaw. Louis shaken by the punch and  appeared briefly to be hurt. The crowd went wild sensing a massive upset was in the works. However, Joe quickly regained his composure and tore into Mauriello who desperately tried to land a follow up right hand. 

Joe then settled down and started landing short hard shots on Tami who went down twice, but all the time he fought back ferociously. At the 2:02 mark of the round the fight was over. The crowd felt they got their money’s worth, and Tami would always be remembered for his booming right hand shot that connected.

Joe Lands A Left Hook That Lifts Tami Off His Feet

It has to be noted that this was not a lucky punch. Tami’s use of the decoy left hook was a strategy that nearly worked. He drew Joe’s attention with the move which set up the opening for the right hand he threw. Mauriello was a very, very good fighter, and he knew what he was doing. He just couldn’t follow up against the great Joe Louis.

Tami continued fighting until 1949 when he retired with a record of 82-13-1 including 60 wins by knockout. He was only stopped on 4 occasions. Movie fans will remember seeing him in the classic movie On The Waterfront alongside Marlon Brando and Lee J. Cobb.

Tami Mauriello passed away on December 3, 1999 suffering from dementia  caused by boxing, the fate that most fighters end up dealing with. He will always be remembered for his match with Louis, but should also get the respect he deserves for the stellar boxing career he had. Tami’s right hand would tear up today’s so-called heavyweight boxing division. 

Murder In Montreal

Jeanette Zacarias Zapata

Dies After Suffering Beating In Ring

18 Year Old Had Been Knocked Unconscious 

Just Three Months Earlier

By Bobby Franklin

Jeanette Zacarias Zapata

Jeanette Zacarias Zapata took her last breath on September 2, three months, two weeks, and five days after having been brutally knocked out by Cynthia Lozano in a boxing match in Reynosa, Mexico. That fight held on May 14 was Zapata’s first bout since being stopped on November 9, 2018 at the Jose Sulaiman Arena in Monterrey, Mexico when she was only 15 years old and fighting as a professional.

When you read the news accounts of her death last week it will be reported that she died from blows received in a fight on Saturday night in Montreal, Canada. While it is true the right cross delivered by Marie Pier Houle was the final blow she would ever be hit with, her death was no accident. 

If you watch footage of her loss to Cynthia Lozano from back in May you will see eerie similarities in the way the two fights ended. In both, Zapata is trapped in a corner and seems not to have the skills to defend herself. In the fight in Mexico she sinks to the canvas in a way that would be seen this past week in Montreal. The difference between the Montreal bout and the fight in Monterrey is that after some time passed, the fallen Zapata was able to be revived. Revived to be allowed to fight again, or rather be used again by promoters looking to build up the record of an up and coming “prospect”. 

Zapata Before The Opening Bell

Some questions that should be answered: Was she given a thorough examination after being kayoed in Mexico? Was a brain scan performed? Was medical information about her condition known by the promoters in Montreal? Had the promoters seen footage of that loss? If so, did they have any concerns about her fitness to fight? And most importantly, why did they allow someone so young who had suffered such a terrible beating so soon before to fight? 

Marie Pier Houle is an undefeated pro with a record of 4 wins, no losses, and one draw. At 31 years of age she is a fully matured adult woman who was facing a pudgy teenager. Houle, a native of Quebec, has been fighting since June of 2019. It is clear from watching the fight that Houle completely outclassed Zapata. The teenager from Mexico was clearly just an “opponent” for the local favorite Houle.

The Fatal Blow Landed By Marie Pier Houle On Zapata

There’s no getting around what happened here. A poor teenage girl from Mexico is talked into turning pro at the age of 15. She has five fights, all in Mexico, winning only two. She is stopped twice, the second stoppage being the brutal knock out in Monterrey. A couple of months later she is brought up to Montreal to fight a hometown favorite on the undercard of a World Boxing Council sanctioned title fight. It is worth noting the WBC was founded by Jose Sulaiman. The same Jose Sulaiman whose name adorns the stadium in Mexico where Jeanette Zacarias Zapata once fought. The WBC is now run by Sulaiman’s son Mauricio Sulaiman. It is widely known that the WBC is a corrupt organization that uses its power to extort money from boxers in the form of sanctioning fees. These fees are taken out of the purses of the fighters. The safety of boxers has never been a priority for the people who run the organization. They have become quite wealthy off of the blood of fighters over the years.

Zapata Unconscious
She Did Not Wake Up

Boxing has always been a seedy sport populated by thugs and lowlifes. This was accurately portrayed in the movie The Harder They Fall, starring Humphrey Bogart. As terrible as the characters in the movie are, they look like den mothers compared to what is going on today. The current crop of sleaze that control boxing have sunk to levels never before thought possible; they are now using poor adolescent girls as fodder for their for- profit entertainment business. What’s worse, the public is paying to watch this perversion. 

Last week Jeanette Zacarias Zapata should have been hanging out with friends and doing the things teenage girls do. Instead, she was being led into a boxing ring after suffering a traumatic brain injury. She was being led to her death. She, like so many others, was nothing but fodder to be used to build up a new prospect. 

We are told Zapata was cleared by a doctor to fight. What real doctor would clear a kid who was recently knocked out so badly that she lay on the floor for minutes without moving? That is the very definition of a brain injury. That is the very definition of neglect. 

The following statement was issued by the Mexico based WBC: 

“The president of the WBC, Mauricio Sulaiman and the entire boxing family affiliated with the WBC, as well as all boxing, mourns this irreparable loss. We send our deepest condolences to the family and friends of Jeanette. May she rest in peace.” 

How caring, “The entire boxing family”. More like the Manson Family. I can just feel the love. 

I don’t know a lot about the personal background of the young Zapata. I very much doubt she came from an upper middle-class family. Odds are she was poor. She most likely wanted to improve her lot in life and was sold a bill of goods about how boxing could be her way to a better life. Her parents, if they were still in the picture, probably bought into the narrative as well. 

Like drug dealers giving kids their first taste of drugs to get them hooked, boxing people looking for opponents sell them on the narcotic called boxing while sweet talking them into how they will one day achieve fame and fortune in the ring. To a fifteen year old this would sound great. The reality is quite different.

Jeanette Zacarias Zapata

For those who say “Hey, these people know the risks they are taking. It’s their choice”, I would ask if they would let their adolescent son or daughter be used like this? Do you really think a young teenager is capable of weighing all the dangers involved in getting involved in such a profession? Would you really want your child being watched out for by the likes of the Sulaimans and others like them? Would you allow your child to step back into a boxing ring just less than three months after suffering a traumatic brain injury? Would you ever allow them to fight again?

Jeanette Zacarias Zapata will soon be forgotten. Boxing and the animals who run it will still prosper. Fans will still get their kicks out of watching kids suffering brain injuries for entertainment. Fighters will continue to die, but this rotten profession will live on. It’s sickening.

Live Theatre Returns To The Greater Boston Stage Company

THE 39 STEPS MARKS THE RETURN TO MAINSTAGE PROGRAMMING AT GREATER BOSTON STAGE COMPANY 

Live theatre returns to Greater Boston Stage Company! The raucous The 39 Steps kicks off the 2021- 2022 mainstage season on September 23rd as GBSC presents this fast-paced whodunit for anyone who loves the magic of theatre. This two-time Tony (R) and Drama Desk Award-winning treat is packed with laughs, a slew of characters, a plane crash, handcuffs, missing fingers, and some good old- fashioned romance. Adapted by Patrick Barlow based on the thriller directed by Alfred Hitchcock and the novel by John Buchan, The 39 Steps is directed by Associate Artistic Director Ilyse Robbins. Performances run September 23 – October 10, 2021.

“I am honored and thrilled (get it?) to direct this first mainstage show on our road to recovery,” says Robbins. “What better way to come back to the theater than to enjoy a good old-fashioned comedy/whodunit/romance where 4 actors play over 100 roles. I have the great good fortune to work with four of the funniest actors in town. They give new meaning to the words, ‘We wear many hats.’ I hope you will find yourself laughing as much as I do.” 

Russell Garrett

The cast of The 39 Steps includes Grace Experience, Russell Garrett, Paul Melendy, and KP Powell. The design team is comprised of Scenic Designer Shelley Barish, Lighting Designer Daisy Long, Costume Designer Rachel Padula-Shufelt, Sound Designer Andrew Duncan Will, and Props Master Emme Shaw. Shauwna Grillo is the Production Stage Manager.

For more information or to purchase tickets, call the Box Office at Greater Boston Stage Company at (781) 279-2200, or visit www.greaterbostonstage.org 

Greater Boston Stage Company is pleased to announce that we have joined with a coalition of Boston- area theatres to implement masking, vaccination and testing policies designed to keep our audiences, artists, staff and volunteers safe in accordance with CDC and local guidance. The following policies will be in place from September 1 through October 31. For more information, please visit:

http://www.greaterbostonstage.org/health-and-safety.html 

Live Theatre Returns To SpeakEasy Stage In Boston

THE SOUND INSIDE

Opens At SpeakEasy Stage

September 24

From September 24 to October 16, 2021, SpeakEasy Stage Company will proudly present the Boston-area premiere of the gripping drama THE SOUND INSIDE by Adam Rapp.

Nominated for six 2020 Tony Awards including Best Play, THE SOUND INSIDE is an intensely quiet play that introduces us to Bella Baird, a novelist who, in the seventeen years since she was last published, has almost completely isolated herself from the world.  But everything changes when she meets Christopher, a brilliant but enigmatic student in her creative writing class at Yale. As their friendship deepens, their lives and the stories they tell about themselves become intertwined in unpredictable ways, leading to a shocking request. Intensely intimate and deeply moving, THE SOUND INSIDE is “an astonishing new play… about fiction, both the kind we read and the kind we live.” (The New York Times)

Playwright Adam Rapp made his Broadway debut with THE SOUND INSIDE, which was commissioned by Lincoln Center and received its world premiere in 2018 at the Williamstown Theatre Festival.  A 2006 Pulitzer Prize finalist for his play Red Light Winter, Rapp is also the author of Nocturne (American Repertory Theatre, New York Theatre Workshop), Finer Noble Gases (26th Humana Festival), Stone Cold Dead Serious (A.R.T.), Blackbird (The Bush, London), and Essential Self-Defense (Playwrights Horizons/Edge Theatre), among others.  

Director Bryn Boice will helm this Boston premiere production of THE SOUND INSIDE Winner of the 2019 Elliot Norton Award for Outstanding Director, Large Theater for Commonwealth Shakespeare Company’s Universe Rushing Apart: Blue Kettle & Here We Go, Ms. Boice returns to SpeakEasy after having directed the company’s 2020 production of The Children. Ms. Boice also serves as the Associate Artistic Director at Commonwealth Shakespeare Company and is a professor at Salem State University.

Jennifer Rohn (Broadway’s The Kentucky Cycle) and Nathan Malin (SpeakEasy’s Admissions) will star in this production.

NATHAN MALIN (Christopher) is thrilled to return to SpeakEasy after appearing in its production of Admissions. Other area credits include Gone Nowhere (Boston Playwrights’ Theatre); The Crucible (u/s, Bedlam); Vanity FairThe Happy Prince/Matchless (u/s, Underground Railway Theater); 1984The Lathe of Heaven (Boston University); Maura Dunne (The Poets’ Theatre), Titus Andronicus (Actors’ Shakespeare Project); and Much Ado About Nothing (Boston Theatre Company). Nathan was also a production intern on Uncle Romeo Vanya Juliet (Bedlam). Training: Boston University, Shakespeare & Company.

JENNIFER ROHN (Bella Baird) is making her SpeakEasy debut with this production.  A 2019 Elliot Norton Award winner for her performance in Dark Room (Bridge Repertory Theater), Jennifer began her professional career appearing in numerous productions created by renowned experimental theatre director Robert Wilson.  She has also appeared on Broadway in The Kentucky Cycle and The Crucible, and in several Off-Broadway productions including Love’s Fire and The Caucasian Chalk Circle (The Public Theater); Romeo and Juliet (The New Victory Theater); The CIVIL warS (Brooklyn Academy of Music); and Another Person is a Foreign Country (Anne Bogart, director/ En Garde Arts). Her regional theater credits are extensive and include work for The American Repertory Theater, The Huntington Theatre, The Guthrie Theater, The Cleveland Play House, The Kennedy Center, The Seattle Repertory Theatre, The Philadelphia Theatre Company, and The Dallas Theater Center.  She toured Europe with Hamletmachine, and appeared at La Scala in Salome (Robert Wilson, director) and at The Barbican Centre in Love’s Fire (Mark Lamos, director). Her television credits include several television commercials, Law and Order, American Playhouse, and the film Crossing the Atlantic. Jennifer teaches at Bennington College.

 

THE SOUND INSIDE will run for four weeks, from September 24 through October 16, 2021, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

For tickets or more information, the public is invited to call BostonTheatreScene Ticketing Services at 617.933.8600 or visit www.SpeakEasyStage.com.