Category Archives: Theatre Announcements

Show Boat at The Reagle Music Theatre In Waltham

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Broadway’s Ciarán Sheehan and Boston’s Own Sarah Muirhead headline in

Show Boat

The epic tale of life on the Mississippi

Reagle Music Theatre, July 6-16, 2017 – 8 performances only

Directed and Choreographed by Rachel Bertone

Broadway’s “Phantom,” Ciarán Sheehan, returns to Reagle Music Theatre of Greater Boston to take on the role of GAYLORD RAVENAL in Jerome Kern and Oscar Hammerstein II’s 1927 masterpiece Show Boat.Running from July 6-16 for 8 performances only, Show Boat will also star Boston’s own Sarah Oakes Muirhead (Sunday in the Park with George) as MAGNOLIA HAWKS.  A groundbreaking show when it debuted in 1927, Show Boat continues to touch audiences with timeless themes and unforgettable music.  Rachel Bertone (IRNE Award Winner, Carousel, Wild Party) will direct and choreograph this intimate Goodspeed Musicals version of the production, in creative partnership with Musical Director and Conductor Daniel Rodriguez (Carousel, Barnum).  Original set design by Mike Micucci.  Producing Artistic Director Robert J. Eagle.

“What’s beautiful about the Goodspeed version of Show Boat, that our producer Bob Eagle has procured, is that it focuses very concisely on the themes of loss and love—the themes that bind all of us.” said Rachel Bertone, Director/Choreographer. “The beauty of the theatre, to me, is how it so powerfully reflects our humanity in all its strengths and weaknesses, how it holds a mirror up to who we are so that we might learn something about our own journeys through life. Great writing, like Show Boat, accomplishes this and as a director I feel an almost sacred responsibility to convey these themes with as much truth and integrity to our audiences as I can muster.”

Show Boat is based on Edna Ferber’s bestselling novel, following three generations of the Hawks family on the Cotton Blossom river boat from 1887-1927. The story chronicles the fortunes of naïve Captain’s daughter Magnolia and her troubled husband Gaylord Ravenal, and the lives of the performers, stagehands, and dock workers whose lives are affected by the ever-changing social current along the Mississippi River. Show Boat was the first fully integrated “book musical”, tackling issues of unhappy marriage, miscegenation and racial prejudice. The musical’s classic songs, including “Ol’ Man River, “Only Make Believe,” “Can’t Help Lovin’ Dat Man,” and “You Are Love,” have become mainstays of the Broadway canon.

Performance Schedule:  Thurs, July 6th at 2:00 PM; Friday July 7th at 7:30; Sat, July 8th at 7:30 PM; Sun, July 8th at 2:00 PM; Thurs, July 13th at 2:00 PM; Fri, July 14th at 7:30 PM; Sat, July 15th at 7:30 PM; Sun, July 16th at 2:00 PM.

 www.reaglemusictheatre.com,  781-891-5600, The Reagle Music Theatre, 617 Lexington Street, Waltham, MA).

Hershey Felder Returns to Hartford Stage in Our Great Tchaikovsky

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Limited Engagement!
Only 11 Performances –August 19-27

Performer/Creator of George Gershwin Alone;
Director and Adaptor of The Pianist of Willesden Lane

Hartford Stage will present Our Great Tchaikovsky, a celebration of the famed Russian composer, written and performed by internationally-acclaimed pianist, actor and playwright Hershey Felder, for a limited one-week engagement – August 19 through 27.

The Chicago Sun Times raved, “The quadruple threat performer Hershey Felder is an actor, singer, pianist and writer, and all of the first order.” After its record-breaking world premiere at the San Diego Repertory Theatre, the San Diego Union-Tribune called it, “A powerful, emotional experience well worth seeing.”

Our Great Tchaikovsky marks Felder’s return to Hartford Stage. His previous productions include George Gershwin Alone in 2004 and Monsieur Chopin in 2006. Most recently, he adapted and directed The Pianist of Willesden Lane in 2015.

With direction by longtime collaborator Trevor Hay (Hershey Felder as Irving Berlin), Our Great Tchaikovsky celebrates Russia’s most beloved and mysterious composer in a time-bending story of culture and politics.

Among Piotr Ilyich Tchaikovsky’s masterworks included in the show are the ballets Sleeping Beauty, Swan Lake, and The Nutcracker; concerto pieces Violin Concerto, Piano Concerto no. 1 and Rococo Variations for Cello; the opera Eugene Onegin; orchestral pieces Romeo and Juliet, the 1812 Overture and Marche Slav; and Symphony No. 6, Pathétique. Just nine days after Tchaikovsky conducted the premiere of Pathétique in St. Petersburg, he died suddenly at the age of 53. Our Great Tchaikovsky explores the mystery surrounding his death while paying homage to the composer and his music.

Felder has played over 4,500 performances of his self-created solo productions at some of the world’s most prestigious theatres and has consistently broken box office records. Maestro, Felder’s tribute to the life and work of composer-conductor Leonard Bernstein, was recognized as a Top 10 Play and Musical by TIME magazine last year. His other shows include: George Gershwin Alone (Broadway’s Helen Hayes Theatre, West End’s Duchess Theatre); Monsieur Chopin; Beethoven; Franz Liszt in Musik; and Lincoln: An American Story. Future productions include the new musical, Chosen by G-d, for which he is writing music, book and lyrics. Felder’s compositions and recordings include Aliyah; Concerto for Piano and Orchestra; Fairytale, a musical; Les Anges de Paris; Suite for Violin and Piano; Song Settings; Saltimbanques for Piano and Orchestra; Etudes Thematiques for Piano; and An American Story for Actor and Orchestra. Felder is the adaptor, director and designer for The Pianist of Willesden Lane; producer and designer for the new musical Louis and Keely: ‘Live’ at the Sahara, directed by Taylor Hackford; and writer and director for the upcoming Flying Solo, featuring opera legend Nathan Gunn.

In addition to direction by Hay and scenic design by Felder, the creative team includes Costume Designer Abigail Caywood; Lighting and Projections Designer Christopher Ash; Sound Designer Erik Carstensen; and Research and Dramaturgy by Meghan Maiya. Our Great Tchaikovsky is produced by Samantha F. Voxakis, Karen Racanelli and Erik Carstensen.

hartfordstage.org     Box Office: 860-527-5151

 

The International Hit Sensation Mamma Mia! Kicks off the Ogunquit Playhouse’s 85th Anniversary Season

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Runs From May 17th through July 1st

The Ogunquit Playhouse kicks off its 85th Anniversary Season with the international smash hit Mamma Mia!, dazzling audiences on stage from May 17 to July 1. Over sixty million people from around the globe have fallen in love with the characters, the enchanting story and ABBA’s timeless music which makes Mamma Mia! the ultimate feel-good show! This sunny, funny, international sensation unfolds on a Greek island paradise when on the eve of her wedding, a young woman’s quest to discover the identity of her father brings three men from her mother’s past back to the island they last visited twenty years ago. Non-stop laughs and explosive dance numbers, along with the magic of ABBA’s hit songs that include “Super Trouper,” “Dancing Queen,” “Knowing Me, Knowing You,” “Take a Chance on Me,” “Thank You for the Music,” “Money, Money, Money,” “The Winner Takes It All,” and “SOS,” combine to make this enchanting show a trip down the aisle you’ll never forget!

A cast of Broadway veterans will headline the show including Kate Chapman, Jodie Langel, Angie Schworer, David Engel, Fred Inkley, and star of stage and screen Patrick Cassidy.

Starring as Donna is Jodie Langel, who is making her Ogunquit Playhouse debut. Langel has performed on Broadway and National Tours as Cosette in Les Miserables, as the youngest ever Grizabella in CATS, and as the Narrator in Joseph and the Amazing Technicolor Dreamcoat. Her many regional theatre credits include Evita as Eva Peron, and Funny Girl as Fanny.

Angie Schworer returns to the Ogunquit Playhouse to star as Tonya. Schworer was last on the Ogunquit stage as Roxie in 2010’s Chicago and as Irene in 2007’s Crazy for You. On Broadway, Schworer has appeared alongside Matthew Broderick and Nathan Lane as Ulla in The Producers, and received an Astaire Award nomination for her performance in Catch Me if You Can. She’s been seen on television in “Law and Order,” “CSI,” “As The World Turns,” and “Smash.” She has also appeared in the film version of The Producers.

Starring as Rosie is Kate Chapman, who hails from Broadway to make her Ogunquit Playhouse debut. Most recently, Chapman starred in the cast of Mary Poppins on Broadway, and was a part of the original 2006 revival cast of Les Miserables. Chapman starred as Ms. Claus for five seasons on the Radio City Christmas Spectacular, and was a part of the ensemble in the films Chicago and Nine.

Briana Rapa is making her Ogunquit Playhouse debut as Sophie, following her international tour as Belle in Disney’s Beauty and the Beast.

Patrick Cassidy

Star of stage and screen, Patrick Cassidy makes his Ogunquit Playhouse debut as Sam. A veteran of Broadway, film and television, Cassidy most recently appeared in A Little Night Music at A.C.T. in San Francisco and starred opposite Patti Lupone in Annie Get Your Gun. He also had the honor of recreating the role his father, Jack Cassidy, originated on Broadway in the Dallas Theater Center’s production of It’s a Bird It’s a Plane It’s Superman. Cassidy won the 2002 National Broadway Theatre Award for Best Actor for his performance in Elton John’s Aida, and was nominated for an Emmy for his performance on the TV Miniseries “Dress Grey.” In addition to his lauded performance as Julian Marsh in 42nd Street, Cassidy originated the role of Balladeer in Stephen Sondheim’s Assassins at Playwright Horizons, and appeared in Lady in the Dark at City Center’s Encores! On television, Cassidy has guest starred on “Law & Order SVU,” “Castle,” “Crossing Jordan,” “Without a Trace,” “According to Jim,” “CSI Miami,” and “ER,” among many others.

Returning to the Ogunquit Playhouse to star as Harry is David Engel, who was last seen at the Playhouse as Gomez in the 2014 hit, The Addams Family. Engel most recently appeared on Broadway in Putting It Together and Seussical, as well as the original production of La Cage aux Folles. Engel created the role of Smudge in the original New York production of Forever Plaid, and again in Plaid Tidings and Forever Plaid: The Movie. In addition to his work on the stage, Engel shared an on-screen romance with RuPaul in the award winning musical short film Zombie Prom.

Fred Inkley stars as Bill in his Ogunquit Playhouse debut after his lauded tenure as Valjean in Broadway’s Les Miserables. Inkley received a Helen Hayes and Jeff Awards nomination for his performance as Beast in Disney’s Beauty and the Beast, as well as a Jeff Award nomination for his touring performance as Valjean in Les Miserables. Inkley appeared as a Guest Artist for the Boston Pops in 2013.

Box Office: 207.646.5511

ogunquitplayhouse.org

 

 

HUNTINGTON THEATRE COMPANY PRESENTS THE COMEDY RIPCORD BY DAVID LINDSAY-ABAIRE

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BEGINS FRIDAY, MAY 26 AT THE HUNTINGTON THEATRE COMPANY, CALDERWOOD PAVILLION

The Huntington Theatre Company will present the uproarious comedy Ripcord by Pulitzer Prize winner and Boston native David Lindsay-Abaire (Good People, Rabbit Hole) and directed by Jessica Stone (Vanya and Sonya and Masha and Spike). Performances begin Friday, May 26 at the South End / Calderwood Pavilion at the BCA.

“With Ripcord, we welcome back two comedic geniuses to the Huntington: Boston native David Lindsay-Abaire and Jessica Stone,” says Huntington Artistic Director Peter DuBois. “David is among the greatest playwrights ever to come out of the City of Boston and the author of our smash-hit about Southie, Good People. Jessica Stone is a lauded actress and the director of Vanya and Sonia and Masha and Spike. With this kind of genius at work, it is no surprise that this play is laugh-out-loud funny with a truly moving underbelly. It’s The Odd Couple with old women, nursing home shenanigans, and skydiving – what’s not to love?”

In this deliciously inappropriate new comedy, cantankerous Abby is forced to share her room in assisted living with endlessly chipper Marilyn. The two women make a seemingly harmless bet that quickly escalates into a dangerous and hilarious game of one-upmanship, revealing hidden truths that neither wants exposed.

“I’m thrilled to be back in my hometown, and back at the Huntington which has been my theatrical home in Boston,” says playwright David Lindsay-Abaire. “I’m especially excited that Huntington audiences are going to get to see Ripcord, which is another kind of homecoming for me, as it’s a return to my earlier style of playwriting – more overtly comic, outrageous, whimsical, and a little vicious. But most importantly, of all my plays, Ripcord is my mother’s favorite, so I’m happy that she’ll only have to travel a few T stops to see it.”

“I’m so excited to be jumping into the absurd and moving world of David Lindsay-Abaire,” says director Jessica Stone. “The Huntington and Boston both have ties to this artist and his unique perspective. I look forward to creating my own and to the discoveries that follow and to being back at the Huntington where some of my favorite theatrical experiences have taken shape.”

ABOUT THE ARTISTS
The cast includes Nancy E. Carroll (I Was Most Alive with You; Rapture, Blister, Burn; and Good People at the Huntington) as Abby, a short-tempered woman who is determined not to share a room at her assisted living facility. Despite her efforts, she is paired with the gregarious and optimistic Marilyn played by Annie Golden (“Orange is the New Black” and the film Hair). Marilyn’s daughter Colleen is played by Laura Latreille (Ryan Landry’s “M” and Mauritius at the Huntington) and her son-in-law Derek is played by Richard Prioleau (A Raisin in the Sun at Seattle Repertory Theatre). Eric T. Miller (Awake and Sing! at the Huntington) appears as a figure from one of the women’s past, and the young resident aid Scotty is played by Ugo Chukwu (The Bad and the Better at The Amoralists).

David Lindsay-Abaire (Playwright) is a Pulitzer-Prize winning playwright, screenwriter, lyricist, and librettist. His plays Good People and Rabbit Hole have both been produced at the Huntington. Rabbit Hole was honored with the Pulitzer Prize for Drama, five Tony Award nominations, and the Spirit of America Award. Good People premiered on Broadway and received two Tony Award nominations and the 2011 New York Drama Critics Circle Award for Best Play of the Year. Most recently, his production of Ripcord was produced at Manhattan Theatre Club. Other plays include Fuddy Meers, Kimberly Akimbo, Wonder of the World, and A Devil Inside. Mr. Lindsay-Abaire is also a screenwriter, lyricist, and librettist. He has been nominated for a Grammy Award and two Tony Awards (Best Score and Best Book of a Musical) for his work on Shrek the Musical and the Kleban Award as America’s most promising musical theatre lyricist. Mr. Lindsay-Abaire’s screen credits include the film adaptation of Rabbit Hole (starring Nicole Kidman, Academy Award nomination), Rise of the Guardians (Dreamworks), and Oz: The Great and Powerful (Disney).

Jessica Stone (Director) returns to the Huntington after directing Vanya and Sonya and Masha and Spike, based on Nicholas Martin’s Broadway direction. She has worked as an actress on Broadway and Off Broadway, and in television and film, for the last 25 years. She performed in the Huntington’s productions of She Loves Me, Betty’s Summer Vacation, and Springtime for Henry (director Nicholas Martin). Ms. Stone’s directing credits include A Funny Thing Happened on the Way to the Forum (Two River Theater, Williamstown Theatre Festival), 25th Annual Putnam County Spelling Bee (Bucks County Playhouse), Arms and the Man (The Old Globe), Absurd Person Singular (Two River Theater), Charlotte’s Web (TheatreWorksUSA), and June Moon and Last of the Red Hot Lovers (Williamstown Theatre Festival).

The Huntington’s production of Ripcord features scenic design by Tobin Ost (Newsies on Broadway); costume design by Gabriel Berry (Vanya and Sonya and Masha and Spike at the Huntington); lighting design by David J. Weiner (Vanya and Sonya and Masha and Spike, Butley, and Springtime for Henry at the Huntington); sound design and composition by Mark Bennett (A Confederacy of Dunces and Vanya and Sonia and Masha and Spike at the Huntington); and projection design by Lucy Mackinnon (I Was Most Alive with You at the Huntington). Production stage manager is Emily F. McMullen and stage manager is Kevin Schlagle.

The Huntington’s 2016-2017 season is sponsored through the generosity of Sheryl and Gerard Cohen, Carol G. Deane, and J. David Wimberly. The production sponsors for Ripcord are Bette and John Cohen.

www.huntingtontheatre.org  Phone: 617.266.0800

Lyric Stage Announces Cast For Camelot

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The Lyric Stage has announced the cast for Camelot which plays May 19th through June 25th. This fresh new adaptation directed by Spiro Veloudas will feature Ed Hoopman as Arthur, along with Maritza Bostic as Guenevere, and Jared Troilo in the part of Lancelot.

Rory Boyd, Jordan Clark, Garrett Inman, Jeff Marcus, Margarita Bamaris Martinez, Davron S. Monroe, Brad Foster Reinking, and Kira Troilo round out the cast.

This is Spiro’s first work since his recent health issues and we are all looking forward to seeing the Master in action again.

Lyric Stage, 140 Clarendon Street, Boston. www.lyricstage.com 617.585.5678

Seaglass Performing Arts, Under The Direction Of Jean Strazdes, Announces Its 2017 Spring Concerts: An Evening of Spirituals and Heavenly Broadway

Music, Theatre Announcements, , ,

 Saturday, May 6, 2017 Christ Church
Dane Street, Kennebunk 7:00 pm

Sunday, May 7, 2017
Wells High School Auditorium
200 Sanford Road (Rtes. 9 and 109), Wells 3:00 pm

The concert will include much loved spirituals as well as music from familiar Broadway productions (Godspell, Ragtime, Rent, Sister Act, West Side Story and more) and movies (Shrek and Working Girl). There will be two performances, the first on Saturday evening, May 6th, at Christ Church in Kennebunk; the second on Sunday, May 7th, at the Wells High School Auditorium at 3:00 pm.

 

Tickets are available through Seaglass [at] gwi [dot] net ; via phone at 207.985.8747; and at Morse Hardware on Post Road in Wells. Tickets are also available at the door.

Prices: $15/adult; $12/senior and student

SpeakEasy Productions Presents The Bridges Of Madison County May 6 through June 3

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In The Roberts Studio Theatre At The Stanford Calderwood Pavilion At The Boston Center For The Arts

 

From May 6 – June 3, 2017, SpeakEasy Stage Company will proudly present the Boston Premiere of THE BRIDGES OF MADISON COUNTY, a lush, lyrical musical by Tony Award-winners Marsha Norman (book) and Jason Robert Brown (music & lyrics), based on the best-selling novel by Robert James Waller.

Winner of two 2014 Tony Awards including Best Original Score, THE BRIDGES OF MADISON COUNTY tells the story of Francesca Johnson, a beautiful Italian woman who married an American soldier to escape the war, and now leads a simple but dispassionate life on an Iowa farm. On the day her family departs for a trip to the 1965 State Fair, she is surprised by Robert Kincaid, a ruggedly handsome National Geographic photographer who randomly pulls into her driveway seeking directions. A quick ride to photograph one of the famed covered bridges of Madison County sparks a soul-stirring affair for the couple, whose lives are forever altered by this chance meeting.

M. Bevin O’Gara returns to SpeakEasy to direct THE BRIDGES OF MADISON COUNTY. Her previous SpeakEasy credits include directing the New England Premieres of appropriate, A Future Perfect, Tribes (Elliot Norton and IRNE Awards for Best Production), and Clybourne Park.

Ms. O’Gara’s artistic team includes Music Director Matthew Stern, a recent IRNE nominee for his work on SpeakEasy’s productions of Violet (2016) and The Scottsboro Boys; and Choreographer Misha Shields, a Boston Conservatory graduate now working extensively in both New York and Boston.

Norton Award-winner Jennifer Ellis will play Francesca Johnson, and Wisconsin-native and Boston University alumnus Christiaan Smith will play Robert Kincaid.

Featured in the cast are Peter S. Adams, Rachel Belleman, Christopher Chew, Kerry A. Dowling, Katie Elinoff, Will McGarrahan, Taylor Okey, Ellen Peterson, Nicolas Siccone, Edward Simon, and Alessandra Valea.

The design team is Cameron Anderson (scenic); Mark Nagle (costumes); Annie Wiegand (lighting), David Reiffel (sound), and Garrett Herzig (projections).

THE BRIDGES OF MADISON COUNTY will run for five weeks, from May 6 through June 3, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Ticket prices start at $25, with discounts for students, seniors, and persons age 25 and under.

For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com .

New Repertory Theatre Presents The Gift Horse by Lydia R. Diamond, Directed by Jim Petosa April 22 through May 14

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“New Repertory Theatre is delighted to present the Boston-area premiere of one of playwright Lydia R. Diamond’s earliest works,” says Artistic Director Jim Petosa. “When I first approached her about a project, she suggested a revival of The Gift Horse. The result is a heartfelt and funny play that shines with Lydia’s unique humor and wit.”
“As our season comes to a conclusion, I’m pleased to welcome back several New Rep favorites,” says Managing Director Harriet Sheets. “Lewis D. Wheeler and Maurice Emmanuel Parent both return after many appearances on our stage, Cloteal L. Horne first worked with New Rep’s educational touring program Classic Repertory Company, and Obehi Janice performed in our Next Voices New Play Reading Series last spring. And I’d like to welcome Zachary Rice and Alejandro Simoes to New Rep for the first time!“

A humorous and introspective Boston-area premiere, The Gift Horse follows Ruth, a successful teacher and artist, whose quick and easy wit masks a painful childhood. With the support of her best friend Ernesto and therapist Brian she finally confronts her tumultuous past in a play infused with nationally-acclaimed playwright Lydia R. Diamond’s distinctive voice.
newrep.org 617.923.8487 321 Arsenal Street, Watertown

Commonwealth Shakespeare Company Presents BECKETT IN BRIEF: Rough for Radio II • The Old Tune Krapp’s Last Tape

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Directed by James Seymour
April 27 – May 7
Carling-Sorenson Center at Babson College, Wellesley, MA

Commonwealth Shakespeare Company, Founding Artistic Director Steven Maler, presents BECKETT IN BRIEF – Rough for Radio II • The Old Tune • Krapp’s Last Tape, directed by James Seymour, featuring Will Lyman, Ken Baltin and Ashley Risteen. The production, presented by BabsonARTS, begins performances on April 27 and runs through May 6 at the Carling-Sorenson Center at Babson College, 19 Babson College Drive, Wellesley, MA.

Performance dates: April 27, 28, 29, May 3, 4, 5, 6 at 7:30PM; April 30, May 6 and 7 at 3:00PM

Among Samuel Beckett’s most autobiographical works, Rough for Radio II, The Old Tune, and Krapp’s Last Tape explore universal questions of creativity, memory, aging, sex, friendship, and the proximity of death. These plays from his mid-career are traditionally viewed as individual statements, but the three provide a wealth of impressions when placed in conversation with one another, giving us a better understanding of the legendary playwright’s intellect, passion, and temperament.

Ken Baltin (Cream/Fox)’s credits in the Boston area include Death of a Salesman, Glengarry Glen Ross, Lost in Yonkers, Laughter on the 23rd Floor (Lyric Stage); Kite Runner, Eurydice, Waiting for Godot, American Buffalo (New Repertory); Deported-a dream play, King of the Jews, Permanent Whole Life (Boston Playwrights); Operation Epsilon (Nora Theatre); Copenhagen, A Screenwriter’s Daughter (Vineyard Playhouse); Oleanna (Merrimack Repertory) Brooklyn Boy (SpeakEasy); Last Night of Ballyhoo, I Ought to be in Pictures, Yom Kippur in Da Nang (Jewish Theatre of New England). He teaches acting and directs at The Boston Conservatory at Berklee.

Will Lyman

Will Lyman (Krapp/Gorman) was recently seen as Junius Brutus Booth in CSC’s production of Our American Hamlet at The Carling- Sorenson Center at Babson College, is well known to Boston audiences for his work with CSC, of which he is a founding Board Member (King Lear, Prospero, Claudius, Brutus); Israeli Stage (Oh God, Ulysses on Bottles); the Huntington Theatre (All My Sons, Guess Who’s Coming to Dinner, Dead End); New Rep (Long Day’s Journey into Night, Exits and Entrances, Clean House, Ice Breaker); SpeakEasy Stage Company (The Dying Gaul); Wheelock Family Theatre (To Kill a Mockingbird); Boston Playwrights’ Theatre (The Wrestling Patient in collaboration with SpeakEasy Stage Company, King of the Jews, A Girl’s War); and The Nora Theatre Company (Equus, Operation Epsilon). He is a multiple recipient of the Norton and IRNE Awards and was honored with the Howard Keel Award for service to the Screen Actors Guild. He was given 2013’s Norton Award for Sustained Excellence and 2015’s NETC Award. Television credits include “Crossbow,” “Threat Matrix,” and “Commander in Chief.” Movies for television include Meltdown, Our Fathers, Three Sovereigns for Sarah, and George Washington; he appeared in the films A Perfect Murder, The Siege, Welcome to the Dollhouse, Mystic River, Little Children (narrator), What Doesn’t Kill You. Mr. Lyman has been the narrator of the PBS public affairs program “Frontline” since its second season and has appeared as himself on The Simpsons.

Ashley Risteen (Stenographer) was last seen by Boston audiences in Gloucester Stage Co.’s Man in Snow, which moved on to a run at the La MaMa Experimental Theatre in Manhattan this past November. Her previous Boston credits include Speakeasy Stage Co.’s Appropriate,  Zeitgeist Stage Co.’s Neighborhood Watch, Big Meal, Cakewalk, and Hub Theatre Co.’s 6 Hotels. A native of the North Shore, she has been active in the Newburyport theatre community for many years, notably in the Firehouse Center’s The 39 Steps, and the Actor’s Studio’s Speed-The-Plow.

James Seymour (Director) has appeared in leading roles on Broadway (I Love My Wife), Off-Broadway (Small Craft Warnings, Moonchildren), on television (“Kate and Allie”) and at major regional theatres, including The Long Wharf Theatre, Trinity Repertory Company, and Portland Stage. Directed productions include All the Way Home at the Ensemble Studio Theatre, Road at The Marymount Manhattan Theatre, I Love My Wife at Detroit’s Birmingham Theatre, The Bacchae at UNC-Chapel Hill, and over twenty-five productions for The Island Theatre at the University of Guam. He has also taught Theatre, English Composition, Film, and Literature at Marymount Manhattan College, Queens College, CUNY, The Colorado College, and the University of North Carolina-Chapel Hill. His play Two Lovers (A Taotaomona Tale and I Domino) was produced in Guam. Currently a lecturer in English and Film at the University of Maine, Jim was raised in New Jersey and spent most of his life in New York City, after receiving his BFA from Boston University’s College of Fine Arts and Ph.D. from the Graduate Center at The City University of New York.

www.commshakes.org  781.239.5660

HUNTINGTON THEATRE COMPANY ANNOUNCES 2017-2018 SEASON – EIGHT RIVETING STORIES, INCLUDING REIMAGINED CLASSICS, A RENOWNED MUSICAL REVIVAL & TIMELY NEW WORKS

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THE 2017-2018 SEASON INCLUDES THE DEFINITIVE PRODUCTION OF AN ACCLAIMED SONDHEIM REVIVAL, A RE-INVIGORATED 17th CENTURY COMEDY, A MAJOR REVIVAL OF A CARYL CHURCHILL CONTEMPORARY CLASSIC, AND MORE, TO BE PERFORMED AT THE HUNTINGTON AVENUE THEATRE AND CALDERWOOD PAVILION AT THE BCA

(BOSTON) – Huntington Theatre Company, Boston’s leading professional theatre, announces its 2017-2018 season. The Huntington has long been an anchor cultural institution of Huntington Avenue, the Avenue of the Arts, and will remain so on a permanent basis. The Huntington’s upcoming season will include productions in the Huntington Avenue Theatre (known as the BU Theatre through June 30), and plans are underway to convert the theatre into a first-rate, modern venue with expanded services to audiences, artists, and the community. The 36th season will include four plays at the Huntington Avenue Theatre, as well as three plays at the Wimberly Theatre and one special event in the Roberts Studio Theatre, both located in the Calderwood Pavilion at the BCA in the South End.

The season will comprise of world-class productions of classics made current and exciting new work created by the finest local and national talent. The lineup features a definitive production of a legendary Stephen Sondheim musical, directed by the acclaimed actor-director Maria Friedman; a new play by Huntington Playwriting Fellow Ken Urban about chance encounters and redemption; a brilliant classic by Molière directed by Huntington Artistic Director Peter DuBois; a revival of one of 2016’s Best Plays of the Year by Huntington Playwright-in-Residence Melinda Lopez; a riveting and timely new play from Dominque Morisseau; Liesl Tommy’s fresh interpretation of a Caryl Churchill contemporary classic; and from a renowned Hollywood reporter, the world premiere play about famed playwright Arthur Miller and the son he refused to acknowledge; plus one show to be announced soon.

“I woke up the morning after the election and knew the 2017-2018 season needed to be full of theatrically bold, smart, and politically-minded work. I also knew we would all need several laughs and to be reminded of our common humanity,” says Huntington Artistic Director Peter DuBois. “The world-class artists we have assembled to tell these timely, human stories are some of the best in the country and beyond, and as always the Huntington experience will leave audiences equal parts inspired, transported, and entertained.”

THE 2017-2018 SEASON LINEUP
· Merrily We Roll Along: Director Maria Friedman recreates her stunning London production of Stephen Sondheim’s legendary musical for Boston audiences; winner of the Olivier Award for Best Musical; at the Huntington Avenue Theatre, September 8 – October 15, 2017

 
· A Guide for the Homesick: a powerful chance encounter between two strangers offers the possibility of connection and redemption in this arresting new drama by Huntington Playwriting Fellow Ken Urban; directed by Colman Domingo; at the Wimberly Theatre in the Calderwood Pavilion at the BCA, October 6 – November 5, 2017

 
· Tartuffe: devious Tartuffe charms Orgon and his household – will they see through the con in time? Molière spins hypocrisy into high comedy in this hilarious and biting satire, one of the world’s great plays; directed by Huntington Artistic Director Peter DuBois; at the Huntington Avenue Theatre, November 10 – December 10, 2017

 
· Skeleton Crew: a makeshift family of auto workers gather in the breakroom of the last small auto plant in Detroit in this riveting and timely new play from Dominque Morisseau; at the Huntington Avenue Theatre, March 2 – March 31, 2018

 
· Top Girls: career-driven Marlene has just landed the top job at a London employment agency in Caryl Churchill’s dazzling contemporary classic about the sacrifices required to be a “top girl” in a man’s world; directed by Huntington favorite Liesl Tommy (A Raisin in the Sun, Ma Rainey’s Black Bottom, Ruined); at the Huntington Avenue Theatre, April 20 – May 20, 2018

 
· Fall: renowned Hollywood reporter Bernard Weinraub explores the fascinating untold story of celebrated American playwright Arthur Miller and the son he refused to acknowledge; directed by Huntington Artistic Director Peter DuBois; at the Wimberly Theatre in the Calderwood Pavilion at the BCA, May 18 – June 17, 2018

 

PLUS A SPECIAL EVENT:
Mala, a powerful personal drama written and performed by Huntington Playwright-in-Residence Melinda Lopez (Becoming Cuba, Sonia Flew) and named the Best of 2016 by The Boston Globe and WBUR’s The ARTery when it premiered at ArtsEmerson; directed by David Dower; at the Roberts Studio Theatre in the Calderwood Pavilion at the BCA, January 6 – January 28, 2018
One more show in the 2017-2018 season will be announced soon.