In addition to the four Main Stage plays being presented this season, the Ogunquit Playhouse will once again be welcoming patrons to their Playhouse Patio Cabaret. The Patio proved extremely popular last year and will be an extra treat this season as things begin to shift back to normal in Ogunquit with the opening of the Main Stage.
The opening performance will see the return of Nat Zegree to the patio. Nat, who rocked the house in Million Dollar Quartet, will be sharing his talent and musical knowledge June 4 through 6. This will be a great prelude to the opening of the first full musical in nearly two year which takes place on June 16 with Monty Python’s Spamalot.
The Playhouse Patio Cabaret will continue throughout the summer withtotal of 10 events. In addition to Nat Zegree the performers along with the plays they were in are Diana Huey(Elf The Musical) June 25-27, Jeffry Denman (White Christmas) and David Lamoureux(An American in Paris)July 23-25, F. Michael Haynie (Hunchback of Notre Dame)July 30-August 1, Alysha Umphress (Smokey Joe’s Cafe) and Jeff Blumenkrantz(Broadway’s Bright Star) 6-8, NicoleVanessa Ortiz August (Smokey Joe’s Cafe)13-15, Kyle Taylor Parker (Kinky Boots) August 20-22, Lindsay Roberts (Ragtime)September 10-12, Jonathan Mousset Alonso (JerseyBoys) and Vince Di Mura September 17-19, and Graham Scott Fleming (Kinky Boots)September 24-26.
With seats limited to 100 per performance, tickets will run out fast. Last years series sold out within days. Cabaret performances are On Sale Now at ogunquitplayhouse.org and through the Box Office phone lines at 207.646.5511. Seating is by table, priced as $140 for a table of two, and $280 for a table of four, limited to 100 patrons per performance. Pricing includes one complimentary drink per person.
This will be a very exciting summer in Ogunquit led by the very talented performers and staff at the Ogunquit Playhouse. You don’t want to miss out.
The pandemic put a serious damper on live theatre, and last year the Ogunquit Playhouse was limited to just a few cabaret style outdoor events. Things were up in the air for this year, but the show will go on. The team at the Playhouse have worked hard to come up with a way to stage productions in a safe environment. They have been as creative with providing a new setting as they are with their stage work. It looks to be an exiting year in Ogunquit.
Bradford T. Kenney, Executive Artistic Director stated, “When it became obvious we couldn’t produce shows indoors this year, the creative wheels began turning on how we could deliver that legendary Ogunquit Playhouse magic in an entirely new way”. Rising from the grounds of the South lawn on the campus this April is The Playhouse Pavilion, a 25,000 square foot, fully covered, open air venue designed to give audiences the greatest theatrical experience in the safest of environments. Fully wired for lights and sound, the 75 foot wide stage will dazzle socially distanced audiences seated in pods of two seats with clear sight lines for all the show stopping glitz and side-splitting laughter they’ve been without for the past year.
The 2021 Season kicks off with Spamalot, which returns in a new 90-minute, no-intermission extravaganza. From the comedic brilliance of the mighty Pythons and their hysterically inaccurate retelling of King Arthur’s quest for the Holy Grail, Eric Idle adapts his original Broadway script to streamline the music and laughter for a COVID-friendly environment. Spamalot will runJune 16 through July 10.
Next up will be the regional premiere of Escape To Margaritaville. You’ll be dining on cheeseburgers in paradise and wasting away with this 90-minute no intermission journey through the music of the incomparable Jimmy Buffett. Kick off your flip flops for seven weeks from July 14 through August 28, as Maine’s Seacoast is transformed into a Caribbean paradise where love and laughter are the keys to growing older without growing up.
Act Three of the season will run from September 1 through October 2 with The Pavilion stage transforming into a quaint New England seacoast village for the World Premiere of Mystic Pizza, the beloved 1980s MGM romantic comedy that launched the career of Julia Roberts. Three girlfriends navigating life, love, and coming-of-age in a working class seaside pizza joint. This pizza is topped with the hits of the ‘80s and ‘90s.
Bringing the curtain down on the season’s Pavilion stage spectacular will a new 90-minute, no intermission, side-splitting version of Young Frankenstein! Mel Brooks and Susan Stroman scared the pants off Broadway giving his 1974 cult classic creature new life on stage as a mind-blowing tap dancing monster of an experience. The creepy and kooky family will run from October 6 through, fittingly, Halloween!
While audience members are not being required to provide their proof of vaccination, Ogunquit Playhouse encourages all patrons and guests to get vaccinated for their own safety and the safety of those around them. They are also making it clear that everyone on campus — staff, artists, and patrons alike — adhere to current State and Federal CDC guidelines for social distancing. Masks will be required at all times, except when eating and drinking. Masks will be provided to those who arrive without one. And patron traffic flow will be managed to ensure the safest, most efficient arrival and departure from the campus.
It’s important to keep in mind that seating in The Pavilion is limited, so it would be wise to purchase tickets and subscriptions early. Playhouse Members will receive a week of pre-sales beginning April 19 at 10AM ET. With an annual Membership of $100 or more, you too can get a fast pass to the front of the line! General Public sales begin April 26 online at ogunquitplayhouse.org and by phone at 207.646.5511.
Knowing this Season will be completely different from what Playhouse audiences are used to, all patrons are encouraged to share their questions and concerns by filling out the comments form at https://bit.ly/3snypuR. While it is not possible to address each inquiry individually,responses will be shared on the Playhouse Facebook page and in the weekly eNews.
Ogunquit Playhouse Executive Artistic Director Brad Kenney Announces
Cancelation of the 2020 Season
By Bobby Franklin
I have been reviewing shows at the Ogunquit Playhouse since 2014, and have been attending performances since well before that. The Playhouse has aways held a special place in my heart with its wonderful staff, incredible productions, and the warmth of all who are involved which includes all of its supporters.
The Playhouse is as much a part of Ogunquit as the ocean. Brad Kenney has been nothing short of spectacular since taking over as Executive Artistic Director in 2005. Not only has he brought in the best talent and productions, he has also built a community around the Playhouse that is nothing short of a very large and happy family. I know this has to be very hard on Brad and is a time of great sadness for him and all those involved with the Playhouse.
While I know he is on the ropes right now, with the support of the Ogunquit Playhouse Community Brad will bring the lights back on next year and soar to new heights.
Please considering sending a contribution to help them weather this storm. This is a difficult and sad time for the theatre community, for Ogunquit, and for our nation. We will get through this.
Statement from the Ogunquit Playhouse:
Following guidelines released this week by Governor Janet Mills in response to the reopening of Maine’s businesses, and responding to the safety challenges posed by the coronavirus pandemic and COVID19, Ogunquit Playhouse has announced that it will halt productions on all scheduled 2020 shows at its historic theatre and cancel its 88th season. Ogunquit Playhouse has not gone dark for a season since World War II.
Ogunquit Playhouse leadership reached the difficult conclusion that it must cancel its highly anticipated lineup of shows slated for its stage this season, with the hope of moving them to a future season. The decision comes after weeks of careful deliberation, extensive revisions to the season’s budgets and show schedules, and thoughtful health and safety planning to protect staff, crew, volunteers, visiting artists and patrons.
The historic non-profit theatre relies on the sale of tickets for 80% of its operating budget, and the cancellation of the 88th season will have a profound financial impact on Ogunquit Playhouse. Despite drastic cost-cutting measures, the Playhouse will incur financial damages exceeding $3 million. Its focus now will turn to raising funds to ensure the financial viability of the Playhouse and to carrying on its mission.
“Our commitment to the health and safety of our staff, artists, and audiences is our top priority. Although this decision is difficult and heartbreaking, we understand its necessity and are willing to do our part to stop this pandemic. Although we have cancelled our main stage productions, we will continue our mission of providing artistic content—in many new ways this year, while also focusing on raising needed funds and planning for an extraordinary 2021 season. Everyone at the Playhouse was excited and honored to be presenting these exceptional titles this season. Our hearts are with all the artists, actors, craftspeople, our seasonal staff and crew, who are severely impacted by these upheavals to their professional lives and livelihoods. While the months ahead still hold much uncertainty, it is our mission to be here for future generations and to preserve this beloved historic theatre, and we will do just that. Ogunquit Playhouse has weathered many storms for nearly a century and together we will emerge from this crisis, and look forward to brighter days, when we gather again at the Ogunquit Playhouse,” stated Bradford Kenney, Ogunquit Playhouse Executive Artistic Director.
This closure also disrupts the surrounding business community that depend on the theatre as a major economic driver in the region. Over 120,000 ticket buyers visit the Playhouse each season, and in turn patronize regional restaurants, hotels, and retail establishments.
Public support in this time of global health and economic crisis will help ensure that Ogunquit Playhouse continues to share transformative and entertaining shows, new works and world premieres on its historic stage for future generations.
For more information on how to contribute and to stay connected during the coming year, visit www.ogunquitplayhouse.org.
About Ogunquit Playhouse: Ogunquit Playhouse, is a 501(c)3 not-for-profit organization listed on the National Historic Register. Its mission is to produce world-class performances, and new works, and preserve the historic playhouse for future generations. The theatre is located on Route One in Ogunquit, Maine and produces the finest Broadway shows each season. It also produces an annual holiday show at The Music Hall in Portsmouth, NH in late November and December. Follow Ogunquit Playhouse on Twitter (@OgunquitPH) and on Facebook (facebook.com/OgunquitPlayhouse) for behind-the-scenes info, photos and fun throughout the season. For more information visit www.ogunquitplayhouse.org.
Tony-winners Jason Alexander and BD Wong to Premiere New Shows at
Ogunquit Playhouse as Part of its 2020 Season
The legendary Ogunquit Playhouse is thrilled to announce an exciting lineup of shows for its 88th season that includes the Northeast regional premiere of the hilarious dark comedy The War of the Roses, a new play based on the novel by Warren Adler and helmed by Tony Award-winner Jason Alexander, and the world premiere of the funny and heartwarming musical adaptation of Mr. Holland’s Opus, helmed by Tony Award-winner BD Wong. The season opens with the high-energy musical sensation Dirty Dancing –The Classic Story on Stage based on the smash-hit film, then continues with a stunning revival of the Tony Award-winning, all-Gershwin, tap dancing extravaganza Crazy for You, and the exhilarating Broadway hit musical based on the lives of Grammy Award-winning husband-and-wife team Gloria and Emilio Estefan, On Your Feet!. The season will stretch to the holidays once again with the return of the hit show White Christmas in collaboration with The Music Hall in Portsmouth, New Hampshire.
“We are honored and thrilled to be collaborating with an incredible team of industry leaders on a number of premieres as part of our 88th season in 2020,” stated Bradford Kenney, Ogunquit Playhouse Executive Artistic Director. “It’s been a great honor to be able to collaborate with Eleanor Bergstein to bring to the stage her iconic film Dirty Dancing. We have been working closely with Tony-winner BD Wong and Tony-nominee Wayne Barker over the last several years on the development of the new musical adaptation of Mr. Holland’s Opus, and we are thrilled to produce its world premiere for Playhouse audiences this year. We have also been working alongside Tony-winner Jason Alexander and the Broadway team on the development of the hilarious new play The War of the Roses, which makes one of its premieres on our stage in late summer. The cultivation of new works is now part of our mission as we produce world-class performances, tell the most compelling stories, and challenge and inspire our audiences in new ways. We are honored that these wonderful new shows will be seen alongside the entire season this year at Ogunquit Playhouse.”
Five-show season ticket subscriptions are on sale now and the only way to guarantee the best seats for the best price to these exciting shows! Three and four-show subscriptions are on sale beginning Tuesday, February 18. Prices start at only $250 for a five-show subscription and $150 for a three-show subscription. Individual tickets are on sale exclusively for Ogunquit Playhouse Members starting March 11. Individual public ticket sales begin Wednesday, March 18 with prices starting at $53. Gift certificates are also on sale online and through the Box Office. To learn more about becoming a Member, season subscriber, or to purchase tickets and gift certificates, visit www.ogunquitplayhouse.org or call the Box Office at 207-646-5511.
The Ogunquit Playhouse has been closed down for the winter, but the season is not quite over. Ogunquit’s Executive Artistic Director Brad Kenney has joined forces with Patricia Lynch who is the Executive Director of The Music Hall in Portsmouth, New Hampshire to bring a lovely holiday gift to New England theatre goers. That gift is the superb production of the musical Annie playing at the Music Hall through December 22.
Directed and choreographed by Jamie Rocco, Annie is running on all cylinders on the stage of the magnificent Historic Theater in Portsmouth. Just stepping into this beautifully restored Victorian Era theater is a breathtaking experience. Even before the curtain goes up it is impossible not to be impressed by the surroundings. And once the orchestra starts playing the overture and the actors first take to the stage it all comes together for a wonderful night of theatre
Annie first appeared on Broadway in 1977 and has lost none of its charm over the years and through many revivals. The Ogunquit Playhouse versionplaying in Portsmouth has been freshened up a bit while retaining its original score and still brings smiles to the faces of the audience while tugging at the heartstrings.
ring that dream with a very lucky audience.
This production of Annie is flawless and rivals anything you will see on Broadway. It is a top notch production that should not be missed.
Josie Todd as Annie, the orphan who sets out to find her birth parents, is feisty and lovable. She leads the other orphans in great renditions of Maybe and It’s A Hard Knock Life and takes it to the top with Tomorrow. I would imagine this is a dream role for Ms Todd and she is sharing that dream with a very lucky audience.
The orphans at the Municipal Girls Orphanage run by Miss Hannigan are played by an ensemble of young actors who are excellently choreographed and get to really show their talents in the number You’re Never Really Dressed Without A Smile. Each and every one of them performed like experienced Broadway performers.
Robert Newman brings an Oliver “Daddy” Warbucks to the stage who shows the strength and drive that made him a billionaire while conveying the warm heart that is melted by his relationship with Annie. Mr. Newman’s version of Something Was Missing is touching and lovely.
I last saw Gail Bennett in the 2014 production of Mary Poppins at the Ogunquit Playhouse. In Annie she is cast as Grace Farrell the personal assistant of Oliver Warbucks. It was a pleasure to see her on the stage again.
The scene recreating a 1930’s radio broadcast where Oliver Warbucks takes to the air offering a reward to find the birth parents of Annie, it is filled with nostalgia. Kevin McMahon plays host Bert Healy wearing a straw hat and accompanied by a ventriloquist with a dummy, and a sound effects man (Trent Kidd) There is also an Andrews Sisters style singing group the Boylan Sisters (Karen Largerberg, Zina Ellis, and Kym Chambers Otto). The program revolves around the song You’re Never Fully Dressed Without A Smile. It is all set in a recreated radio station. There is quite an enjoyable tap-dancing number performed by the sound effects man usingwooden shoes on a table.
This wonderful cast has another member who is truly unforgettable; Sally Struthers reprising her role as Miss Hannigan. It is more than a bit ironic that Ms Struthers who has spent her life advocating for children would be playing a character who runs an orphanage as if it were a prison. In the number Little Girls she is very funny while displaying her dislike of the children by manipulating a doll in a rather sociopathic manner. It is a scene that was suggested by Ms Struthers and could only be pulled off by her.
Sally Struthers is a regular at the Ogunquit Playhouse every year and never disappoints. In her role as Miss Hannigan she outdoes herself. I’ve mentioned it before but must do so again in saying that she has a knack for comedic timing that is rarely seen. Her pauses and glances at the audience induce laughter every time. Ms Struthers also shows what a true professional she is by never attempting to steal scenes from the other actors. She works well with everyone. Of course, she is working with a cast that is deeply talented and all enhance one another.
Ms Struthers is at her character’s conniving best when plotting with her younger brother Rooster (Jeffry Denman) and his girlfriend Lily St. Regis (Angie Schworer). They are all wickedly funny.
What would Annie be without her dog Sandy who is played by rescue dog Macy. Macy comes close to stealing the show and captures the hearts of the audience with her beautiful eyes. She was an orphan in real life so it is only fitting she has a role in this play about orphans.
Set during the Great Depression the story has many references to figures of that era and includes a scene with Franklin D. Roosevelt (Doug Carfrae) and his cabinet joining Annie in singing Tomorrow. I’m not sure how many young audience members will be familiar with the names of these confidantes of FDR as well as the references to figures of the day such as Harpo Marx, Jack Dempsey, Babe Ruth, Bernard Baruch, Herbert Hoover, and Fiorello LaGuardia, but not knowing them takes nothing away from the enjoyment. Mr. Carfrae is returning to the Ogunquit Playhouse after an absence of a mere 46 years. He still has it!
In the spirit of the season the play closes with a beautiful Christmas party. This combined with the festive decorations in the theatre and then stepping out to the streets of Portsmouth to breath in the Christmas Season is a delightful experience.
This production of Annie is flawless and rivals anything you will see on Broadway. It is a top notch production that should not be missed. I highly recommend you take in a performance. It’s a wonderful coda to this year’s Ogunquit Playhouse season.
Many people give up on the coast of northern New England after summer, but by doing so they are missing out on a very beautiful time of the year.
Ogunquit Playhouse’s Annie at the Music Hall in Portsmouth is just the recipe for getting into the holiday spirit. You’ll leave the theatre filled with the Christmas Spirit that will have the biggest Scrooges smiling. Head north, see Annie, enjoy Portsmouth, and then continue on to Ogunquit and the many other places that put the joy in this time of the year. You’ll be glad you did.
Hilarious and Heartwarming, Kinky Boots to Open at Ogunquit Playhouse
The winner of six Tony Awards, including Best Musical, Kinky Boots hits the Ogunquit Playhouse stage September 18 through October 27. Featuring a hilarious, uplifting book by four-time Tony winner, Harvey Fierstein and a joyous, Tony-winning score by Cyndi Lauper, the Ogunquit Playhouse production is staged by Nathan Peck, and stars Graham Scott Fleming as Charlie Price, and Kyle Taylor Parker as Lola, with Tony-nominated Scenic Design by David Rockwell and Tony-nominated Costume Design is by Gregg Barnes.
The hit musical is based on the 2005 Miramax film written by Geoff Dean and Tim Firth, and tells the heartwarming story of Charlie Price who has reluctantly inherited his father’s shoe factory, which is on the verge of bankruptcy. Trying to live up to his father’s legacy and save his family business, Charlie finds inspiration in the form of a fabulous entertainer in need of some sturdy stilettos, Lola. As it turns out, Lola is the one person who can help Charlie become the man that he is meant to be. As they work to turn the factory around, this unlikely pair find that they have more in common than they ever dreamed possible… and discover that, when you change your mind about someone, you can change your whole world. This joyous show is sure to have audiences dancing in the aisle and discovering, sometimes, the best way to fit in… is to stand out!
Leading the cast as Charlie Price is Graham Scott Fleming.He portrayed Charlie at the Muny in St. Louis earlier this year, and was nominated for a Dora Award for Best Male Actor in a Musical for his portrayal of Charlie Price in the Canadian production of Kinky Boots. On Broadway he performed in Miss Saigon, and at Papermill Playhouse in My Very Own British Invasion. In addition to Kinky Boots, Mr. Fleming starred in the Canadian premieres of Ghost and Jukebox Hero.
Kyle Taylor Parkerreturns to the Ogunquit Playhouse as the fabulous diva, Lola. Last season he performed in the Ogunquit production of Smokey Joe’s Cafe that transferred to New York City, and he continued to perform in the production through its Off-Broadway run. Mr. Parker was in the original Broadway cast, as well as the National Tour of Kinky Boots for which he won an IRNE Award for Best Visiting Actor for his performance. In addition, he performed in Charlie and the Chocolate Factory on Broadway and the National Tour of In the Heights. He was recently featured in NBC’s smash hit Jesus Christ Superstar Live in Concert. At regional theatres he has performed in Dreamgirls, Hair, and the world premiere of My Very Own British Invasion.
The Ogunquit Playhouse production of Kinky Boots featuresJoe Coots as Don, Maggie McDowell as Lauren, Ashley North as Nicola, and John Schereras George. Joe Coots performed in the Ogunquit Playhouse productions of The Full Monty, Crazy for You, and South Pacific. His most recent theater credits include the world premiere of Human Error and the First National Tour of Kinky Boots. Maggie McDowell returns to Ogunquit Playhouse after performing as Marty in 2014’s Grease. She has performed in Kinky Boots on Broadway, in the First National Tour, and at The Muny earlier this year. On Broadway she performed in Disaster!, and Off Broadway in The Marvelous Wonderettes, and Pinklacious. Ashley North joins the cast after recently performing in theNational Tour of Kinky Boots. Her many regional theatre credits include Joseph and the Amazing Technicolor Dreamcoat, Hair, and Les Miserables. John Scherer returns to the Ogunquit Playhouse stage where he last appeared in 2001’s 42nd Street as Billy Lawlor. On Broadway he has performed in Lovemusik, By Jeeves, and Sunset Boulevard. His Off-Broadway shows include Olympus On My Mind, Dames At Sea, and Preppies.
Tickets are on sale now. Preview performances start at $36 and economy seats start at $51 each. To learn more about becoming a Playhouse member, or to purchase tickets and gift cards, visit www.ogunquitplayhouse.org or call the Ogunquit Playhouse Box Office at 207-646-5511
When you enter the theatre for the production of Cabaret now playing at the Ogunquit Playhouse, the curtain is already up and some of the cast are on stage slinking about and interacting with the audience. You have not only arrived at your seat, you are now in the Kit Kat Club where much of the story unfolds.
I have seen a number of productions of Cabaret over the years, and they keep getting darker and rawer. This is not to say the original was an uplifting story. It is, after all, set in Berlin in the early 1930s at the time the Nazis were gaining power and much was changing. None of it for the better.
The play, with music by John Kander and Fred Ebb, is based on the story I Am A Camera which was included in Christopher Isherwood’s Berlin Diaries. Many musicals, while still very enjoyable, become dated. This is not true with Cabaret. The story set against the backdrop of extremists gaining control of government while using fear and hatred to stir up support is as relevant today as ever. In a time when we are seeing politicians from both sides of the political spectrum spouting hate and instilling fear in people, it makes seeing a work such as Cabaret even more important to serve as a reminder of just how far out of hand this rhetoric can lead. Politicians from both major parties have become comfortable spewing repellent bigotries such as anti Semitism and hatred of immigrants. Class warfare is also on the rise, with people being told there is always someone else to blame for their troubles.
“Even the orchestra is beautiful”
Overall, the Cabaret I saw the other night in Ogunquit was excellent. The14 piece orchestra led by Bruce Barnes that was onstage throughout the performance lived up to line in the opening number“Even the orchestra is beautiful”.
Randy Harrison as the Emcee puts his own interpretation on the role and was entrancing and disturbing. As the symbol of the decay and sickness that was engulfing the Weimar Republic, he haunted the stage throughout the evening. As soon as he opens with Willkommen, it is clear his will be an incredible performance, and it is.
Randy Harrison deserves high praise for his bravura performance.
Mr. Harrison, joined by a member of the cast dressed as a gorilla in If You Could See Her, has the audience smiling at first, but when he sings the final ugly line of the song it feels like a punch to the stomach. He is also superb on the decadent Two Ladies, as well as Money, and the ominous I Don’t Care Much. Randy Harrison deserves high praise for his bravura performance.
The legendary Mariette Hartley plays Fraulein Schneider, the proprietor of a rooming house who is trying to survive amid the rampant inflation of the time. Ms Hartley’s presence on the stage is striking. She does fall just a bit behind on some of her lines, but when she sings What Would You Do? in Act II, she so captures the struggle of choosing between principle and survival that it forces audience members to grapple with that question. By the time she is done, you understand why she has endured as a star for over fifty years.
Broadway veteran John Rubinstein plays Herr Shultz, the owner of a fruit store, who is Jewish and believes the Nazi movement will pass. He is quite taken with Fraulien Schneider. To show his affection he brings her a pineapple and they sing It Couldn’t Please Me More while pineapple lanterns descend from above the stage.
When he proposes marriage to Fraulein Schneider, he sings Married where he explains to the skeptical Schneider “the world can change, it can change like that, due to one little word, married…”.An absolutely amazing performance is given by Katrina Yaukey who sings Married in German from above the stage while standing behind a frame hanging at an angle. Her voice is beautiful and reminiscent of Marlene Dietrich as it carries over the couple while they are dancing. I was very taken with Ms Yaukey’s performance.
Closing out Act I is the rousing and chilling Tomorrow Belongs To Me. What has always fascinated me about this song is how moving it is until you realize what it foretells. It is with songs like this that Kander and Ebb let you know how easy it is to get caught up in the emotion of a political movement. It begins with a promise of hope and revival, but by its conclusion you feel the hate.
I have left the roles of Sally Bowles (Kate Shindle) and Cifford Bradshaw (Billy Harrigan Tighe) for last. While both were adequate, they lacked the emotional synergy to really make the impact that was needed. Ms Shindle, while hitting all the right notes and lines, but was just not convincing. Mr. Tighealso did not seem fully engaged in his role as Cliff. Neither is awful, they just were a bit flat .
Despite this weakness, it is still a solid and emotionally jarring production.It’s a bit different than the usual Ogunquit Playhouse musicals in that it is not a toe tapping musical comedy. However, even with the play’s darkness, the music is beautiful and powerful. Along with fine choreography and its magnificent staging it serves as a reminder that those who do not learn history are doomed to repeat it. The final scene is something you will not forget. It is disturbing and ugly and a reminder of what hate can motivate people to do.
I have seen four previous productions of Cabaret including one with Mariette Hartley in 2003, and the 1987 revival with Joel Grey. I have pointed out some weak points, but this may have been the best I have seen. In fact, I might see it again before it closes. I highly recommend it. Cabaret at the Ogunquit Playhouse should not be missed.
Tap Dancing Extravaganza, 42nd Street to Open at the Ogunquit Playhouse
Come and meet those dancing feet! The ultimate tap-dancing, show-biz musical sensation, 42nd Street celebrates Broadway, Times Square, and the people who make magical musical theatre hits the Ogunquit Playhouse stage June 19 through July 13. The Ogunquit production is staged by Tony Award-nominee Randy Skinner, the creator of the Broadway revival and recent West End production of 42nd Street. The tap-dancing extravaganza stars Broadway’s Rachel York as Dorothy Brock, Steve Blanchardas Julian Marsh, Jessica Wockenfussas Peggy Sawyer, Con O’Shea-Crealas Billy Lawlor, and features Emmy-Award-Winner Sally Struthers as Maggie Jones. The Ogunquit production of 42nd Street also features the Lawrence Olivier-nominated and Tony-nominated costumes by Roger Kirkalong with Douglas Schmidt’sTony-nominated sets.
The delightful and dazzling show tells the story of aspiring chorus girl Peggy Sawyer who leaves her small town for the big city and soon lands her first job in the ensemble of a glitzy new Broadway show. Mayhem and mirth ensue when just before opening night the leading lady breaks her ankle. Will Peggy be able to step in and become a star? The musical 42nd Street isbased on the novel by Bradford Ropes withbook byMichael Stewart and Mark Bramble. The score by Harry Warren(music) and Al Dubin (lyrics), is chock-full of Broadway standards, including “You’re Getting to Be a Habit with Me,” “Dames,” “We’re In the Money,” “Lullaby of Broadway,” “Shuffle off to Buffalo” and “Forty-Second Street.”
Rachel York returns to the Ogunquit Playhouse as Dorothy Brock, the quintessential Broadway diva. Ms. York last dazzled Playhouse audiences as the Lady of the Lake in Monty Python’s Spamalot. She was most recently seen on Broadway in the musical Head Over Heels, and is best known for her critically acclaimed Broadway performances in City of Angels, Les Misérables, Victor/Victoria (Drama Desk Award) with Dame Julie Andrews, and for her portrayal of Lucille Ball in the CBS TV movie, Lucy. Ms. York has stunned audiences of the stage, screen, and concert halls across the country through her numerous National Tours, regional theatre appearances, concert performances, and TV guest-starring roles.
Two-time Emmy Award and Golden Globe Award winner Sally Struthers joins the cast as Maggie Jones. Ms. Struthers is best known for her role as Gloria in the groundbreaking TV series, All in the Family as well as reprising that role in the series spin-off, Gloria. She also appeared on Fox television series 9 to 5, and in recurring roles on the CBS’s Still Standing and the CW network’s Gilmore Girls. Sally Struthers has performed many roles at Ogunquit Playhouse including Punky Olander in Grumpy Old Men the Musical, Evangeline Harcourtin Anything Goes, Duchess Estonia Dalworth in Nice Work If You Can Get It, Mama Morton in Chicago, and Paulette in Legally Blonde.
Broadway veteran, Steve Blanchardstars as the notorious Broadway director Julian Marsh. He is probably best known for his portrayal of Beast in Disney’s Beauty and the Beast in both the Broadway production and First National Tour. Other credits includeFred in A Christmas Carol, Lancelot in Camelot with Robert Goulet, Pulitzer in Disney’s Newsies, and Pa in Little House on the Prairie. Joining the cast as the starry-eyed chorus girl, Peggy Sawyer is Jessica Wockenfuss who also performed the role in the North Shore Music Theatre’s 2017 production. Off-Broadway, she has been seen in Hey, Look Me Over!, and Me and My Gal. Her National Tour credits include Jersey Boys, Irving Berlin’s White Christmas, The Little Mermaid, and Monty Python’s Spamalot. ConO’Shea-Creal will make his Ogunquit Playhouse debut as Billy Lawlor. His Broadway credits include Irving Berlin’s White Christmas and Side Show, and he has performed in many National Tours including Cameron Mackintosh’s Mary Poppins as Bert, Irving Berlin’s White Christmas with Randy Skinner, and Something Rotten.
The Ogunquit Playhouse production of 42nd Street includes one of the largest casts to ever hit the theatre’s stage. It featuresRyan K. Bailer as Pat Denning, Cliff Bemis as Abner Dillon, Megan McLaughlin as Annie, Kilty Reidy as Bert Barry, and JakeWeinsteinas Andy Lee. The ensemble includes Danielle Aliotta, Emily Applebaum, Willie Beaton II, Allison Blanchard, Quinten Patrick Busey, Brittany Cattaruzza, Alex Drost, Liz Friedmann, Patrick Heffernan, Alex John Johnson, Tommy Joscelyn, Trent Kidd, Ryan Koerber, Brianna Latrash, Lily Lewis, Elizabeth McGuire, Andrew Muylle, Melissa Schott, andKristen Welsh.
Ogunquit Playhouse Season Opens with the Multi-Tony Award-Winning Musical “Jersey Boys”
Runs From May 15 Through June 15
The Ogunquit Playhouse 2019 season kicks off withJersey Boys! The multi-Tony Award-winning, international sensation that performed to sold-out houses during its run in 2018,is back by popular demand May 15 through June 15. The cast that BroadwayWorld exclaimed to be “the closest you’ll ever get to having seen Frankie Valli and the Four Seasons,” also returns to the Ogunquit stage – Jonathan Mousset (Frankie Valli), Matt Magnusson (Tommy DeVito), Andy Christopher (Bob Gaudio), and Matthew Amira (Nick Massi).
Follow the incredible story of four guys bound by one dream, who worked their way from the streets of New Jersey to the heights of stardom. Jersey Boys takes audiences on an exhilarating journey with the electrifying performances of the golden greats that took these hometown boys from Jersey all the way to the top of the charts: “Sherry,” “Big Girls Don’t Cry,” “Can’t Take My Eyes Off You,” “Dawn,” “My Eyes Adored You,” and many more. If you missed it last year, don’t miss your chance to see this blockbuster show – you’re sure to leave exclaiming, “Oh, What a Night!”
Starring as Frankie Valli, lead vocalist of The Four Seasons is Jonathan Mousset. His phenomenal performance, falsetto, and range was described as astounding by the Portland Press Herald last season. Mr. Mousset has performed in many regional theatres across the U.S. in such shows as Newsies, In the Heights, and Godspell. He has also performed in concerts at New York City venues including 54 Below, the Times Center, and the Town Hall. Matt Magnusson returns to play charming bad-boy Tommy DeVito, the lead guitar player of The Four Seasons, who serves as the show’s primary narrator and founding member of the band. Mr. Magnusson has numerous regional theatre credits including Grease, Spring Awakening, American Idiot, and Ring of Fire.
Reprising his role from last season as Bob Gaudio, the sensible and poised songwriter behind The Four Seasons is Andy Christopher. He has performed as Buddy Holly in the National Tour of Buddy: The Buddy Holly Story and in many regional theatres across the U.S. including Bucks County Playhouse, Flat Rock Playhouse, West Virginia Public Theatre, The Muny, Pittsburgh Civic Light Opera, Great Lakes CFA, Fulton Theatre, Maine State Music Theatre, Casa Mañana, and the Ogunquit Playhouse where he got his start in 2012. Matthew Amira also returns to the Playhouse after his highly regarded portrayal of The Four Seasons bassist Nick Massi. Mr. Amira also performed at the Ogunquit Playhouse in the 2016 production of The Hunchback of Notre Dame. His many regional theatre credits include Madame Defarge, She Loves Me, Fiddler on the Roof, and South Pacific among others.
The Ogunquit Playhouse production will once again be helmed by Award-winning director, writer and producer Holly-Anne Palmer. Ms. Palmer is the lead Producer and Creative Director of theglobal hits Wine Lovers the Musical, PROHIBITION, and Holiday Happy Hour. She has numerous Broadway credits including Jersey Boys, Billy Crystal’s 700 Sundays, Bring It On: The Musical, Dracula, Walking With Dinosaurs, and Cover Girls. Her many Off-Broadway and regional credits include the 25th Anniversary Production of Steel Magnolias at Le Petit Theatre, Gentleman’s Wish and Will Success Spoil Rock Hunter? at Barrow Group, Platforms at TASC, Autophobia at Ars Nova, Inventing Avi Aviv at Abingdon Theatre, Oklahoma! for the Reagle Players, and for the Ogunquit Playhouse 2009 production of All Shook Up starring Sally Struthers.