All posts by Bobby Franklin

Laugh And Learn With The Tiger

Theater Reviews, , , ,

 Tiger Style

The Huntington Theatre Company At The Calderwood Pavillon

reviewed by Bobby Franklin

A few years ago the subject of Tiger Moms, a term used to describe the hard driving parenting style of many Asian American parents, became a hot topic of discussion. For many parents this method seemed harsh, but there was also some envy in seeing how much these children were able to accomplish. What wasn’t being discussed was the effect this type of parenting would have on them as they entered adulthood, the workplace, and while interacting with more diverse social groups.

Playwright Mike Lew takes on these issues and many more with great humor and depth in his original new play Tiger Style now presented by the Huntington Theatre Company.

Rubio Qian and Jon Norman Schneider Photo Credit: T. Charles Erickson
Rubio Qian and Jon Norman Schneider Photo Credit: T. Charles Erickson

Tiger Style focuses on siblings Albert (Jon Norman Schneider) and Jennifer (Ruibo Qian) who who have both excelled academically and artistically, but are struggling now that they have left the nest. They are living together along with Jennifer’s boyfriend Reggie (Bryan T. Donovan) who is ending the relationship as the play begins. Bryan is disappointed, to put it mildly, that Jennifer isn’t more dominant in bed and more submissive around the home, while Jennifer makes it clear how vastly superior she is to Bryan because of her academic accomplishments.

Mr. Lew has written a very funny and insightful play that is fast paced and filled with witty dialog

Albert is struggling at work; not because he isn’t competent, but because he has terrible people skills. Both brother and sister, while knowing they are highly skilled, are unable to function well when interacting with others. This is a failing they begin to see and decide to blame it, with some justification, on their parents.

Francis Jue, Ruibo Qian, Jon Norman Schneider, and Emily Kuroda. Photo Credit: T. Charles Erickson
Francis Jue, Ruibo Qian, Jon Norman Schneider, and Emily Kuroda. Photo Credit: T. Charles Erickson

This leads them on a journey that begins with a planned fight with their parents (Francis Jue and Emily Kuroda), then going “full Western” in a futile attempt to distance themselves from their culture resulting in Albert losing his job and Jennifer driving a therapist to the edge of insanity. Going “full Asian” with a move to China where they eventually end up in prison; it seems living under a totalitarian government is much like having a Tiger Mom only you never get your freedom. And finally returning home with many lessons learned and much to still deal with. As mom and dad explain, life is not easy. At some point you have to take responsibility for your own success and failure.

Mr. Lew has written a very funny and insightful play that is fast paced and filled with witty dialog, such as when Albert tries to curry favor with his manager at work who is also Asian by saying “Don’t be a self-hating Asian, be a self-nepotating Asian.” Or when Jennifer tells her therapist “I want to be the best at therapy”.

While the humor continues throughout the play there is also much that is very serious and important to be learned. When mom and dad talk about the sacrifices they and their parents had to make in order to succeed in their adopted country we get a better understanding of why they drive their children to be successful. Dad, in telling the story of the struggles of his parents says “I came from laundry people”. It is a line, coming on top of the narrative of their suffering and success that hits hard. Yes, it is up from the bootstraps talk, but it is also true.

…a finely crafted work we all can learn from.

love plays like Tiger Style for many reasons including the finely written humor, but mostly because the author is able to show us the struggles within a group of Americans that have to deal with their cultural heritage for both its strengths and its minuses as well. Mr. Lew does this without making victims out of his characters and without throwing a guilt trip on his audience, but at the same time not downplaying the racism and hatred that is much too often directed at those who are new to this country. It is a finely crafted work we all can learn from.

Presented by the Huntington Theatre Company at the Calderwood Pavillon, South End, Boston
Through November 13
Directed by Moritz von Stuelpnagel
huntingontheatre.org
Box Office 617.266.0800

In A Class Of Its Own

Theater Reviews, , , , , , ,

“Warrior Class”

Lyric Stage, 140 Clarendon Street, Boston  Through November 13

Reviewed by Bobby Franklin

Michael Tow and Steven Barkhimer
Michael Tow and Steven Barkhimer

In this year when what surely can be called the worst presidential campaign in history is taking place, it would not surprise me if you would take a pass on seeing a play about a politician. I could hardly blame you, but in the case of Kenneth Lin’s Warrior Class now playing at the Lyric Stage Company in Boston you would be making a big mistake.

Yes, Warrior Class is about a politician. It is also about manipulation, extortion, dirty deal making, political fundraising, selling out principles, and much more. That’s right, all the things we hate about politics. It is also about much more than that.

This is a moving and emotional work.

Michael Tow plays Julius Weishan Lee, an idealistic young Chinese American New York State Assemblyman who is looking to move up and run for Congress. He enlists the aid of political operative Nathan Berkshire who is portrayed by Steven Barkhimer who is reminiscent of the real life consultant Bob Beckel. Lee is a sincere young man who wants to run and serve based on his beliefs. Perhaps he is naive, I like to believe otherwise, to think he can make it without selling out, but he wants to take that route. However, a problem arises.

In the course of preparing for the race it is revealed, not publicly, that Lee has a skeleton in his closet in the form of Holly Lillian Eames, played by Jessica Webb. This poses a potentially serious problem for the idealistic Lee who has a wonderful resume that includes serving in Afghanistan and working for Teach For America. He is coming off giving an impressive speech at the Republican Convention and is seen as a rising star on the national scene.

Steven Barkhimer and Michael Tow (Photo Credit: Mark S. HowardHolly and Nathan meet to try to work out a deal to keep things quiet. Yes, Holly, who claims to be a victim is also using the situation to blackmail Lee. It all seems like a pretty basic plot about a politician with something in his past to hide and his willingness to deal to make things go away. Something any of us over the age of two have seen in our lifetimes more often than we like.

The difference with Warrior Class is that it is much more than a sordid political story. Playwright Kenneth Lin digs deep into all of the characters. This is a moving and emotional work. It is like watching a game of chess as all involved maneuver to either gain from, suppress, or both from the incidents that occurred twenty years earlier. It turns out one of them is the chess master. During the play, which becomes quite intense, we are faced with asking ourselves questions. Can people change? Is it okay for a victim to become a perpetrator? Is it permissible for a man to use lies and manipulation in order to help a family member? Could any of us be one of the characters? Where is the line that should not be crossed? It is easy to walk away from this play feeling cynical, but I found much more to take away from this fine play.

Jessica Webb and Michael Tow (Photo Credit: Mark S. Howard
Jessica Webb and Michael Tow (Photo Credit: Mark S. Howard

Actors Michael Tow, Steven Barkhimer, and Jessica Webb are superb in their roles.

There was never a moment when my eyes left the stage

There was never a moment when my eyes left the stage,especially during the scene where Julius and Holly meet to discuss working things out. At that point emotions run very high. It is a pleasure to watch three very talented actors taking to the stage and performing seamlessly. It is performances such as this that remind me of why I am so drawn to the theatre. Dawn M. Simmons fine direction leaves enough ambiguity so when you depart the theater you will be thinking a lot about what you just saw and asking yourself many questions.

In a talkback after the performance, the question was asked if the role of Julius Weishan Lee was written specifically for a Chinese character. The answer was yes it was, but Michael Tow pointed out how different it was from so many roles he has played where he was cast because of his ancestry. He told us, while the script called for a Chinese actor, as the name implies, it could have been played by someone from any background. This freed him from feeling typecast. I agree with Mr. Tow. While the heritage of the leading character was a part of the play, it was not a play about a Chinese politician. Refreshingly, it is a play about a politician who happens to be Chinese.

While we are so focused, or perhaps, with good reason not, on the national political scene, this play will make you think more about local politics; especially, here in Massachusetts where corruption is a part of the culture.

I highly recommend you head down to the Lyric Stage and see this play. You will not be disappointed.

lyricstage.com Box Office:

617-585-5678

New England Premiere of The Scottsboro Boys

Theatre Announcements, , ,

Presented By SpeakEasy Productions

October 21st ThroughNovember 20th

Calderwood Pavillon, Boston 

sb-psdFrom October 21 – November 20, 2016, SpeakEasy Stage Company will proudly present the New England Premiere of THE SCOTTSBORO BOYS, a bold new musical by Broadway legends John Kander and Fred Ebb about a sensational true story that changed American history.

The musical, with a book by David Thompson, and which was originally directed and choreographed by Susan Stroman, brings to light the shocking true story of nine African-American teenagers jailed in Alabama in 1931 for a crime they did not commit. With an exhilarating and infectious score that mixes gospel, jazz, and vaudeville, THE SCOTTSOBORO BOYS flips the script on the classic minstrel show to lay bare the fateful case that inspired the American civil rights movement.

THE SCOTTSBORO BOYS was the final collaboration for Kander and Ebb

Nominated for 12 Tony Awards, THE SCOTTSBORO BOYS was the final collaboration for Kander and Ebb, whose works include such musical theatre classics as Cabaret, Chicago, and Kiss of the Spider Woman.

SpeakEasy Founder and Producing Artistic Director Paul Daigneault will direct the New England premiere of THE SCOTTSBORO BOYS. Winner of the 2014 Elliot Norton Award for Sustained Excellence, Mr. Daigneault’s SpeakEasy directing credits include productions of Significant Other, Violet, Mothers & Sons, Big Fish, The Color Purple, In the Heights, and Next to Normal.

IRNE Award nominee Matthew Stern will serve as Music Director and Norton Award-winner Ilyse Robbins will choreograph.

The cast for this production includes Darren Bunch, Shalaye Camillo, Taavon Gamble,
Russell Garrett, De’Lon Grant, Brandon G. Green, Sheldon Henry, Wakeem Jones, Steven Martin, Darrell Morris, Jr., Maurice Emmanuel Parent, Aaron Michael Ray, and Isaiah Reynolds.

The design team is Eric Levenson (scenic); Miranda Giurleo (costumes); Daisy Long (lighting), and David Remedios (sound).

THE SCOTTSBORO BOYS will run for five weeks, from October 21 through November 20, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Ticket prices start at $25, with discounts for students, seniors, and persons age 25 and under.

For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com .

Million Dollar Quartet Is Rocking Ogunquit

Theater Reviews, , , , , , , , , , ,

Million Dollar Quartet At The Ogunquit Playhouse

Through November 6th

reviewed by Bobby Franklin

Photo Credit: Gary Ng
Photo Credit: Gary Ng

Last year the Ogunquit Playhouse had a huge hit with Million Dollar Quartet, the fictionalized account of the day in December, 1956 when Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash all happened to drop into the Sun Records studio and proceeded to participate in a memorable session of music and talk. The show was so popular Playhouse Artistic Director Brad Kenney decided to bring it back to cap off what has been a truly incredible season.

While the meeting between the four legends did indeed take place, and it was the only time they ever performed together, the authors of the play decided that instead of recreating that day song for song, they would give us a look at what went on over a longer period. While doing this they include some very interesting history of the early days of rock and roll, a music many never expected to last more than a short while. We get to know Sun founder Sam Phillips, a man who had an amazing eye for talent, but the inability to hang on to those performers once he got them started. Without Sam Phillips there probably would not have been rock and roll.

While the history lesson is important and well done, Jason Loghlin is outstanding in the role of Phillips, it is the music that electrifies the stage in Ogunquit. This show puts the heat in those Great Balls of Fire that blaze across the stage.

This show puts the heat in those Great Balls of Fire that blaze across the stage.

Nat Zegree is frenetic and a real wild child in the part of Jerry Lee Lewis.He is one damn good piano player as well as an acrobat who uses the keyboard as his personal pummel horse. At times I was looking for the wires that I thought must be attached to him as he was flying through the air so much, but he performed with no strings attached and burned up the stage from beginning to end.

Nat Zegree is a real wild child in the role of Jerry Lee Lewis.

James Barry portrays the legendary Carl Perkins brilliantly. He not only was note perfect on the guitar, but he conveyed a respect for the man who it can be argued was the father of rock and roll. Barry gives us the music and the man. The public should never forget Carl Perkins and his importance in the history of rock and roll. James Barry is seeing that they never will.

James Barry portrays Carl Perkins brilliantly.

While it is unclear whether or not Johnny Cash actually joined in on the original jam session, it is a fact that he was a major player in the early days of Sun Records. With Scott Moreau cast as the young Cash, we see him again with his deep voice and haunting look. Moreau should consider doing a tribute show dedicated just to Johnny Cash. He captures him beautifully.

Oh, there was another musician there that day. His name was Elvis Presley. Elvis had moved on from Sun Records and had hit the big time, but his heart was still in the Memphis studio. Beau Cassidy takes on the young Elvis, and, contrary to what many believe, it is a difficult part to play. How do you capture the amazing talent and charisma of the 1956 Elvis without looking campy and exaggerated? Mr. Cassidy is not an Elvis impersonator. He does not stand on the stage and do a take off on Elvis. Instead, he gives us a look into the heart of the man who, while he has made it big, is still very much at home in the small studio with old friends and a new talent. Cassidy captures Presley with his eyes more than his hips and it works very nicely. Oh, you will not be disappointed in his renditions of the music as he gets it right on every number.

Photo Credit: Julia Russell
Photo Credit: Julia Russell

Mr. Kenney has assembled his own million dollar quartet with the performers he has found for the parts. Each is an accomplished musician who can also act. They play well separately and are rock solid when performing together. They are backed up by Nathan Yates Douglass as Carl’s brother Jay on bass and by David Sonneborn on drums.

Bligh Voth plays Elvis’s girlfriend and she also sings two numbers, the very, very hot Peggy Lee hit Fever and the rocking I Hear You Knocking. Voth almost just about makes this a million dollar quintet.

it is hotter than a summer heatwave at the Playhouse.

The weather may be cooling as the season changes, but it is hotter than a summer heatwave at the Playhouse. I highly recommend Million Dollar Quartet. This show will leave you with a whole lot of shaking going on.

The Original Million Dollar Quartet
The Original Million Dollar Quartet

Million Dollar Quartet now through November 6th.
Ogunquit Playhouse, Ogunquit, ME
ogunquitplayhouse.org
207.646.5511

Figuring Out Sonny

Book Reviews, Boxing Articles, , , ,

Figuring Out Sonny

After 46 Years Liston’s Death Is Still A Mystery

The Murder Of Sonny Liston: Las Vegas, Heroin, And Heavyweights Blue

by Shaun Assael, Rider Press

reviewed by Bobby Franklin 

sonny-assaelIt has now been almost 46 years since Sonny Liston was found dead in his Las Vegas home by his wife Geraldine. His death was officially ruled as being from natural causes, though there were traces of heroin in his blood and needle marks on his arm. There were and are many who believe he was murdered, but nobody has been able to come up with any proof. Geraldine Liston died in 2005. Most of the people who knew Sonny, if it was possible to know him at all, have passed on.

 

Much has been written but little is really known about the former heavyweight champion. Nobody knows for sure when Sonny was born, and that includes the late champ himself. Springs Toledo in his fine book The Gods Of War did some excellent research and pegs Liston’s birthdate as July 22, 1930. If not exact, I believe it has to be close. Listening to some people you would believe The Bear was born in the Middle Ages.

 

sonny-liston11-530x317Liston, in his prime, was devastating. While champion Floyd Patterson ducked him, Sonny singlehandedly cleaned out the heavyweight division. When Patterson finally agreed defend the title against him in 1962 Liston walked right through Floyd knocking him out in the first round. He repeated his performance a year later. At this point it appeared Sonny would be champ forever. His association with crime figures kept him from being able to obtain a license to fight in New York. It has been said that after he won the title and was en route back to his home in Philadelphia, he wrote a speech expecting to be greeted by well wishers when he disembarked from the plane. The story goes that he wanted to be a good champion and show the world a different side. When he arrived there was nobody there to greet him. He tore up the speech and accepted his role as the bad guy of boxing.

 

Liston would go on to lose the title when he took on the only heavyweight even more controversial than he was, Cassius Clay. He also lost the rematch. Both fights have been shrouded in mystery and have defined Liston. He would continue to fight but never again was he able to get another chance at the crown.

 

sonny_airport_waving-530x317In a new book (The Murder Of Sonny Liston: Las Vegas, Heroin, And Heavyweights, Blue Rider Press) to be released in October, author Shaun Assael, a member of ESPN’s investigations unit, takes a look at the life of Sonny Liston. While Mr. Assael touches on the controversial Clay/Ali fights, he focuses primarily on Liston’s final days and his life in Las Vegas. He also delves into finding out the real cause of Sonny’s death.

 

As Liston’s boxing career started to fade, he became more and more involved with the drug scene in Vegas. Liston was always in need of money. He had nothing from his days as champion. For his last fight, defeating Chuck Wepner, Liston received $13,000.00, $10,000.00 of which he used to pay a gambling debt, the rest went for expenses.

 

Mr. Assael gives a great overview of the crime ridden Las Vegas of the late 60s heading into the 1970s. The mob was still active there as Howard Hughes was making inroads in buying up hotels and casinos in an effort to clean things up. It was a murky and sordid world, but one in which Sonny would have felt very comfortable moving through.

 

Sonny and Geraldine
Sonny and Geraldine

If Liston was indeed murdered, what was the motive? The author speaks with the few remaining people who were involved in the Vegas scene back them. Former cops, undercover drug agents, and dealers. He tracks down a good cop gone bad in Larry Gandy whom he interviews. Assael considers Gandy a prime suspect in Liston’s murder, but is sent on another trail after speaking with him.

 

He traces events back to a drug raid where Liston was present but was allowed to walk while everyone else was arrested. Was this a sign that Sonny was an informant? I don’t think there is enough here to back that up. Liston didn’t like cops. He also appears to have been a fairly small time dealer who ended up using. Is it possible others mistakenly believed he was an informant and had him taken out because of that belief? Sure, but again, there is no solid evidence.

 

One part of the book I found to be very enlightening was where the author dug in and found information about a car accident Liston was involved in not long before his death. I had heard about a crash, but I did not know how seriously Sonny was injured. In the head on collision Sonny’s chest was jammed up against the steering wheel. He had shards of glass in his face that had to be removed in the hospital. A week later Liston asked his wife Geraldine to take him to the hospital as he was experiencing discomfort in his chest. I see this as being more of a contributing factor in his death.

 

Liston was somewhere around forty years of age when he died. He had led a hard life. Heavy drinking and drug abuse were showing on his face. I doubt he had the best dietary habits. The injuries from the car accident coupled with his complaints about chest pain make heart disease appear to be a stronger suspect in his death than a mob hit.

 

liston-graveNobody really knew Sonny Liston, and that includes Liston. Mr. Assael’s book adds to the little that is known and is a good contribution to the literature about the champ, but, as much as it may fit into the narrative of Liston’s life, I am not convinced Liston was murdered. He was a man who was old beyond his years. I believe he wore his body down and finally succumbed to heart disease.

 

Mr. Assael makes a strong argument for Liston’s death being murder, but he is unable to tie it all up. The value in this book, and it is very well worth reading, is in tracing Sonny Liston’s final days. In exposing the corruption of Las Vegas back in the day.

 

It is important to know there is much more mystery to Liston’s life than his two fights with Ali. For a man who said very little he was actually a quite complicated individual. Mr. Assael’s book, while trying to answer questions, actually raises many more. Sonny’s life is like a mystery novel with the final page torn out. Will we ever know the truth about him? I doubt it, but with books like this he will remain a fascinating subject.

Warrior Class At The Lyric Stage Boston

Theatre Announcements, , ,

Kenneth Linn’s New Play Opens October 21 And Runs Through November 13

warrior-classPlaywright Kenneth Lin (TV’s House of Cards) delivers “an absorbing, incisive new play that crackles with authenticity” (NY Times), just in time for the climax of a surprising election season. Michael Tow (Chinglish) plays a New York assemblyman who’s been dubbed “The Republican Obama.” The son of Chinese immigrants and a decorated war veteran, he looks forward to a seemingly limitless political career. When someone from his past threatens to reveal a college transgression, he must decide how far he’ll go to keep the incident out of the public eye. Whatever his decision, the consequences may be costly.

lyric_weblogoFor more information: lyricstage.com  Box Office: 617-585-5678

 

 

Million Dollar Quartet Returns To Ogunquit Playhouse

Theatre Announcements, , , , , ,

Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis Back by Popular Demand 
in the High-Voltage Rock ‘n’ Roll Musical Million Dollar Quartet 
at the Ogunquit Playhouse through November 6th!

2015_MDQ_Robert-Britton-Lyons-Carl-Perkins-Sam-Weber-bass-David-Sonneborn-drums-Nat-Zegree-Jerry-Lee-Lewis-Jacob-Rowley-Elvis-Presley-Scott-Moreau-Johnny-Cash_photo-by-Jay-Goldsmith_pressThe Ogunquit Playhouse is bringing back the most popular show in its history, the Tony Award-winning musical Million Dollar Quartet, on stage October 5 through November 6. This high voltage rock ‘n roll show, with book by Colin Escott and Floyd Mutrux, is inspired by the electrifying true story of the famed recording session that brought together music icons Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins for one of the greatest jam sessions of all time. Featuring timeless hits such as “Blue Suede Shoes,” “Great Balls of Fire,” “I Walk the Line,” “Whole Lotta Shakin’ Goin’ On,” “Fever,” “Folsom Prison Blues,” “Hound Dog” and more, this thrilling musical brings audiences inside the recording studio with four major talents who came together as a red-hot rock ‘n’ roll band for one unforgettable night.
This exciting show features an incredible score of rock ‘n’ roll, gospel, R&B and country hits, performed live onstage by world-class actors who play their own instruments, as well as sing and perform. Returning as the energetic Jerry Lee Lewis is Nat Zegree, who had audiences jumping to their feet with excitement in the 2015 production. Over the last year he has performed at Arena Stage Company in the brand new Pasek and Paul musical Dear Evan Hansen and recently performed multiple sold out concerts at 54 Below, The Laurie Beechman, and Don’t Tell Mama’s in New York City. Scott Moreau is also returning to the Ogunquit stage to once again play Johnny Cash. He recently performed the role in Million Dollar Quartet at Harrah’s Casino in Las Vegas and in the first National Tour. Mr. Moreau has also performed in National Tour of A Christmas Carol as well as many regional theatres throughout the U.S. in such shows as Ring Of Fire, Johnny Guitar, Mary Poppins, Oliver!, Joseph and the Amazing Technicolor Dreamcoat and Ragtime. He has also appeared as Young Jim Neary in the series finale of HBO’s “Boardwalk Empire.” Making his debut at the Ogunquit Playhouse as Carl Perkins is James Barry. Mr. Barry has performed on Broadway in Bloody Bloody Andrew Jackson as well as the National Tour of Million Dollar Quartet. His many New York and regional theatre credits include Pump Boys & Dinettes, These Paper Bullets and The Buddy Holly Story. Joining the cast as Elvis Presley is Beau Cassidy who is also making his Ogunquit Playhouse debut. He is the third member of his family to perform at the historic theatre; his uncle Shaun Cassidy appeared on stage in 1982 and his grandfather Jack Cassidy in 1973. His regional theatre credits include A Hatful of Rain, Proof and The Wedding Singer, and he has appeared on television’s The Voice. He was most recently seen as Mickey Johnston at Feinstein’s/54 Below’s concert of Willy Russell’s Blood Brothers. Mr. Cassidy is also an accomplished songwriter, penning multiple charted pop songs.

The role of Sam Phillips is played by Jason Loughlin who is also returning after playing the role in the 2015 production at Ogunquit Playhouse. Mr. Loughlin was most recently in The Audience with Helen Mirren on Broadway. His other recent credits include the Broadway production of Machinal directed by Lyndsey Turner and the National Tour of War Horse as Major Nichols. Bligh Voth also returns from the 2015 production to play Elvis’ girlfriend Dyanne in the production after spending last year playing Dyanne regionally and internationally. She has performed in regional theatres throughout the U. S., including Signature Theatre, Ford’s Theatre, Kennedy Center Millennium Stage, Lyric Theatre and Boston Conservatory.

www.ogunquitplayhouse.org or call the Ogunquit Playhouse Box Office at 207-646-5511.

Unforgotten, The Paul Pender Story

Boxing Articles, , , , , , ,

A Very Important Film That Will Save Lives

by Bobby Franklin

unforgotten-the-story-of-paul-pender_poster_goldposter_com_1-jpg0o_0l_800w_80qA few years ago film director Felice Leeds got in touch with me about a film she was making about Paul Pender. She told me it would be dealing with more than just Paul’s career as a boxer. We exchanged emails and phone calls. Occasionally, I would hear the production was making progress, but I have been approached by other people trying to make boxing films, and they never seem to go anywhere. With this history, I really wasn’t expecting much from Ms Leeds’ project.

Last Sunday I finally got to see the finished product at a screening at the Boston Film Festival. Not only is this documentary one solid production, it is also an extremely important film.

In 2003 former World Middleweight Champion Paul Pender died at the age of 72. For the previous 15 years it had been thought Paul was suffering from Alzheimer’s Disease. It wasn’t until his brain was examined after his death that it was discovered not to be Alzheimer’s but rather Chronic Traumatic Encephalopathy (CTE), a disease caused by mild repetitive trauma to the head. These sub-concussive blows to the head are most serious when received at a young age. It was found that Paul had a very serious stage of the disorder CTE (stage 4). It became the  index brain for the research that is ongoing Boston University and is the brain all other cases are compared to.

Paul Pender
Paul Pender

Unforgotten, The Paul Pender Story tells us about Paul’s life, his boxing career, his outspokenness about the corruption in the sport, and his battle with recurring hand injuries that often put his quest for the title on hold. There is amazing footage of Paul’s fights, of him training at the New Garden Gym, as well as taped interviews with the champ. Watching the Brookline fireman’s rise to the top culminating in his winning the title from Sugar Ray Robinson is a great story in itself, and boxing fans will be thrilled with just that.

However, there’s much more to this fine movie. We learn that on top of being a great boxer, Pender was also a very intelligent man who attended elocution school and loved to quote Shakespeare. If things had been a bit different for him he very well may have ended up a college professor. He certainly possessed the intellect for it. We also become aware that his very strong brain was also being damaged over his years of playing contact sports.

While CTE was first thought to primarily affect boxers (dementia pugilistica) it has been found to be prevalent among football players as well. It is a progressive disease that can also occur in anyone, not just participants in contact sports, but also in those who have suffered repeated repetitive head trauma in other ways.

Dr. Ann McKee directs the Boston University CTE Center based at the Veteran’s Administration Medical Center in Bedford, MA. In the film she points out how the younger a person is when they suffer a head injury the more susceptible they become to developing CTE later in life. It is very possible Paul Pender already had damage from his days of playing high school football

It is very possible Paul Pender already had damage from his days of playing high school football

in Brookline. If that damage already existed it would have been exacerbated by his career as a boxer. This is something that should give every parent pause when they are considering allowing their son or daughter to play a contact sport. Once damaged, the brain does not heal.

Tony DeMarco and Felice Leeds
Tony DeMarco and Felice Leeds

In a panel discussion after the film Dr. Robert Cantu, author of Concussions And Our Kids, talked about someday having tests that will show whether or not signs of CTE are beginning to show in the brain. Right now the only way to know for certain is to examine a brain after the patient has died. Could finding markers early on help prevent the onset of symptoms later in life? That is a question that can’t be answered, but at least the person, such as a boxer, could be denied a license to fight so that the damage is not made worse. He also points out that research needs to be done on the brains of people who have participated in contact sports but are asymptomatic. It has always been a puzzlement as to why some athletes, in spite of having received repeated blows to the head, never develop CTE. There is so much more to be learned about this terrible but preventable disease.

This movie is great on so many levels. It finally gives Paul Pender the respect and recognition he deserves for his great boxing ability. He has been known as the forgettable boxer, but

after watching this film you will never forget Paul Pender

after watching this film you will never forget Paul Pender.

Audiences are also brought back to the days when boxing was one of the most popular sports in the country. The time when great fighters like Tony DeMarco made Bostonians proud. Tony, along with fellow boxers Joe DeNucci, Tom McNeeley, and Matt Farago are interviewed. Former great amateur boxer Richard Torsney, a longtime friend of Pender’s, gives us insight into the personal side of the Champ. Historian Dan Cuoco and author Mike Silver (Stars In The Ring and The Arc of Boxing) not only share their insights about the finer points of the art of boxing, but also discuss the emotional side of  what it means to be a boxer. Mr. Silver describes it as a “Calling”.

Rose Pender
Rose Pender

Director Felice Leeds reminds us of a person who should definitely not be forgotten, and that is Rose Pender, Paul’s widow. Ms Leeds describes her as the true hero in this story, and I couldn’t agree more. It is Rose who got this all started by making the difficult decision to allow Paul’s brain to be used for research. This courageous woman who spent years caring for her husband while raising a family now has allowed the rest of us to benefit from the research that is based on her husband’s brain. Her action will save lives and prevent much suffering. We all owe Mrs. Pender much gratitude.

Felice Leeds has made a fine documentary. As I wrote earlier, it is an important piece of work and deserves a wide audience. It is time we as a society look at what is happening on the playing fields and in the boxing rings. It is time we consider the danger we are putting our fellow human beings into for the purposes of entertainment. It is time we work to make sports safer while still retaining the competitiveness that builds character and self-discipline.

Richard Johnson, the curator of the Sports Museum in Boston, best described this film during the panel discussion. I believe he was quoting Paul Pender when he said “It is a full day if you have laughed and cried.” This documentary will make you do both.

Many thanks to Felice Leeds for making this film. I urge everyone to see it when they have the chance. It will make you laugh and cry. And I hope it will make you think about the price so many athletes pay for entertaining us.

Trailer: Unforgotten, The Story of Paul Pender from Felice Leeds on Vimeo.

It’s A Lovely Sunday At The Huntington

Theater Reviews, , , , , , ,

Sunday In The Park With George
At The Huntington Theatre Company

reviewed by Bobby Franklin

Company of Sunday in the Park with George (Photo: Paul Marotta)
Company of Sunday in the Park with George
(Photo: Paul Marotta)

This past Saturday I saw the matinee performance of the Huntington Theatre Company’s production of Sunday In The Park With George, Stephen Sondheim’s classic musical inspired by the George Seurat painting A Sunday Afternoon on the Island of La Grand Jatte now playing at the BU Theatre. It was my first time seeing it and I had done some research before going. Reading background pieces about the play made it sound like it was going to be a complicated work and, perhaps, a bit difficult to understand, particularly the second act.

The Huntington has given Boston theatre goers a treat that is not to be missed.

This Sunday In The Park With George is a gift that is not to be missed.
It is complicated, but it certainly is not a difficult play to enjoy. Yes, it has many layers, and I can certainly see why so many people return to see productions of it over and over again. It is one of those works that can be viewed just on the surface or you can dig deeper and deeper and find much more you may not have known was there at first glance. And that is what makes it so wonderful.

I have come a bit late to Sondheim in my theatre going life, this being only the third work of his I have seen performed on stage, the second having just been last week when I saw the Lyric Stage production of Company. I am now hooked.

Adam Chanler-Berat and Jenni Barber (Photo: Paul Marotta)
Adam Chanler-Berat and Jenni Barber
(Photo: Paul Marotta)

As I settled into my seat just in time for the opening act I was already taken with the set. When Jenni Barber appeared as Dot modeling for the artist George, and sang the title song, I knew this was going to be something special. Jenni Barber has talent, not just talent, but that rare ability to convey so much with a nod, a glance, and a pause at just the right time. Add to this her lovely voice, and, well, you have to see her.

This is not, however a one person show. Adam Charnier-Berat as George is in command of his role as the artist obsessed with his work. He moves about the stage with his sketch book sneaking looks at the people in the park for his painting which they will appear in. The use of the stage as a canvas for his work is pleasing to the eye with scenic design by Derek McLane.

Josh Breckenridge, Adam Chanler-Berat, and Aimee Doherty (Photo: Paul Marotta)
Josh Breckenridge, Adam Chanler-Berat, and Aimee Doherty
(Photo: Paul Marotta)

The entire cast is very strong. I was particularly impressed with Aimee Doherty as Yvonne who underplayed her role just right. Josh Breckenridge as Jules and Bobbie Steinbach as Old Lady are a joy to watch.

The musical score by Sondheim is not one that has you leaving the theater humming the tunes. Rather, it is an integral part of the story. Sondheim writes the music in a way that complements Seurat’s pointillist style of having the eye connect the dots in a painting. The music does the same thing only for the ear. It is subtle but effective. It is played by an eleven piece orchestra conducted by Eric Stern.

As for that troublesome second act where the action moves from 1884 to 1984. I saw no problem at all with it. Under the direction of Peter DuBois it was very clear what Mr. Sondheim meant.

Sunday In The Park With George at the BU Theater is an experience theatre goers will not soon forget.

A delectable treat for the eyes and ears. This production connects the dots.

It is a delectable treat for the eyes and ears. This production connects the dots and is not to be missed. You will be sorry if you do.

The Huntington Theatre has promised to produce all of Stephen Sondheim’s plays over the next few years. This is wonderful news. If they come anywhere near the current work being performed on their stage we are in for a great ride.

It looks like I have come to Sondheim at just the right time. I encourage you to jump on board as well. Sunday In The Park With George at the BU Theater is not a bad place to start.

At the BU Theater through October 16th
Huntington Theatre Company
BU Theater, 264 Huntington Ave., Boston
617.266.0800
huntingtontheatre.org

What Are Friends For

Theater Reviews, , , , , , , , , , ,

“Significant Other”
SpeakEasy Stage
Now Through October 8th

reviewed by Bobby Franklin

Significant Other  by Joshua Harmon, who’s Bad Jews was a great hit last year, opens with Jordan Berman (Greg Maraio) celebrating the news of his friend Kiki’s (Sarah Elizabeth Bedard) engagement to be married. Kiki and Jordan are joined by two other long time friends Laura (Jordan Clark) and Vanessa (Kris Sidberry). They are sharing a scorpion bowl and Kiki is feeling no pain. Soon the conversation turns to Jordan, who is gay, and how it is time for him to find a significant other. We learn that Jordan tends to obsess over romantic interests and is now attracted to Will (Jared Troilo) from his office, who may or not be gay.

Vanessa, Jordan, and Laura (Photo: Justin Saglio)
Vanessa, Jordan, and Laura
(Photo: Justin Saglio)

As the play progresses we watch as Jordan pursues Will both in real life and in fantasy. It is very interesting to see how this is staged, having Jordan speak to his friends while also in the moment with Will. It is almost as if the action pauses so he can update his friends. The effect works very well.

As time goes on we see that Jordan has not been able to make a connection with Will or any other man. Meanwhile, Vanessa and Laura join Kiki in walking down the bridal path. This leads Jordan to feeling a bit of a loser. He also begins to feel he is losing his friends and his sadness turns to anger when he confronts Laura at her bachelorette party. it was at this point Jordan started to get under my skin. Sorry, I just cannot feel sorry for someone that selfish.

At first I felt sadness for for Jordan, but my sadness turned to anger at him for his selfishness and inability to understand that life moves on and people have changes in their lives.It does not mean friendships end, but they do change, and he just cannot accept that.

It does not mean friendships end, but they do change

Throughout the play he pays visits to his elderly grandmother Helene (Kathy St. George) and hears advice about life and aging, though nothing  really seems to resonate with him.

Vanessa, Jordan, and Kiki )Photo: Justin Seglio)
Vanessa, Jordan, and Kiki
)Photo: Justin Seglio)

As I was watching Significant Others I couldn’t help but think about Company which I had seen last week. Company had a similar theme about people moving on with their lives and dealing with how these changes effect friendships. What I found striking was, even though the characters in Company are only a few years older than those in Significant Others, they are much more mature than Jordan and his friends. Company was written in 1970, and I think by comparing the two we see how much longer it takes people to grow out of adolescence today. There were times during this play when I just wanted to shout out “Grow up, the world does not revolve around you!”

Okay, so this is not a group of people I would want to spend time with. Having said that, the production is well done, though I feel the play have been shorter. A number of points were made and did not have to be repeated.

It is very funny, and all of the players are quite good.

Greg Maraio has terrific talent

Greg Maraio has terrific talent which is why I disliked his character so much. Unless, of course, he was going for sympathy. If that was the case, I missed it. But i don’t think so. I believe Mr. Maraio captured the frustration and anger that too many young people feel when they realize life is a bumpy ride.

It’s funny, but the SpeakEasy Stage has a way of leaving me thinking about their productions for days after I have seen them. Leaving the theater I felt I really did not like this play. But, I think i could spend hours talking about it.

Significant Other
Directed by Paul Daigneault
SpeakEasy Stage Company
Calderwood Pavilion
527 Tremont Street In The South End
speakeasystage.com
617.933.8600