All posts by Bobby Franklin

Reagle Music Theatre’s “The Music Man” Knows The Territory

Meredith Willson’s “The Music Man” At The Reagle Music Theatre Of Greater Boston

Reviewed by Bobby Franklin

 

Mark Linehan and Cast: Ya Got Trouble

The other night I paid my first visit to the Reagle Music Theatre of Greater Boston, and I was pleasantly surprised by what I saw. The Reagle stages productions of Broadway Musicals at the Robinson Theatre located in Waltham High School. Don’t be fooled by the location. The auditorium is a great venue with comfortable seats and a great view no matter where you are seated. More than that, the play I saw was a top notch production that included a full orchestra, something you rarely see today in regional theatre. That full orchestra really makes a difference and was extremely impressive. 

The production currently playing at the Reagle is Meredith Willson’s The Music Man, one of, if not the, best musicals ever written. It is certainly a favorite of mine and I was skeptical that this would rate very high in quality. My doubts were soon chased away once the orchestra began playing the overture which led into the opening number, the onomatopoeic Rock Island, which takes place on a train. This train left the station and the audience was in for a wonderful ride to River City along with Professor Harold Hill, the flim flam man who would eventually be won over by the Iowa Stubborn folks he was trying to take with his scam about starting a boy’s band.

Mark Linehan, in his seventh production at the Reagle, had his work cut out for him in the role of Hill. Most audience members know Hill from the movie version of the play and have Robert Preston’s version burned into their memories. Mr. Linehan does not attempt an impression of Preston, but instead gives his own interpretation of the smooth talking traveling salesman. It doesn’t take long to embrace Linehan’s Hill and to appreciate what he does with the role. Ya Got Trouble, The Sadder But Wiser Girl, and the rousing Seventy-Six Trombones are all classic Broadway musical numbers that Linehan delivers right on the mark. 

Jennifer Ellis and Mark Linehan

It is also quite the treat to see Jennifer Ellis as Marion Paroo, the librarian with a heart like a lump of lead as cold as steel, but who eventually finds her way to allowing that heart to melt and opens her eyes to seeking her white knight. Ms Ellis puts her heart as well as her beautiful voice into Willson’s warm and touching numbers Goodnight My Someone, My White Night, Will I Ever Tell You, and Till There Was You. Was there ever a better score than this? I don’t believe so, and Jennifer Ellis was born to sing these amazing songs. 

The Music Man has a huge cast and you might think a small company would pare it down a bit, but the Reagle does not. Director and choreographer  Susan M. Chebookian goes all out to give a full scale production here. Using choreography based on the original by Onna White, the huge dance numbers in Seventy-Six Trombones and Shipoopi are a site to behold. Watching and listening to The Wells Fargo Wagon gives you the feeling of excitement the residents of River City have while waiting for the approaching delivery. 

 Ms Ellis and Mr. Linehan are superb, and they are backed up by a strong cast including Harold “Jerry” Walker as Mayor Shinn and Lori L’Italien as his wife Eulalie Mackecknie Shinn. Both have wonderful comedic timing and both are able to push their characters to the edge without crossing into caricature. They are real pros. 

 Shipoopi is a number that is sometimes knocked as not fitting into the play, but when you see see Daniel Forest Sullivan as Marcellus Washburn lead the cast in this more than lively number you won’t be able to imagine it not being included. Sullivan really kicks in on it. 

School Board

Oh, such a large and wonderful cast. The School Board comprised of Louis Brogna, Matthew Gorgone, Antonino Ruggeri, and Tom Sawyer keep perfect harmony in their barbershop quartet numbers. Singing in counterpoint with Ms Ellis on Lida Rose/ Will I Ever Tell You it is a feast for the ears. 

Jonathan Tillen, Marylee Fairbanks, and Jennifer Ellis “Gary Indiana.

I’ve always felt that the Mrs Paroo must be a dream role, and Marylee Fairbanks makes that dream come true as the mother of Winthrop and Marion. Strong and kind with her Irish determination and heart of gold. Ms Fairbanks’s Paroo has the twinkle in her eye and just enough skills at manipulation to push her daughter in the right direction.

Perhaps the real stars of this production are the children and young adults who worked endless hours preparing for their moments on the stage. Jonathan Tillen as the withdrawn Winthrop Paroo shows us the growth of the self conscious young boy with a lisp who has sunk into despair since the death of his father but now begins to find himself through Professor Hill. In both The Wells Fargo Wagon and Gary, Indiana we see him emerge and you can’t help but feel touched by young Tillen’s performance.

Jennifer Ellis and Cate Galante

Winthrop’s friend Amaryllis who prays for him every night is played by Cate Galante. Cate’s Amaryllis is full of life and love. Her feelings for Winthrop warm the heart. She sparkles on stage.

Ye gods! I can’t forget Isabelle Miller who takes on the role of Zaneeta Shinn, the Mayor’s daughter. Zanneta is quite taken with bad boy Tommy Djilas played by Bernie Baldassaro who saves the day, and Professor Hill’s neck, by putting a band together. Both performers are vibrant and interact well together. 

The ensemble is large and in sync. It is quite something to see how they light up the stage in Waltham. Their energy is boundless. The Music Man has a short run at the Reagle in Waltham so you should plan on getting there soon. You don’t want to miss this one. A classic musical with a cast and director that gives it the treatment it deserves. Hop on board, River City next stop!

Meredith Willson’s The Music Man

Through August 12

The Reagle Music Theatre of Greater Boston

The Robinson Theater, 617 Lexington Street, Waltham

781.891.5600 www.reaglemusictheatre.org

Sonny Liston Vs Floyd Patterson What If There Had Been A Third Fight?

Sonny Liston Vs Floyd Patterson

What If There Had Been A Third Fight?

By Bobby Franklin

Sonny Liston and Floyd Patterson spent some time in the ring together, but not much. Their two fights combined lasted a total of only 4 minutes and 16 seconds with Liston winning by knock out in the first round on both occassions. The first fight took place in Chicago on September 25, 1962 and Sonny floored Floyd once, with that one knock down being for the ten count. Ten months later on July 22, 1963 in Las Vegas Liston dropped Patterson twice the with the second time being for the full count. 

In the two fights Patterson landed only one blow of any consequence, and that wasn’t much of a one. He grazed Liston with a right hand during the second fight. Other than that it was all Sonny. It is interesting to note that while the fights were blow outs, Liston did not come out swinging wildly. He took Floyd apart methodically, setting his man up with left jabs and solid body shots. Sonny showed fast hands, using an accurate left jab, along with hooks and uppercuts. He had a definite game plan and executed it perfectly. If they fought a hundred times during that period the result would have been the same. 

Patterson won the crown that had been left vacant when Rocky Marciano retired. He fought Archie Moore as the two were considered the leading contenders, and it was agreed the winner would be named the new heavyweight champion. After winning the title Cus D’Amato, Floyd’s manager, steered the new champ clear of any serous contenders. He had him fight second raters who appeared to pose no threat to Patterson. Fighters such as Roy Harris, Brian London, and Tom McNeeley. He even took on Olympic Champ Pete Rademacher who was making his pro debut the night of their title fight. 

Floyd did run into one contender who proved himself to be underestimated; Ingemar Johansson. Johansson won the title by defeating Patterson by kayo in the third round. Floyd would come back a year later to become the first man to regain the heavyweight championship when he flattened Ingemar n the fifth round. The two would meet a third time with Patterson winning again. 

From 1956 through 1961 the top contenders for the title were shut out from getting their deserved title shots. Men such as Cleveland Williams, Zora Folley, Eddie Machen, and Sonny Liston had to sit on the sidelines. It was not a good period for boxing, nor was it a good time for Patterson. It turns out that even though Floyd was making money and winning fights, he felt he was not proving himself as a man. In a high testosterone profession such as boxing that can cause feelings of shame.

It was Floyd who pushed D’Amato to make the match with Liston. Floyd had to prove to the world, and even more so to himself, that he was a true champion. Unfortunately, the outcome of both fights only left Patterson feeling more shame. The losses deeply embarrassed him. You think he might have given up boxing and taken up a more peaceful profession, but he soldiered on. 

Free of D’Amato’s protective hand he started fighting top contenders. He beat guys like Eddie Machen, George Chuvalo, and Charlie Powell. These wins put him in line for a shot at Muhammad Ali and the championship. Ali did not like Patterson and wanted to punish him. Floyd, unfortunately, went into the fight with a bad back and was limited in his movement. The one sided fight was stopped in the 12th round. 

Once again, Floyd did not let this stop him and he continued fighting. It was at this point in his career that Patterson started to really mature has a fighter. He would not lose a one sided fight again for the rest of his time in the ring. He kayoed Henry Cooper in four rounds, Fought a draw with Jerry Quarry in a fight many believed Floyd had won. In a rematch it was also thought he got a raw deal when Jerry was given the decision over him. He  beat Oscar Bonavena. 

Ellis vs Patterson

In a shot at Jimmy Ellis for the WBA Heavyweight Championship Floyd was robbed of a decision after fifteen rounds. He broke Jimmy’s nose in the first round and appeared to have captured at least a portion of the title for a third time. The sole judge, referee Harold Valan, thought differently.

During these same years Sonny Liston was on the comeback trail as well. He was also seeking to prove himself after his two embarrassing and suspicious losses to Ali. And, while Patterson was growing as a fighter, Sonny was taking on mostly journeyman and starting to age. He was hardly leading a life of health and fitness. His got wrapped up in the Las Vegas nightlife and was hanging out with shady characters. If you look at photos of him over these years you can see the aging in his face. In 1969 he took on Leotis Martin, and in the early going was having the better of it. But when Sonny came out for the 9th round he suddenly looked like an old man. It was apparent age and bad living had finally caught up with him. Martin flattened him in that round.

Martin Kayos Liston

Sonny would have one more fight six months later when he stopped Chuck Wepner. Six months after that he would be found dead.

I have heard Floyd Patterson always wanted a third fight with Sonny Liston. He still wanted to prove himself and show he good take the Big Bear. If the two had fought a rematch in, say, 1969 or so what would have happened? Patterson was fit and clean living, Sonny was old and had slowed down. It can be argued Floyd was stronger at this point in his life, though he hadn’t really grown much physically. However, he had grown a lot emotionally. 

I think a solid case can be made that Floyd would have won a third matchup. After losing to Ali in 1965 Floyd had 16 more fights with only three losses. Two of those three losses were considered bad decisions that should have gone in Patterson’s favor. He was not stopped again until his last fight which was against Muhammad Ali, and that stoppage was because of a cut eye. In the rematch with Ali, Floyd was doing much better than in their first encounter. He was competitive and it was too bad his eye was cut. It was an interesting fight.

A third fight with Liston would have also proved to be very interesting. Just imagine the Patterson of the Ellis fight fighting the Liston of the Martin fight. I think Floyd could have pulled out the victory. Now, wouldn’t that have been something!

Sally Struthers and Hal Linden To Appear In “Grumpy Old Men The Musical” At The Ogunquit Playhouse

To Run  August 8 to September 1

Fasten your seat belt, it’s going to be a grumpy ride! The Ogunquit Playhouse is proud to produce the U.S. premiere of the new musical-comedy, Grumpy Old Men the Musical on stage from August 8 to September 1 — just in time to celebrate the 25th Anniversary of the hit film that starred Jack Lemmon, Walter Matthau and Ann-Margret. This hilarious new show was penned by Dan Remmes, with music by Neil Berg and lyrics by Nick Meglin. Director for the Ogunquit production of Grumpy Old Men the Musical is Matt Lenz.

Two aging neighbors, Max (Ed Dixon) and John (Mark Jacoby), have been feuding for more than fifty years until the beautiful and charming Ariel (Leslie Stevens) moves in across the street — raising the rivalry to new heights! Get ready for non-stop laughs when two great masters of comedy step on stage – Emmy and Golden Globe winner Sally Struthers, and the Tony and Emmy Award-winning actor Hal Linden will team up with a cast of Broadway veterans to add to the fun! Don’t miss this laugh-out-loud story of family, friendship, love and romance in a fresh new musical that’s guaranteed to delight!
“We are thrilled and proud to produce the U.S. premiere of this hilarious new show. We are most excited to share Neil Berg’s fantastic musical score that is in an upbeat Broadway style. And, the work of Dan Remmes and the late Nick Meglin is a very adult and hysterical production that is perfect for our audiences. Because of the themes of family, romance and hilarity, all wrapped up in a fun uplifting musical, we hope we have created something new that will have a long life in the U.S. and beyond,” stated Executive Artistic Director Bradford Kenney.

Hal Linden

The Ogunquit Playhouse is thrilled to announce that that star of stage and screen, Hal Linden joins the cast as Grandpa Gustafson. Perhaps best known for his portrayal of police precinct captain Barney Miller in the hit television series of the same name that aired on ABC from 1975 to 1982, Mr. Linden has earned multiple Golden Globe, Emmy, and Tony nominations over his career. He hosted ABC’s “FYI,” a sixty-second information series in the 1980s, for which he received two Emmy Awards. His third Emmy in 1984 was for his portrayal of a rabbi on the CBS series “Schoolbreak Special.” In 1971, he won the Tony Award for Best Actor in a Musical for his performance in The Rothschilds, and to date, he has performed in more than 20 Broadway and Off-Broadway productions.
Two-time Emmy Award and Golden Globe Award-winner Sally Struthers joins the cast as the new-to-town Punky. She is probably best known for her role as Gloria in the groundbreaking TV series All in the Family. She has also starred in the Fox television series 9 to 5 and her own CBS series Gloria, as well as recurring roles on the CBS comedy Still Standing and the CW network’s highly acclaimed Gilmore Girls. Ms. Struthers joined the Gilmore Girls cast for Netflix’s new four movie limited revival,

Sally Struthers

which premiered in the fall of 2016, and recently guest starred in the acclaimed IFC comedy series Maron. Sally Struthers has performed many roles at the Ogunquit Playhouse including last season’s Bullets Over Broadway as Eden Brent, as Evangeline Harcourt in Anything Goes, the Duchess Estonia Dulworth in Nice Work If You Can Get It, Mama Morton in Chicago, Paulette in Legally Blonde and as Felicia Gabriel in The Witches of Eastwick.
Ed Dixon and Mark Jacoby lead the cast of Grumpy Old Men the Musical as the two feuding (and very grumpy) neighbors. Portraying Max is Ed Dixon, who won the 2017 Drama Desk Award for Georgie: My Adventures with George Rose, which he wrote and starred in. On Broadway he has been featured in Anything Goes, Mary Poppins, Sunday in the Park with George, and Les Miserables, among others. Mark Jacoby joins Grumpy Old Men the Musical as John. On Broadway he has performed in Elf, Sweeny Todd, Man of La Mancha, Ragtime, The Phantom of the Opera, and Show Boat for which he received Tony, Outer Critics, and Joseph Jefferson Award nominations. Recently he starred in the 2017, Oscar-nominated film, The Post.
For info: www.ogunquitplayhouse.org 207.646.5511

“Mamma Mia!” Opens At The North Shore Music Theatre August 7

The hit musical Mama Mia! that includes 22 songs from the group Abba will be playing at the North Shore Music Theatre from August 7 through September 2. This will be an original in-the-round production.

Mamma Mia! is a show that audiences have been requesting for years, and I am excited that we finally have the rights to create our own unique production just for our audiences. Even those fans who have seen Mamma Mia! multiple times before have never seen the show like this,” said Bill Hanney, NSMT owner and producer. “I am also very lucky to be able to cast many of the amazing performers from the recent sold out run we just produced at Theatre By The Sea, my other venue in Rhode Island. North Shore’s production will also be directed and choreographed by our talented Producing Artistic Director, Kevin P. Hill, who has also helmed our hit productions of Mary Poppins, Sister Act, Young Frankenstein, and A Christmas Carol. I know audiences looking to have a good time will not be disappointed.”

NSMT’s production of MAMMA MIA! will be led by Erica Mansfield (Donna Sheridan), along with Tiffani Barbour (Rosie), and Tari Kelly as (Tanya). Erica Mansfield has performed on Broadway in Bandstand, Finding Neverland, Mamma Mia!, On the Town, On the Twentieth Century, Pippin, Evita, and How to Succeed. Tiffani Barbour has appeared on television in “Veep,” “The Leftovers,” and “Law & Order,” and has been seen on stage in New York in Hit the Wall, and Born Blue, and on tour in Mamma Mia! and Fame the Musical. Tari Kelly has appeared on Broadway in Groundhog Day, Something Rotten!, How the Grinch Stole Christmas, The Boy From Oz and Show Boat.

North Shore Music Theatre is located at 62 Dunham Road, Beverly, MA. 

978.232.7200 www.nsmt.org 

Harry Greb Won The Title From Johnny Wilson But It May Not Have Been Easy

By Bobby Franklin

Wilson and Greb

On August 28, 1923 Harry Greb won the World Middleweight Championship from Johnny Wilson. Greb gained a fifteen round decision over the reigning champ who fought out of Boston. The fight was held at the Polo Grounds in New York. It has always been believed that Greb won the title in easy fashion over an outclassed Wilson. In fact, the New York Times reported that Harry won 13 of the 15 rounds. The headline said “Wilson, Slow and Awkward, Bewildered By Opponent’s Attack”.

After reading the Times’s report it appears it was only a formality for Greb to take the title. Wilson comes across almost as inept. The reporter from the Times also went on to write that “…the crowd showed its approval with a boisterous shout of acclaim for the-newly crowned champion”.

Six months later the two would meet in a rematch. It seems there would have been no call for the two to step into the ring against each other since the first fight was so one sided. Well, one sided at least according to the New York Times. Could the Times’s story been a case of “fake news”?

Greb vs Wilson

In the early years of the 20th Century, most states made it illegal for decisions to be officially given after a boxing match. Professional fights were only supposed to be exhibitions as the game was pretty much outlawed at the time. People still wanted to bet on the matches and in order to decide who won or lost fans would rely on the opinion of reporters covering the fights. Of course, this led to some wheeling and dealing behind the scenes in order to get a newspaperman to give a decision in favor of a certain boxer so that gamblers could collect on their choice. It was just another way of fixing fights. 

By the time Greb and Wilson fought, it had become legal for official decisions to be given in fights. However, newspaper reporters still liked to pick up that extra cash on the side and would take payoffs from managers and promoters to give favorable publicity to certain boxers. In some cases reporters would write stories about fights they had not even attended. Fake news was just as abundant then as it is today. 

In the case of the first Wilson vs Greb fight, the coverage from the Times has pretty much defined how that fight is remembered. Recently, the great boxing historian Gregory Speciale uncovered another report on the the fight. This one was written by the very highly esteemed reporter Robert Edgren. Mr. Edgren’s account of the fight is quite  different from the New York Times’ piece.

“Nobody felt sure which would get the decision when the fifteenth round was over.”

He begins his story, which was published in the New York Evening World on September 1, 1923, by completely contradicting the New York Times’ reporter who said the crowd shouted its approval of the verdict. Edgren wrote “Harry Greb today is the middleweight champion of the world but when Announcer Joe Humphreys…began his announcement ‘Winner and new champion’ there was no wild burst of applause. It was a victory with no sensational features, and not at all the overwhelming triumph the crowd had expected him to score over Johnny Wilson. Nobody felt sure which would get the decision when the fifteenth round was over.”

That’s quite different from what was reported in the Times. Edgren went on to report that Wilson gave Greb all kinds of trouble and even stated there was a case for Greb being disqualified because of the amount of holding and hitting he did. Wilson’s southpaw style and tactic of going to Greb’s body seems to have made things difficult for Harry. 

Johnny Wilson

Edgren ended his piece by opining how it was not a very exciting fight. He wrote “I’ve seen more excitement at a chess tournament, but it was all right. A world’s championship changed hands as expected.” I think if you read just a bit between the lines you get the message that there was no way Greb was going to lose that night.

I tend to believe the Edgren version over the NYT one as Robert Edgren had an impeccable reputation until the day he died. In fact, the same New York Times wrote in Edgren’s obituary that he was “known for truthfulness”.

There is no doubt that Harry Greb was one of the greatest middleweights of all time, but that doesn’t mean he didn’t have trouble with certain boxers. As I have written before, Greb was the only middleweight champ to both win and lose the title to southpaws. (He lost it to Tiger Flowers). 

Greb and Wilson fought two more times. Their second was a rematch for the title six months later, and according to Boxing Blade it was a close fight. The last fight took place in Boston on April 17, 1925 at the Mechanics Building. This was reported as the most exciting of their three fights with Greb winning a very close decision. 

It appears Wilson’s southpaw style was a problem for Greb, and it is also possible that Johnny very possibly could have been given the decision in any of these fights. 

It is unfortunate that Johnny Wilson is often considered more of a footnote in boxing history and best remembered for losing to Greb. It is also unfortunate that most people think Greb won in a cakewalk over him when it turns out Johnny Wilson gave Harry Greb more than enough to handle. It’s time to reassess Wilson’s talents as a fighter. The man could fight.

Peter Pan At North Shore Music Theatre Through July 22

Elena Ricardo as Peter Pan
Photo©Paul Lyden

PETER PAN, the high-flying Tony© Award-winning musical, follows the adventures of Peter Pan and his mischievous fairy sidekick, Tinkerbell, as they visit the nursery of the Darling children late one night. With a sprinkle of pixie dust, they begin a magical journey across the stars that none of them will ever forget. From ticking crocodiles, to fierce warriors, bungling pirates and the villainous Captain Hook himself, this fun classic will delight all ages. With its iconic score featuring songs like “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” PETER PAN is the perfect show for the child in all of us!

James Beaman (Captain Hook) and Paul Castree (Smee) Photo©Paul Lyden

PETER PAN playing at North Shore Music Theatre thru July 22, 2018.   (978) 232-7200, visit www.nsmt.org,  box office at 62 Dunham Rd., Beverly, MA.  

Tommy Burns: Smallest Heavyweight Champ Packed A Punch

A True “World” Champion

By Bobby Franklin

Unfortunately, Tommy Burns is best remembered for being the man from whom Jack Johnson won the Heavyweight title. That fight took place in 1908 in Sydney, Australia with Johnson winning a one sided victory. The fight has been recorded as a stoppage win for Johnson, but in some records it is stated Johnson won on points. The reason for the discrepancy is because an agreement had been made before the bout that if the police stepped in and stopped the fight it would be decided on points. Indeed, the police did put an end to the action, but it was apparent Tommy was not going to last much longer, so a stoppage victory is more the truth.

It has also been reported that Burns went into the fight still suffering from the effects of influenza. This is not to imply he would have beaten Johnson if he had been in top shape, but it goes to show the tremendous courage Tommy showed in standing up to Johnson for 14 rounds. Tommy not only stood up under a heavy physical beating, but also had to endure Johnson’s humiliating taunts. In spite of all this Burns never took a backwards step and gave it his all.

Born Noah Brusso on June 17, 1881 in Normanby Township near Hanover, Ontario, Canada, his family was of German descent and very poor. Tommy was the 12th of thirteen children, five of whom died before reaching adulthood. Tommy eventually landed in Detroit where he began his boxing career. He changed his name to Tommy Burns and began gaining quite the reputation as a small man who would take on opponents regardless of size. Burns had very strong legs from where he got much of his power.

Burns and Philadelphia Jack O’Brien

Tommy’s first major bout was against all-time great Philadelphia Jack O’Brien, and while he lost a decision to O’Brien he gave a good account of himself. He would go on to fight O’Brien two more times, both matches being in defense of his heavyweight title with one bout ending in a draw that most people thought Tommy won and the other in a clearcut victory for the champ.

At 5’7” Tommy Burns was the smallest heavyweight champion to ever hold the title. He was also one of the most active, as well as a true world champion defending the title all around the world and against all comers.

Burns first laid claim to the heavyweight championship with a victory over Marvin Hart. Hart had been designated the champion by Jim Jeffries when Marvin defeated Jack Root. Jeffries, who had retried as undefeated champ, thought he could name a successor, but the public never really accepted Hart. Nor did they accept Burns when he defeated Hart. Tommy knew this and decided to prove his worth by traveling the world and fighting the best fighters different countries had to offer. This took him to such places as London, Dublin, Paris, and Melbourne, Australia. Eventually he would gain public acceptance.

Burns and Philadelphia Jack O’Brien

Because of his small stature Tommy was often the underdog even when defending the title. He proved the oddsmakers wrong time and time again making thirteen defenses of the crown, the 4th most of any title holder. Two of those defenses came on the same night. Eleven of the victories were by knock out with only Jack O’Brien lasting the distance with him which he did on two occasions by running and holding. Burns’s kayo of Bill Squires at 1:28 of the first round is one of the fastest wins in any heavyweight title fight.

It has been widely reported that Tommy was ducking Jack Johnson and was forced into fighting him when Jack pursued him around the world. In reality, Tommy was also a smart businessman who managed himself. He held out for a big payday knowing the fight would be a huge attraction. When his demand for $30,000.00, more than twice the amount ever paid to a heavyweight champ was met, he quickly signed for the fight.

Burns was the first and only Canadian born boxer to win the heavyweight title. He holds the record for consecutive knock outs in heavyweight title fights with eleven. He is ranked 4th highest in heavyweight history for the number of times he defended the title. Jack Johnson was the first man to stop him in a fight and he would only lose by stoppage one more time, in his last fight when he was 39 years old and had been inactive for two years.

Tommy Burns may not have been an all-time great, but in his day he was a force to be reckoned with. Always in shape with an aggressive counter punching style, he packed dynamite in both fists.

Burns retired from the ring in 1920. He engaged in several business ventures including managing boxers and running a saloon. He eventually became a minister. Burns passed away in 1955 at the age of 73.

There is a Youtube clip of him speaking long after he retried. His voice is clear and strong and he shows no effects from having engaged in 58 fights, a testament to his skills. His final record stands at 46 wins (34 by knockout), 4 losses (2 by stoppage), and 8 draws. Very impressive.

Tommy Burns deserves to be remembered for much more than his bout with Jack Johnson. He was a true World Champion.
https://youtu.be/ZoNz9bFzTwE
https://youtu.be/xql0mLNCymI

Stop Complaining About The Heat!

Just Imagine What It Was Like Being Ringside

At Toledo On July 4, 1919

By Bobby Franklin

So, now that the long winter is finally a thing of the past and summer is in full swing we are already hearing the complaints about the heat. As people go from there air conditioned homes to their air conditioned cars to their air conditioned offices they can’t seem to resist bemoaning the hot weather. While having dinner in an air conditioned restaurant after attending a movie at an air conditioned theater the topic turns to how miserable they are because of the heat. 

We live in an unprecedented time in human history. Never have so many lived in such comfort; We have indoor plumbing, central heating, cooling, home entertainment centers, and supermarkets with an endless supply of food at our fingertips, and medical care that is beyond what anyone could have imagined just a few years ago. Poor people in the United States today have more comfort than the wealthiest people did as little as a hundred years ago, yet we all seem to be complaining more than ever. It seems human beings react to positive change by looking for more reasons to be unhappy.

A lot of this may be blamed on the amygdala, the part of our brain that plays the primary role in our processing of memory, decision making, and emotional response. The amygdala is programmed to seek out bad news. It does this because bad things can harm us, and in order to be able to defend ourselves from harm we must be alert to danger. With less danger around us the amygdala will become alert to more minor problems. It is one of the reasons we are so influenced by bad news. The more negative things we hear, the more likely we are to think things are much worse than they are.

At a time when we should be counting our blessings we have become a nation of whining children.

At a time when we should be counting our blessings we have become a nation of whining children. It really is tragic that with so much good around us we just can’t seem to stop and smell the roses. We have lost all sight of how tough things used to be. 

As July 4 approaches I think back to an earlier Independence Day. No, not the one in 1776, but one just less than a hundred years ago. I have written about it before, the day Jack Dempsey won the Heavyweight Title from Jess Willard. While it was a brutal fight, I have often wondered what it was like have been sitting at ringside that day in Toledo, Ohio. While the fighters had to deal with the heat, they were in the ring for less than a half an hour, the spectators spent all afternoon there, and what an afternoon it was. 

110 Degrees At Ringside!

When the crowd first arrived the temperature was in the nineties and rose to 110 degrees by the time the main event took place. The fight was outdoors and there was no shade. The sky was clear and the sun was blazing. On top of this, there was a shortage of beverages. The night before, a huge batch of lemonade had been made, but the fighter Battling Nelson mistook the tub containing the refreshing drink for a bathtub and bathed in it. Water was brought in, but not enough, and what there was was warm.

Promoter Tex Rickard had the stadium built just for the fight, and it was put up fast. The lumber used had not had time to season so when people sat down on the boards the sap was leaking out sticking many of them to their seats and ruining there clothing. I guess it was one way to keep people from staying in their seats.

You also have to remember that back then people did not have access to cool clothing. Most were wearing wool pants and jackets. The only protection they had from the sun were the straw hats they were wearing. There was no where to go for relief. Hotels and bars were not air conditioned. They might find a place with a fan or two, but that would mostly just circulate the hot air. It had to be miserable being there, but watching a film of the fight and the reaction to Dempsey winning the title, the heat did not dampen the enthusiasm of the crowd. 

It’s funny, but as tough as things were back then, I doubt many people complained. Daily life even for the best off was something we could not even imagine today. Life was hard and so were the people, but they dealt with it and moved forward. And, in moving forward they continually worked to make things better. Now that we have achieved so much it might be nice if we put things into perspective and stopped complaining for a while and instead, started counting our blessings. 

As hot and sticky a day it was on July 4, 1919, the people attending the Dempsey/Willard fight were actually there to have a good time, and they did. It would soon be back to work for them where things would be even harder. I’ve often thought that Jack Dempsey was possibly the toughest man that ever lived, but those fans at ringside were pretty hard characters too. Next time you complain about the heat while sitting with friends in an air conditioned room, just imagine yourself at ringside in Toledo in 1919. And also remember, those folks were there to have fun.

 

“An American in Paris” The Ogunquit Playhouse July 11 Through August 4 

The Regional Premiere of An American in Paris to Open at the Ogunquit Playhouse 

 One of the most captivating musicals ever to be adapted for the stage, An American in Paris, makes its regional premiere at the Ogunquit Playhouse July 11 through August 4. This exquisite musical is inspired by the Academy Award-winning film that starred Gene Kelly and Leslie Caron and features music and lyrics by George and Ira Gershwin with book by Craig Lucas. The Ogunquit Playhouse is proud to be the first regional theatre in the U.S. to produce this new musical, which won four Tony Awards in 2015. The stunning combination of iconic music, timeless love story, breathtaking ballet, energetic tap dancing and an all-new design created exclusively for the Ogunquit Playhouse results in a spectacular musical that includes the Gershwin songs “I Got Rhythm,” “Liza,” “’S Wonderful,” “But Not for Me,” “Stairway to Paradise,” and orchestral music including “Concerto in F,” “2nd Prelude,” “2nd Rhapsody,” “The Cuban Overture,” and “An American In Paris.” 

An American in Paris tells the romantic story of World War II veteran Jerry Mulligan (Clyde Alves) who, hoping to start a new life, chooses newly-liberated Paris to make a name for himself as a painter. His life becomes complicated when he falls for Lise (Julie Eicher), a young Parisian shop girl, only to learn he is not her only suitor. This lavish new musical is guaranteed to sweep you off your feet, and into the arms of a story you’ll never forget.

Starring as Jerry Mulligan is Broadway’s Clyde Alves in his Ogunquit Playhouse debut. Mr. Alves’ numerous Broadway credits include Bullets Over Broadway, Nice Work If You Can Get It, Anything Goes, Wicked, Hairspray, Oklahoma!, On The Town, for which he received an Astaire Award nomination, and The Music Man, for which he won an Astaire Award for his performance as Tommy. 

Co-starring as Lise, the mysterious Parisian shop girl who catches Jerry’s attention, is Julie Eicher who is also making her Ogunquit Playhouse debut. Ms. Eicher was in the National Tour of Phantom of the Opera, and has performed at Lyric Opera of Chicago in Carousel, and Theatre by the Sea in Young Frankenstein. She has also performed with the Nashville Ballet, Dayton Ballet, Ballet Neo, and Artisan Dance Company as well as on television’s “So You Think You Can Dance.” This fall she will be joining the National Tour of Miss Saigon.

www.ogunquitplayhouse.org   207-646-5511.

Review:”Born For This: A New Musical” At Emerson Majestic

Born For This: A New Musical 

At Emerson Majestic

Is Musically Uplifting

Reviewed by Bobby Franklin

Born For This: A New Musical now playing at the Emerson Majestic Theater in Boston is the story of BeBe and CeCe Winans. The brother and sister are the youngest members of the Winans family and a number of their ten siblings, comprise the Gospel singing group The Winans. 

Milton Craig Nealy as Pop Winans with cast. (Photo Credit: Joan Marcus)

Raised in a religious and loving family, BeBe and CeCe  were not part of the group their brothers formed, but in 1982 CeCe was invited to audition for Jim and Tammy Faye Bakker’s Praise The Lord Network in Pineville, North Carolina. When CeCe was accepted her parents agreed to let her move south from Detroit on the condition BeBe would accompany her. Before long BeBe would also join the network as a singer. 

Born For This has a compelling story about the rise of the two young Winans and the success and conflicts they faced; however, the musical numbers overshadow that story. This is not a bad thing as the score, written by BeBe Winans, is powerful, spiritual, and uplifting.

Donald Webber Jr. plays BeBe and Loren Lott takes on the role of CeCe. Both are fine musical talents and deliver their numbers exquisitely. Milton Craig Nealy as Pop Winans nearly steals the show with his rich voice which is filled with warmth and strength. His rendition of I Got A New Home is something to behold. 

Chaz Pofahl as Jim Bakker, Kirsten Wyatt as Tammy Faye Bakker, Loren Lott as CeCe Winans, and Donald Webber Jr. as BeBe Winans (Photo Credit: Joan Marcus)

Chaz Pofahl and Kirsten Wyatt play Jim and Tammy Faye Bakker. Mr. Pofahl gives us a sympathetic Jim Bakker who was the first white televangelist to have African Americans included in broadcasts. The Bakker’s received multiple threats when they first featured the Winans, but they did not back down and to this day BeBe feels he and his sister were treated very well by the couple whose ministry ended up mired in scandal. Unfortunately, Ms Wyatt’s Tammy Faye is played more in caricature, and while quite funny, diminishes the deeper story.

That story is a good one and deals with so many issues such as struggling with what success truly is, the conflict with monetary gain while retaining one’s integrity, the strength of family, faith in God, and the flawed nature of even the best intentioned people. But as I said, the music takes front row in this production. 

At times I got the feeling I was at a taping of American Idol, as each cast member stepped forward and gave every number their all while the audience cheered them on. The theater was filled with energy. There is no lack of musical talent on the stage of the Emerson Majestic.

While the entire cast is strong I would just like to mention a couple of others who were particularly moving. Nita Whitaker as Mom Winans and Brad Raymond who plays Ronald Winans both have great presence as well as great voices. Both were deeply moving.

Though lacking in dramatic tension, the story is still a touching one that will leave you feeling good. The music will leave you smiling. 

It will be interesting to see how well a musical that shows Evangelical Christians in a good light is received here in the Northeast, but it is hard not to feel positive after being filled with the wonderful spirit and music of BeBe Winans. 

Born For This: A New Musical

Presented by Emerson Arts

Now through July 15

Emerson Cutler Majestic Theater, Boston

Bostontickets [at] artsemerson [dot] org

617.824.8400