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NEW REPERTORY THEATRE PRESENTS FIDDLER ON THE ROOF

directed by Austin Pendleton

Charles Mosesian Theater at the Arsenal Center for the Arts

Watertown, MA

DECEMBER 2-24, 2016

1617_websliders_03-fiddlerNew Repertory Theatre presents Fiddler on the Roof, December 2-24, 2016 in the Charles Mosesian Theater at the Arsenal Center for the Arts, 321 Arsenal Street, Watertown, MA.

“Fiddler on the Roof has a much deserved place in the history of musical theatre,” says Artistic Director Jim Petosa. “It was first produced at a time when ideas of tradition and cultural identity were in an upheaval. It became a response to the transition that was happening in American culture and continues to resonate today as it examines the traditions of life, communities, and family.”

“We’re thrilled to welcome back to our stage so many New Rep favorites in our much- anticipated production of Fiddler on the Roof,” says Managing Director Harriet Sheets. “We’d also like to welcome back Austin Pendleton. While this is his first time directing for us, he is no stranger to our stage having appeared in Quills, Waiting for Godot, and King Lear. His play, Orson’s Shadow, also received its Boston-area premiere during our 2006-2007 season to resounding critical praise, and in 2015 we were honored to present him with New Rep’s Award for Lifetime Artistic Achievement at our annual Gala.”

Jeremiah Kissel
Jeremiah Kissel

A spirited revival of the beloved musical, Fiddler on the Roof features Jeremiah Kissel (Broken Glass, The King of Second Avenue, Imagining Madoff) as Tevye, leading a cast of Boston-area favorites in this Tony Award-winning play. Rendered with striking intimacy and simplicity by Tony-nominated director Austin Pendleton, who originated the role of Motel the Tailor on Broadway, this energetic production puts the classic story’s fierce heart at the center of the audience experience with its timeless warmth, humor, and honesty.

Telephone: 617-923-8487, Online: newrep.org

The Regional Premiere of the Epic New Musical The Hunchback of Notre Dame

Set to Open July 13 at the Ogunquit Playhouse

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The Ogunquit Playhouse is proud to be the New England premiere of The Hunchback of Notre Dame, on stage from July 13 to August 6, making the Playhouse one of the first regional theatres in the U.S. to stage this new musical. Victor Hugo’s epic tale of hope, love

Sydney Morton (Esmeralda)
Sydney Morton (Esmeralda)

and passion, with book by Peter Parnell (On A Clear Day You Can See Forever Broadway revival) and music by composer Alan Menken (Newsies) and lyricist Stephen Schwartz (Wicked), soars to life in this emotionally charged retelling of the celebrated classic. The love story of the beautiful gypsy girl Esmeralda, the scorned bell-ringer Quasimodo and the dashing Captain Phoebus comes to glorious life in this powerful rendition of the timeless tale. The bold and dramatic theatrics, combined with the music’s orchestral power and choral beauty provided by a thirty-two member choir that accompanies the cast, promise to transport audiences back to fifteenth century Paris and inside the cathedral walls made famous by Victor Hugo’s novel.

F. Michael Haynie (Quasimodo)
F. Michael Haynie (Quasimodo)

The stellar cast is led by F. Michael Haynie who is making his Ogunquit debut as Quasimodo. On Broadway he performed in Wicked and Holler If Ya Hear Me, on television in Peter Pan Live for NBC, and the film Not Fade Away for Paramount. The beautiful gypsy girl Esmeralda is played by Sydney Morton who has performed as part of the original Broadway casts of Memphis, Evita, Motown and American Psycho, the National Tours of Flashdance and Jersey Boys, and appeared in The Sound of Music Live broadcast on NBC. Christopher Johnstone returns to the Playhouse as Captain Phoebus after playing Lt. Cable in the award-winning production of South Pacific (Best Actor nominee Broadway World). His many theatre credits include the National Tours of the recent revival of Evita, Lincoln Center’s production of South Pacific and regional productions of Fiddler on the Roof, A Little Night Music, and Pirates of Penzance, among many others.

Bradley Dean (Frollo)
Bradley Dean (Frollo)

Bradley Dean joins the cast as Claude Frollo. Mr. Dean is also making his Ogunquit debut and has appeared on Broadway in A Little Night Music, The Last Ship, Company, Doctor Zhivago, Spamalot, The Story of My Life, Evita, Jane Eyre, Man of La Mancha as well as many Off-Broadway, National Tours and regional theatre productions. Paolo Montalban joins the cast as Clopin. He was last seen at the Ogunquit Playhouse in The King and I (Lun Tha) and Cinderella (Prince Christopher). On Broadway he appeared in Breakfast at Tiffany’s, Pacific Overtures and Off-Broadway in Two Gentlemen of Verona, and The Romance of Magno Rubio, as well as many regional theatres across the nation. On television Montalban is most recognized as the Prince in the ethnically diverse ABC production of “Cinderella.”

Shaun Kerrison returns from England to direct this epic production for the Ogunquit Playhouse. He has directed many Ogunquit productions, receiving many IRNE and BroadwayWorld nominations for Best Director. Mr. Kerrison was last in Ogunquit in 2014 to direct Mary Poppins the Broadway Musical and The Witches of Eastwick and in 2012 he directed the Rodgers and Hammerstein’s classic South Pacific. He also directed the U.S. regional premiere of Sunset Boulevard at the Ogunquit Playhouse starring Stephanie Powers, as well as Les Miserables and My Fair Lady for the Ogunquit stage. On Broadway, Mr. Kerrison was the Resident Director of Mary Poppins and was the Associate Director for the Broadway revival of Les Miserables and he redirected the National Theatres production of My Fair Lady for its 50th Anniversary U.S. National Tour. He recently reunited with conductor John Wilson to direct Kiss Me Kate for the BBC Proms at the Royal Albert Hall.

Choreographer for the Ogunquit production of The Hunchback of Notre Dame is Connor Gallagher who recently received an Astaire Award for his work on The Robber Bridegroom at the Roundabout Theatre in New York City. His many show credits include the world-premiere stage adaptation of Disney’s Tangled with director Gordon Greenberg; Robert Schenkkan and Neil Berg’s The Twelve at Denver Center; The Fabulous Lipitones for Goodspeed; and Perez Hilton at Lincoln Center. Mr. Gallagher will next choreograph the Broadway-bound musical FOUND for the Philadelphia Theatre Company and as a director, a new musical with Disney Creative Entertainment for fall of 2017.

Fight Director Jacob Grigolia-Rosenbaum joins the creative team to direct the fight scenes in the show. He has worked on many Broadway productions including Bloody Bloody Andrew Jackson, Peter and the Starcatcher, Cyrano de Bergerac, and On the Twentieth Century as well as many Off-Broadway and regional theatre productions and the television production of Peter Pan Live for NBC/Universal.

Brent-Alan Huffman returns to Ogunquit Playhouse as Conductor/Music Director after having conducted last year’s Playhouse hit Sister Act. Mr. Huffman conducted the recent Billboard number 1 cast recording of Hunchback of Notre Dame, and was Conductor/Music Director for the original U.S. companies in 2014-15. His Broadway credits include Leap of Faith, Disney’s The Little Mermaid and Beauty and the Beast, and National Tours include Sister Act, Little Shop of Horrors and Beauty and the Beast. For television he served as Production Music Coordinator on ABC’s The Music Man starring Matthew Broderick and Kristin Chenoweth, and as Associate Music Producer on NBC/Hallmark’s A Christmas Carol starring Kelsey Grammer. Assisting Mr. Huffman is Associate Music Director Jeffrey Campos and Chorus Master Wendell Scott Purrington.

An all new set has been designed by Adam Koch exclusively for the Ogunquit stage that reaches out over the audience complete with areas for Quasimodo to venture. Mr. Koch previously designed sets for the Ogunquit Playhouse productions of Sister Act and Saturday Night Fever. He has designed sets for theatres across the nation, including the landmark outdoor production of Carousel and The Sleepy Hollow Experience for Serenbe Playhouse; the original Chicago production of Million Dollar Quartet at the Apollo Theatre; Hello, Dolly! for Ford’s Theater; Miss Saigon, Dreamgirls, Kiss of the Spiderwoman (2008 Helen Hayes nomination), and See What I Wanna See for Signature Theatre; and Bat Boy for 1st Stage for which he received a 2015 Helen Hayes nomination. His Off-Broadway credits include Rooms: A Rock Romance, Loaded, We the People, Pinkalicious and Freckleface Strawberry. Associate Scenic Designer Steven Royal, who has collaborated with Adam Koch on over thirty musicals, plays and live events including Miss Saigon (Signature Theatre), Carousel (Serenbe Playhouse) and Hairspray (Syracuse Stage) also joins the creative team for the Ogunquit Playhouse.

Also joining the creative team for Ogunquit Playhouse is Costume Designer Martha Bromelmeier who designed costumes for hundreds of theatrical productions including The Kennedy Center Honors, The New Victory Theatre, The Cocteau Rep, The Lucille Lortel Theatre, and Primary Stages among many others. Martha has worked with leading ladies including Patti LuPone, Glenn Close, Audra McDonald, Sutton Foster, Kelli O’Hara, Jessie Mueller, Laura Benanti, Laura Osnes, Patina Miller and Anna Kendrick.

Visit OgunquitPlayhouse.org or call the box office at 207-646-5511 for tickets.

SpeakEasy Stage Presents NE Premiere Of appropriate

From September 12-October 10, 2015, SpeakEasy Stage Company will proudly present the New England Premiere of appropriate, the thrilling new drama about race and identity by acclaimed African-American playwright Branden Jacobs-Jenkins.

A 2014 Obie Award-winner for Best New American Play, appropriate follows the estranged members of the Lafayette clan as they gather at their crumbling Arkansas plantation home to mourn the loss of their father and settle his estate.  While sifting through a lifetime of memories and junk, they make a gruesome discovery that forces them to examine their own lives and confront their family’s dark past.

appropriate will run for five weeks, from September 12 through October 10, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Jacobs-Jenkins has said in interviews that, when writing appropriate, he was inspired by and “appropriated” bits from iconic American Family Drama plays such as Cat on a Hot Tin Roof, Long Day’s Journey into Night, Buried Child, and August: Osage County.  By remixing and riffing on his source material, Jacobs-Jenkins uses a genre traditionally dominated by white American playwrights to comment on race relations in both America’s history and theatre.

Director M. Bevin O’Gara returns to SpeakEasy Stage to direct the New England premiere of appropriate. This is her fourth project for the company, having directed A Future Perfect, Tribes (Elliot Norton and IRNE Award, Best Production) and Clybourne Park. Bevin is the Associate Producer at the Huntington Theatre Company and a recipient of the Lois Roach Award for Outstanding Commitment to the Boston Theatre Community.

To bring the Lafayette family to vivid life, Ms. O’Gara has gathered an exceptional cast of Boston-based actors: Bryan T. Donovan, Katie Elinoff, Tamara Hickey, Melinda Lopez, Brendan O’Brien, Alex Pollock, Eliott Purcell, and Ashley Risteen.

   The design team includes Cristina Todesco (scenic), Tyler Kinney (costumes), Wen-Ling Liao (lighting), Arshan Gailus (sound), and Angie Jepson (fight choreography).

appropriate will run for five weeks, from September 12 through October 10, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Ticket prices start at $25, with discounts for students, seniors, and persons age 25 and under. For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com .

Rest In Peace Jimmy Ellis

Rest In Peace Jimmy Ellis

Former WBA Heavyweight Champ Passes

Another Loss From The Era Of Competitive Boxing

The boxing world was saddened by the recent death of former WBA Heavyweight Champion Jimmy Ellis. Ellis passed after a long battle with dementia pugilistica. For years Jimmy was best known for being Muhammad Ali’s sparring partner, but it is unfair to remember him for that. Jimmy Ellis was a superb boxer puncher who rose through the ranks beginning his professional career as a middleweight.

Jimmy Ellis fought in what was probably the most competitive era in heavyweight boxing.

Ellis and Ali were both from Louisville, Kentucky and began as boxing as amateurs under the tutelage of Officer Joe Martin. They fought twice before turning pro with the young Clay winning their first encounter, and Jimmy taking the decision in the rematch.

Ellis turned pro under the management of Bud Bruner with whom he compiled a record of 15-5 with 6 knockouts. Jimmy’s losses were to Ruben “Hurricane” Carter, George Benton, Henry Hank, Don Fullmer, and Holly Mims, whom he defeated in a rematch. All of these opponents were top rated contenders, and many of the losses were by very close decision.

Jimmy left Bruner and began training with his old friend Ali under the tutelage of Angelo Dundee. He also put on weight moving up to light heavyweight and then heavyweight. Ellis scored a spectacular one round knock out of Jimmy Persol in 1967. This win catapulted him onto the world stage and earned him a berth in the WBA Heavyweight Tournament to find a successor to Ali who had been wrongfully stripped of his title for refusing to be inducted into the Army.

Ellis was considered a long shot to win the title, but he surprised everyone by stopping Leotis Martin, winning a decision over Oscar Bonavena in a fight where he dropped the tough Argentinean twice, and then defeating Jerry Quarry over fifteen rounds to win the title in 1968. Later that year he would successfully defend his crown against Floyd Patterson.

In the meantime, Joe Frazier, who had chosen not to enter the WBA tournament, defeated Buster Mathis in a fight recognized by the New York State Athletic Commission as being for the World Championship. It was just a matter of time before the two would meet to unify the title.

On February 2, 1970 Frazier and Ellis stepped into the ring at Madison Square Garden to decide who the better fighter was. Ellis was coming off a layoff of a year and a half, while Frazier had remained active and was at the peak of his ability. Jimmy put on a valiant effort landing a number of strong right hands on Joe, but Frazier was unstoppable that night. After decking Ellis twice in the fourth round, Angelo Dundee stopped the fight before the bell rang for round five.

Ellis would never again challenge for the title, but he did fight his old friend Muhammad Ali in a twelve round bout in 1971, with Ali stopping him in the final round.

Jimmy Ellis fought in what was probably the most competitive era in heavyweight boxing. There were many exciting bouts at that time with so many of the contestants being evenly matched. Also, the top fighters did not duck each other. When the public clamored for a unification bout between Ellis and Frazier, both men agreed to fight. What a contrast to today when fight fans have been waiting years for Mayweather and Pacquiao. In the 70s just about every top fighter met at some point. Ron Lyle, Jerry Quarry, George Chuvalo, Earnie Shavers, Jimmy Young, and many others were in the mix. Many, if not most of the matches then were highly competitive as the fighters were evenly matched. Before these fights, fans would argue for hours over who would win, and no one could be sure. It was a very exciting time for boxing.

Jimmy Ellis was not a big heavyweight, but his years working his way up from middleweight to heavyweight were a time when he learned his craft.

Jimmy Ellis was not a big heavyweight, but his years working his way up from middleweight to heavyweight were a time when he learned his craft. Even though he had a number of losses, he was learning his trade, and he learned it well. He had a tremendous right hand, which he combined with great footwork and speed. This combination allowed him to defeat much stronger fighters such as George Chuvalo and Oscar Bonavena while also outspeeding Floyd Patterson, and outsmarting slick counter punching Jerry Quarry.

Jimmy’s career came to an end in 1975 after he was poked in the eye during a sparring session. The accident caused him to lose the sight in that eye. His career was now over, but unfortunately, it was too late. The years in the ring both in matches and the thousands of rounds of sparring in the gym had already taken their toll. For a number of years before his death he suffered the effects of dementia pugilistica, an Alzheimer’s type of disease that is the result of repeated blows to the head. Jimmy’s former rivals Jerry Quarry and Floyd Patterson suffered the same fate.

 

For years Jimmy Ellis lived under the shadow of having been Ali’s sparring partner, but make no mistake about it; Jimmy was a world class boxer puncher who fought and beat many of the top contenders of his day, and that was quite a day. Ellis was also a deeply religious man who sang Gospel along with his wife Mary Etta, who passed away in 2006.

Jimmy Ellis was a gentleman who never spoke a bad word about anyone.

Jimmy Ellis was a gentleman who never spoke a bad word about anyone. He never gave less then one hundred percent when he stepped into the ring. He always carried himself with dignity, and was a true Champion in the ring and out. He will be missed. Rest In Peace Champ.

 

Tinker Pincot

Rest In Peace

 

Former light heavy weight contender and long time Ring 4 member Jordan Tinker Picot passed away recently. Tinker was one of the hardest punching fighters to come out of the New England area with a pro record of 17-3-1 with all of his wins coming via knock out. At Ring 4 events Tinker was always one to elicit laughter and he will be missed by all of us.

Rest in Peace Brother.