All posts by Bobby Franklin

Book Review: “Stars In The Ring”

“Stars In The Ring:
Jewish Champions In The
Golden Age Of Boxing” by Mike Silver

Reviewed by Bobby Franklin

StarsMike Silver pegs the first four decades of the 20th Century as Boxing’s Golden Age. It was a period where the sport was at its peak in both popularity and talented participants. The boxers of the period were extremely well schooled. Most trainers considered themselves teachers, and were comparable to college professors in the seriousness they brought to teaching the fine art of pugilism.

Mr. Silver also considers this time in history a Golden Age for Jewish boxers. In his new book “Stars In The Ring: Jewish Champions In The Golden Age Of Boxing” (Lyons Press, 366 pgs., $29.95) he does a magnificent job of not only telling the story of the many great Jewish fighters, he also gives a concise and fact filled history of the overall sport of boxing.

Joe Choynski
Joe Choynski

The book is is divided up into an introduction, six chapters, and an extensive appendix. The introduction along with chapters one and two give a wonderful overview of the sport along with setting the background of how Jews became such a big part of boxing. It is filled with such interesting fact as pointing out how Jewish boxers who held world titles during the 1920s ranked only behind Italians but ahead of the Irish in numbers. There were close to 3,000 professional Jewish fighters active during the Golden Age. But make no mistake, “Stars In The Ring” is not just a compilation of statistics; it is a wonderful narrative of a very exciting time not only the history of boxing but also of our nation.

Barney Ross
Barney Ross

In the chapter entitled “The Melting Pot Sport” we learn much about the immigrant experience in America. The various ethnic groups that were at the lower rung of the economic ladder were proud of the fighters who shared their background. Often, matches pitted boxers from the different groups against each other.

Mr. Silver also discusses the Jewish fighters who took on Irish names, or a nom de box, when that became more advantageous for getting fights. There was another reason, perhaps more compelling, why young Jewish men would fight under an assumed named. I’ll quote the author, “Jewish boxers were brave and tough, but they did fear one personage above all others – their mothers.”

“Jewish boxers were brave and tough, but they did fear one personage above all others – their mothers.”
Benny Leonard
Benny Leonard

Benny Leonard was one such fighter. Leonard’s real name was Benjamin Leiner, but he changed it to keep his parents from finding out what he was doing for a living. When a black eye proved to uncover his activity he was quickly forgiven when he handed his father the purse from his evening’s work.

The book is filled with stories like that, but that is just the beginning. Chapters 3 though 6 break the sport up by its various eras. Each chapter begins with an overview of the time period that is extremely fact filled and interesting. These narratives  lead the reader biographies of many of the fighters from the period that has just been discussed.  There are also photographs of the participants. A total of 166 biographies are contained in the book. You will meet the young Charley Goldman, who has an official record of 129 fights, but is believed to have participated in over 400 bouts. If the name sounds familiar, it is because Charley went on to become one of the great boxing trainers, teaching world champions Lou Ambers, Joey Archibald, Marty Servo, and a kid from Brockton, MA named Rocky Marciano.

Georgie Abrams
Georgie Abrams

There is also Georgie Abrams whom Silver ranks as the greatest Jewish middleweight who ever lived. I think Sugar Ray Robinson would agree with that assessment as Abrams gave the great Robinson all that he could handle while losing a disputed decision to him.

Sid Terris, Al Singer, middleweight champion Al McCoy (real name Alex Rudolph), Abe Simon, Ruby Goldstein, Saoul Mamby, “The Fighting Dentist” Leach Cross, Herbie Kronowitz, and Victor Young Perez, who’s tragic story is both heartbreaking and inspiring, are just a few of the many fascinating biographies contained in this wonderful book.

Leach Cross
Leach Cross

Mike Silver could have left it at that and had an outstanding work, but he went even further by interspersing vignettes throughout the book discussing all sorts of boxing related subjects from boxing trading cards to boxing in the movies to a piece about the Shanghai Ghetto. The story of the ghetto in China was new to me and incredibly fascinating. You’ll also learn about the boxing careers of Entertainers Billy Joel and Woody Allen.

To top the book off, Mr. Silver has compiled an extensive appendix that contains, among many other things, his picks for the greatest Jewish boxers of all time. Given Mike’s extensive knowledge of the sport this list is one to be taken very seriously. I know I would not argue its merits with him. He also lists Jewish boxers that have competed in title bouts along with date, location, and results.

Charley Goldman
Charley Goldman

A very interesting section lists the Madison Square Garden Main Events that featured Jewish boxers from 1920 to 2014. It is a very long list. The appendix is an encyclopedia that boxing aficionados will find themselves referring to time and again.

I have to comment on the book as an object as well. When I opened the package it was mailed to me in I was astonished to see how pleasing to the eye it is. It is not a book to be left on a shelf. It is beautiful to hold and look through. Copiously illustrated with hundreds of amazing photographs it is a piece of art unto itself.

Mike Silver, who’s previous book “The Arc of Boxing” rates as one of the all time great works on the Sweet Science (I consider it the best) has not let his readers down with “Stars In The Ring”. This is a book to be displayed so that friends may share it when visiting. I guarantee it will be the cause for hours of interesting conversation. You can pick it up and turn to any page and find something interesting to read.

Mike Silver knows his boxing

Mike Silver knows his boxing, he also knows how to write, and that combination (pun intended) makes this book a joy to own.

If you are one of the many misguided souls who chuckle when you hear someone mention Jewish fighters, you will come away from this book with a healthy respect for the very tough and very honorable men who were Stars in the Ring.

Does Character Still Matter?

by Bobby Franklin

“Maybe our society could use a few old fashioned lessons in boxing and what it truly means to be an adult.”

For years parents looked for ways to build character in their children. Quite often sports was seen as one of the best ways for young men to learn the lessons of what it meant to truly be a man in the best sense of the word. Organizations such as the Boy and Girl Scouts were another institution that helped build character in young people in order to prepare them to enter adulthood equipped with the tools to live a decent and productive life where they would contribute to the betterment of society. There were many other ways that these lessons could be learned as well. Things from having an after school job such as working for a local business or having a paper route. These were all ways for young people to learn responsibility and to gain the skills needed to be able to interact with other people.

1940s Young Men Learning To Box
1940s Young Men Learning To Box

There were many ways to inculcate these values in our young people and they were used for years with much success. Unfortunately, many of these things are no longer in fashion. The Boy Scouts have been under assault for years and I can’t remember the last time I saw a young person delivering newspapers. After a snowstorm we no longer get a knock at the door from some eager young people ready to negotiate a price for shoveling the walk. Things have really changed.

I want to mention the connection my thoughts on this have to do with boxing, but first, one other observation.

As I write these words the leading candidates for both parties appear to be on their way to their respective nominations for president. According to polls, they both seem almost unstoppable. What also consistently shows up in polls is something very disturbing. The vast majority of voters, including those supporting both candidates, when asked about the character of each of these people consistently respond they find them both untrustworthy and dishonest. In spite of this they still say they will vote for them. In other words, character, that trait that was so important to Americans for so many years, no longer matters. It could be argued it is a detriment to success in today’s world. This is not only sad but dangerous for the future of our republic.

Joe Louis
Joe Louis

Now on to boxing and character. For most of the 20th Century it was almost impossible to find a man who hadn’t at some point while growing up had a pair of boxing gloves on and who had been given, at the very least, a few pointers in the Manly Art of Self Defense. These lessons were usually given by the young man’s father, but could also have been taught by an older brother, uncle, friend, or even a member of the clergy.

These lessons included, but were not limited to, being taught how to hold one’s hands in a defensive position, the proper use of the left jab, how to throw a one-two combination, and also some pointers in how to keep physically fit as taking care of one’s body was essential to being a good boxer.

Something else even more important was instilled during these lessons. That something else was how a real man carries himself. That with the knowledge of how to overpower someone and protect yourself also came the responsibility not to abuse that power. Never hit a man when he is down was a common refrain that would carry over from boxing into a valuable adage to in life to remind us to offer hand not a fist to someone who was having hard times.

Always fight fair even if the other guy doesn’t would be a constant reminder in life about not allowing yourself to be dragged down into the gutter by another’s ill behavior.

It was amazing how much could be learned from a few hours with the gloves on while listening to a mentor who would guide his student from the use of the right cross to never crossing his fellow man. It is sad that that world seems so far away now.

It is sad that that world seems so far away now.

I am not saying there weren’t always rogues, cutthroats, and dishonest people around able and willing to take advantage of any situation. It is just seems to me the public better understood the difference between good and bad and frowned upon those who would act outside of the society’s code of decency.

Boxing has often been called a reflection of society. I believe this is true. On one hand it has been populated by the poorest members of society, usually immigrants or those recently descended from those new to our shores. They often came from struggling and desperate circumstances. I think of Jack Dempsey who grew up almost in the wilderness and lived the life of a hobo having to literally fight just to feed himself and stay alive. Or of Joe Louis, the son of a sharecropper, who would make all American’s proud to have him as the Heavyweight Champion. In both these men we see examples of people who struggled and rose from nothing to gain great notoriety by using their fists. And in both these men we see how they handled the power they were given with dignity. They were both the type of men who inspired good things in others.

I am sure there are people like them around today, but those people are not being recognized in the way they should be. Mike Tyson, a totally base human being is lauded with a Broadway Show and an HBO special. Floyd Mayweather beats his wife and still makes countless millions of dollars. And the two potential nominees for the highest office in the world are deemed to be dishonest rogues by the very people supporting them.

Maybe our society could use a few old fashioned lessons in boxing and what it truly means to be an adult.

Seaglass Chorale in Concert

Presents “Reflection and Meditation”

Sunday, March 20, 2016

Merrill Auditorium, Portland

3 p.m.

I saw the Seaglass Chorale perform this work by Ola Gjeilo last year and it is positively beautiful. The music and photographs are a perfect match. The voices and orchestra soothe the soul.

 

“The voices and orchestra soothe the soul.”

 

Merrill Poster Updated Jan 2016Seaglass Chorale of southern Maine will present its debut concert, “Reflection and Meditation,” at Portland’s Merrill Auditorium under the direction of Jean Strazdes. The concert, scheduled for March 20, introduces the music of contemporary Norwegian composer Ola Gjeilo to the Merrill audience and will be performed against a backdrop of images by Maine photographer Peter Ralston. Selections include Sunrise Mass, Across the Vast Eternal Sky, Dark Night of the Soul, and Luminous Night of the Soul.

 

The performance by the 49 member chorale will feature Kim Karchenes, piano; visual artist Stephanie Sanders and a nine member string ensemble.

Tickets are available through PortTIX for $38 with special rates for groups of 15 or more. For more information, see www.tickets.porttix.com, Email: www [dot] boxoffice [at] porttix [dot] com or call 207-842-0800.

A Captivating Romeo and Juliet At The Hartford Stage

 

by Bobby Franklin

“O Romeo, Romeo! – wherefore art thou Romeo?”

In answer to that question, Romeo, Juliet, and all of the Capulets and Montagues are on the Hartford Stage under the very fine direction of Darko Tresnjak.

This Romeo and Juliet is nothing short of superb.

This Romeo and Juliet is nothing short of superb. Written over 400 years ago, the Hartford’s production of Shakespeare’s work is fresh and alive. The beautifully talented Kaliswa Brewster in her “dream role” as Juliet couldn’t be more perfect in the role as the young Ms

Juliet (Kaliswa Brewster)
Juliet (Kaliswa Brewster)

Capulet who is taken with the handsome Romeo played by the equally talented Chris Ghaffari. The two are lovely to watch as their forbidden love blossoms. They perform their parts with much playful humor (the famous balcony scene is among the best and most original I have ever seen) on a versatile set inspired by the work of Italian neorealist cinema, think Rossellini and Visconti.

Romeo (Chris Ghaffari) and Juliet (Kaliswa Brewster)
Romeo (Chris Ghaffari) and Juliet (Kaliswa Brewster)

The first half of this beautiful play is joyful and light. It makes the audience relax and share in the excitement of the title characters as they become more and more enthralled with each other. We laugh and share in their joy. Of course, we are made well aware of the tension that exists between the two families, but some how we feel things will work out just fine. Yes, even knowing the story, our emotions follow that arc. It is the magic director Tresnjak is able to make happen on stage. It is not the first time I have seen him do this.

Mercutio (Wyatt Fenner) and Tybalt (Jonathan Louis Dent)
Mercutio (Wyatt Fenner) and Tybalt (Jonathan Louis Dent)

Mercutio (Wyatt Fenner) is unlike any you have seen before. He is intense and, well, mercurial. And it is when he meets his end that our joyful mood takes a sudden and very real turn. “A plague on both your houses!” Again, it is that Darko magic at work. I observed laughter turn to tears in the audience as things descended into darkness because of the petty hatreds of the two families.

Friar Laurence (Charles Janasz)
Friar Laurence (Charles Janasz)

Charles Janasz brings wisdom and warmth to the part of Friar Laurence, and Kandis Chappell as Juliet’s nurse joins him in the failed and finally tragic attempt to reconcile things for the lovers and families. Our hearts break for them as well.

Everyone in the large cast is terrific, the set, with a balcony that extends and recedes from a wall designed after an Italian cemetery wall, and lighting are to the usual high standards of the Hartford. This production is a joy for all of the senses. Within minutes of the opening the theatergoers feel they are a part of all that is happening on the stage.

If you have seen Romeo and Juliet before do not miss this one as it is unlike any before. If you have never experienced it, there is no better time than now to see it for the first time, though I must warn you it may spoil you for future productions.

Juliet (Kaliswa Brewster) and Nurse (Kandis Chappell)
Juliet (Kaliswa Brewster) and Nurse (Kandis Chappell)

I have now attended enough Shakespeare productions directed by Darko Tresnjak at the Hartford to say his are by far the best in New England.

I urge you to take the short run down to Hartford to see this play. You’ll be sorry if you miss it.

Romeo and Juliet at The Hartford Stage through March 20th.

Info at www.hartfordstage.org Box Office 860-520-7114

The Hartford Stage Presents Romeo and Juliet

Kaliswa Brewster and Chris Ghaffari Lead Cast

Directed by Darko Tresnjak

Chris Ghaffari and Kaliswa BrewsterHartford Stage Artistic Director Darko Tresnik will be bringing his magic to William Shakespeare’s most popular play Romeo and Juliet beginning on February 11th and playing through March 20th.

Kaliswa Brewster and Chris Ghaffari will play the archetypal young lovers. Brewster’s credits include Hartford Stage’s La Dispute and Macbeth and Williamstown Theatre Festival’s Under Milk Wood, all three directed by Tresnjak; the new Showtime series “Billions,” which stars Damian Lewis and Paul Giamatti and debuts next month; and the Off-Broadway premieres of Emotional Creature and Soldier X. Ghaffari is in his final year of the MFA program at the Yale School of Drama, where he has performed in Coriolanus, King John and Paradise Lost. His resume also includes King Lear for The Public’s Shakespeare in the Park and As You Like It and Julius Caesar at Shakespeare on the Sound.

Tresnjak said, “Romeo & Juliet is a play of seemingly infinite possibilities, reinvented from generation to generation for over 400 years, a symbol of romantic love infused with iconic imagery and unforgettable language that has become a part of the vernacular. We look forward to exploring this eternally modern play with a company of great stage veterans and rising stars.”

Having seen Darko perform his magic on MacBeth and Hamlet I am very much looking forward to seeing what he does with Romeo and Juliet.

Romeo and Juliet contains some of Shakespeare’s best known lines including “A plague on both your houses.”, “Good night, good night! parting is such sweet sorrow, that i shall say good night till it be morrow.”, and “What’s on a name? That which we call a rose by any bother name would smell as sweet.”

For more information go to: www.harfordstage.org or call 860-527-5151

The Ogunquit Playhouse Announces Its 2016 Season Lineup

 

The Season Kicks Of With Let It Be: A Celebration of the Music of the Beatles

Let It Be (Photo Paul Coltas)
Let It Be (Photo Paul Coltas)

It looks to be another exciting season as the Ogunquit Playhouse rolls out its schedule for 2016. This will be their longest season ever kicking off on May 18th with Let It Be: A Celebration of the Music of the Beatles. This tribute show follows the Fab Four from their humble Liverpool beginnings through their meteoric rise, and includes such great songs as Twist and Shout, She Loves You, Yesterday, Hey Jude, and Let It Be.

Let It Be will play through June 11th and be followed by Anything Goes, one of the great Broadway musicals featuring the music of Cole Porter.

Ogunquit 2016 SeasonThe season will continue with The Hunchback of Notre Dame, Priscilla Queen of the Desert, Seven Brides For Seven Brothers, and wrap up the regular season with the return of the rocking Million Dollar Quartet.

Once again, the Playhouse will work in collaboration with the Music Hall in Portsmouth, NH to present a special Christmas show to be announced later.

The Qgunquit Playhouse is one of the most consistently good venues in New England, and this year’s lineup looks to be very promising.

Artistic Director Brad Kenney completed ten years with the Playhouse in 2015 and has taken the theatre far. Below is a Youtube look back on the many wonderful productions that have taken place under Brad’s incredible guidance.

For more information go to: www.ogunquitplayhouse.org

Does Size Matter?

Super Size Heavyweights

Are Nothing New

by Bobby Franklin

It is a chorus heard over and over again, “Sure, guys like Dempsey and Louis were good in their day, but today’s giant heavyweights would just be too big and strong for them. The old-timers would wilt under the power they would be facing.”

I guess before the 21st century we were living in a world of small people.

I guess before the 21st century we were living in a world of small people. Those who believe the Klitschkos and Furys of today would beat the greats of the past because they are so big just can’t be convinced differently. They think bigger is better and refuse to take into account boxing skill, something that is sorely missing in today’s game.

I am including some photos with this article along with details that show very big heavyweights have always been around, and there have been plenty of giant killers to accommodate them.

Dempsey Willard
Dempsey Willard

Jack Dempsey is always the first to come to mind with his brutal destruction of the 6’6 ½ “ 245 pound Jess Willard. Take a look at the photo of this bout I have included and tell me Dempsey would not have been able to reach the jaws of today’s slow moving behemoths. Dempsey at 187 pounds and standing 6’1” used his speed and power to make Willard’s size a liability for the Pottawatomie Giant. Not only did Dempsey defeat Willard, but it was one of the most brutal beatings ever handed out in a championship boxing match. And don’t tell me Willard was a bum. A few years before he had defeated the great Jack Johnson while going 45 rounds in the blazing Havana sun. Sure, Johnson was not in his prime, but he was still a great fighter. Plus, battling in temperatures that reached over 100 degrees is something not many today would be able to do, especially for over two hours.

Dempsey and Big Bill Tate 1919
Dempsey and Big Bill Tate 1919

Dempsey beat two other fighters who were much bigger than he was. The 6’4”Carl Morris, who weighed 226 pounds to Dempsey’s 187, lost three times to Jack. Once by decision, once by DQ, and once by first round knock out.

In 1923 Dempsey defended his title against South American champion Luis Firpo in a bout that will be remembered for Dempsey being knocked out of the ring. Firpo outweighed Jack by 24 pounds and was as strong as they come. While Dempsey’s rather awkward exit from the ring makes this sound like it may have been a close fight, the reality is Dempsey administered almost as savage a beating to Firpo as he did to Willard. Firpo was down 7 times in the first round and twice in the second on the way to being knocked out. Dempsey hit the canvas one time on top of the trip outside of the ring, but those knockdowns were caused more by the rushes from the Wild Bull of the Pampas.

Oddly enough, while Dempsey was truly a giant killer he did have some trouble with a fighter smaller than he was. When the champion defended the title against Tom Gibbons in 1923, Jack had a 12 pound weight advantage. The very smart boxing, and survival minded Gibbons, moved deftly and tied up Dempsey for the 15 rounds while losing a unanimous decision. This is one of Dempsey’s most interesting fights to watch in that you see what great boxing moves the Manassas Mauler possessed. He was well taught by the great trainer Jimmy DeForreset.

Louis Carnera
Louis Carnera
Louis vs Carnera 1935
Louis vs Carnera 1935

I will briefly mention a few others. Joe Louis was no stranger to fighting opponents who were much bigger than he was. He fought and beat Primo Carnera at 260 pounds to Louis’s 196, Buddy Baer who came in at 250 to Joe’s 206, and Abe Simon with Louis at 202 to Simon’s 254. The Brown Bomber had no problem reaching the jaws of any of these giants. Again, Joe had more difficulty with the lighter guys. Billy Conn, Max Schmeling, and Joe Walcott were all smaller than Joe.

Starkey and Carnera
Starkey and Carnera

Boston’s Jack Sharkey didn’t believe size mattered either. Jack, at 187 pounds, took on and beat the 6’3”, 220 pound George Godfrey. At 188 he beat Harry Wills who weighed 214, and in his first fight with Primo Carnera he easily beat the 260 pound strong man though only weighing 201 himself.

Again, it was the smaller guys who gave Sharkey more trouble. He lost to Tommy Loughran and Tony Shucco, both of whom he outweighed by a considerable margin.

Kid Norfolk
Kid Norfolk

I would like to conclude this piece by including another very great fighter of the past whom many of you may not have heard of. Kid Norfolk was a middleweight and light heavyweight who fought all comers including Harry Greb. At 5’8” and weighing 182 pounds he took on the 6’6” 235 pound Big Bill Tate and beat him soundly over ten rounds. Tate was a sparring partner for Jack Dempsey and looked formidable against Norfolk. The Kid used his speed and great boxing ability to run rings around Tate. This fight is available on Youtube, and I strongly urge you to view it. Norfolk vs Klitschko or Fury? My money is on Norfolk any day of the week.

Does size matter? I guess you good say it does, but often to the benefit of the smaller man.

Blood On Their, And Our Hands

The Continuing Tragedy Of Magomed Abdusalamov

by Bobby Franklin

To most boxing fans the events of November 2, 2013 are a distant and faded memory. Those who watched the Mike Perez vs Magomed Abdusalamov bout on HBO that evening will remember that it was a brutal fight and that Mago, as Abdusalamov is more often referred to, took a brutal beating. They also may recall that after the bout the courageous heavyweight lapsed into a coma. The tragedy of that evening was in the news for a very short time, and boxing continued as usual without missing a beat. There was very little outcry about this. Nothing like the days when, in a supposedly more callous time, there were investigations and calls for banning the sport after Benny Kid Paret died after taking a beating from Emile Griffith. Or, November 13, 1982 the afternoon Duk Koo Kim died after being kayoed by Ray Mancini. After that bout their were in depth investigations into the cause of Kim’s death and changes in rules such as changing championship fights from 15 rounds to 12 rounds. The public saw this as a terrible tragedy and it was talked about for months afterwards. It was disturbing to people that they would witness a man being killed on live television and there was a dialog about what should be done including whether or not boxing should be banned.

Mago and Family
Mago and Family

Fast forward to 2013 and we are experiencing a very different reaction to an event that in many ways can be seen as worse than a fighter dying in the ring. Mr. Abdusalamov did not die from his injuries. The husband and father who received all of $30,000.00 for the beating he took lies in a family friend’s home in Connecticut partially paralyzed and unable to speak. Boxing continued uninterrupted after this horrific evening, and nothing has changed. If you watched boxing on TV shortly after that night you will have noted there was very little said about Mago other than a brief update on his condition. Some boxing writers, including me, did write about what we believed to be the negligence that occurred on so many levels that evening in New York City.

Well, thanks to New Times writer Dan Barry who has written a piece entitled “A Fighter’s Hour of Need”, we now have some more insight into the events of that night and just how terrible things were handled o so many levels. Mr. Barry’s piece can be read by going to: http://www.nytimes.com/2016/01/10/sports/magomed-abdusalamov-boxing-madison-square-garden.html?_r=0

Though I must warn you, what you will read is positively nauseating. Barry pieces together the events from transcripts of interviews given under oath during a continuing investigation being conducted by the New York State Office of the Inspector General. It is a lurid tale of neglect, incompetence, passing of blame, and cold heartedness that is truly unbelievable.

Between Rounds
Between Rounds

Mago, who had been on the receiving end of a terrible beating, is given a total of 15 minutes medical attention in the dressing room after the bout. He is asked through an interpreter if he has a headache. He responds that his face hurts, the same thing he was saying between rounds during the bout. Because, and even though his response is through the interpreter, he doesn’t specifically say he has a headache, the doctor decides he does not have serious enough injuries that would justify having an ambulance take him to the hospital. There were two on site. Mago’s trainer John David Jackson thought he should go to the hospital, but did not pursue the matter. In this age of cell phones it seems insane that nobody dialed 911. Why didn’t someone just approach one of the EMTs and demand they take the fighter to the hospital?

Dr. Gerard Varlotta was the doctor who examined Mr. Abdusalamov after the bout. Varlotta is a sports medicine specialist. As far as I have ever known sports a medicine doctor’s focus is usually on muscle, bone, and joint injuries. There was a neurologist in attendance that evening, but he remained seated at ringside and Varlotta reported his findings to him. The neurologist, Dr. Barry Jordan, had witnessed the Abdusalamov Perez fight and never once stepped into the ring to examine Mago even though it was obvious even from watching on television that the fighter was taking terrible punishment. Dr. Jordan also seemed not to feel there was any reason for him to leave his seat at ringside to spend a few moments in the dressing room examining the gravely injured fighter.

There is so much more contained in Dan Barry’s article. Clearly there was no one in authority around Mr. Abdusalamov that evening who would step forward and see the injured warrior was cared for. Eventually, Mago was taken by cab to a local hospital where he fell into a coma. His brain had most likely started to bleed during the fight, and certainly had in the dressing room after. It should also be remembered that Mr. Abdusalamov was complaining about “face pain” to his corner men during the fight. It was clear from watching the fight that there were problems early on. Time was of the essence.

If only the chief second had stopped the fight after the 4th round. If only Dr. Jordan had bothered to step into the ring to examine the fighter. If only Mago had been taken to the hospital immediately after the fight. If only the officials and medical people in charge that night were better trained and not just political appointees. If only there was an adult in charge. If only, if only…If only someone gave a damn.

Mr. Abdusalamov’s family has been filing lawsuits but they have an uphill battle suing the government. I do not know what culpability HBO has, but I would think they have at the very least a moral obligation to see Magomed Abdusalamov is not forgotten.

And what about the public? After all, it is our desire to see men step into a ring with the sole objective of inflicting head injuries on one another that makes this all possible. Are we culpable as well?

Please read Dan Barry’s piece. It is important that the public has the facts. It is important that we not allow this to happen again.

 

The White Chip, A Very Funny Play About A Very Serious Subject

 

At The Merrimack Repertory Theatre, Lowell Through January 31st

Directed by Sheryl Kaller

Reviewed by Bobby Franklin

Actor #2 (Isabel Keating), Sean Daniels (Jeffrey Binder), Actor #1 (Benjamin Evett)
Actor #2 (Isabel Keating), Sean Daniels (Jeffrey Binder), Actor #1 (Benjamin Evett)

“The White Chip” now playing at the Merrimack Repertory Theatre in Lowell is an important work. Written by Sean Daniels, MRT’s Artistic Director, it is a no holds barred look at Sean’s painful struggle with addiction. In it he tells the story of how he practically ruined his life, his relationships, and his health because of the hold alcohol had on him. In the play the audience witnesses Sean’s tragic life as we see the disease progress and tear him apart, and while we are watching this tale of self destruction we are many times laughing to the point of tears. I know, it sounds a bit strange.

The cast is led by Jeffrey Binder as Sean who is superb in a role that takes incredible emotional stamina. Within minutes he has formed a bond with the audience who now become immersed in his life story. Mr. Binder is fluid on the stage and his face takes on the years of abuse as the play and his alcoholism progresses. This is not done with makeup.

Isabel Keating, Benjamin Evett, Jeffrey Binder
Isabel Keating, Benjamin Evett, Jeffrey Binder

Benjamin Evett and Isabel Keating are listed in the program as Actor #1 and Actor #2 as they play multiple roles and slip in and out of their various characters without missing a beat. Having seen Mr. Evett perform many times before, I was not surprised at this as he is one of the areas top actors. This was my introduction to Ms Keating and to say I was impressed would be an understatement. It wonderful to watch such talented actors switch from character to character at the drop of a hat.

The title refers to the white chip, or token, that is given to people when they first attend a Twelve Step Program. It is in recognition of their taking the first step towards recovery. Unfortunately, Sean has amassed a large amount of these chips over the years as he has relapsed time and time again, with each new round of drinking dragging him further and further down towards that black hole. Along the way he learns better and better ways to hide his drinking from others, how to lie to himself, and how to avoid responsibilities, but eventually his life starts to completely unravel. Much will be familiar to those who have or know someone who has dealt with this awful disease.

Sean and Bartender
Sean and Bartender

Okay, so you must be wondering why I said this is a funny play. It sounds pretty dreadful, and it is. The great thing about “The White Chip” is how Daniels has filled it with so much laughter. There are jokes about his Mormon upbringing, his embarrassing escapades while on a bender, his relationship with his mother, who also is an alcoholic, and his meeting with the Jews where he is finally able to make some sense of things. Who would have thought such a thing?. There is wonderful banter among all the characters as they move about the stage engaged in quick-witted exchanges. There are projections onto two screens with cartoon like characterizations of the embarrassing escapades Sean has embarked on while drunk as well as graphics listing the pros and cons of his behavior. Mr. Evett is particularly impressive when he plays Sean’s father who is diagnosed with Parkinson’s disease. Many of these scenes are heartbreaking and touching.

If this play weren’t funny it would be unbearable to watch.

And that is what is so wonderful about it. By allowing his audience the release through the comedy Mr. Daniels is able to tell his story of just how terrible his struggle has been, and of how so many people are dealing with the same battle. It is a battle to overcome the shame and ask for help. It is not only a play for those who have or are struggling with addiction, but a story that should be seen by all people so they will begin to realize the stigma associated with addiction is cruel and uncalled for. The way to help people is to allow them to step away from the shame and know they will be able to reach out for help without being branded as weak and lacking in character.

In the program notes Sean Daniels expresses something that has to be a first for an artist. About “The White Chip” he writes “And I do hope that no one produces it in ten years because it feels incredibly outdated-because we have no more silent deaths.” As much as I enjoyed this play and urge people to see it, I have to agree with him.

“The White Chip” playing at the Merrimack Repertory Theatre, Lowell, MA through January 31st . Box Office: 978.654.4678

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Photo Credit: Merrimack Repertory Theatre