Tag Archives: Boston Area Theatre

“Onegin” Opens At Greater Boston Stage

GREATER BOSTON STAGE COMPANY

PRESENTS THE U.S. PREMIERE OF ONEGIN

Photo credit: Nile Hawver/Nile Scott Shots

Greater Boston Stage Company proudly announces the U.S. Premiere of Amiel Gladstone and Veda Hill’s, Onegin. Based on Pushkin’s masterpiece novel in verse and Tchaikovsky’s stunning opera, Onegin tells the love story of the innocent Tatyana and the self-obsessed aristocrat Onegin. This soaring musical adaptation begs you to answer the question, “Look around, look around, look around, Do you see someone worth dying for? Directed by Producing Artistic Director Weylin Symes, performances run March 14 – 31, 2019

Says Symes, “I discovered this one in a bit of a strange way. Veda Hille (composer/co-writer) released several albums in the 90s and early 2000’s that I owned and loved. One day a few years ago, I discovered that she was still writing and moreover that she had written a brand-new musical based on Pushkin’s most famous poem, Onegin. After listening to one song, I was hooked. Veda’s modern pop/musical sensibility that includes motifs from the Tchaikovsky opera, combined with a ‘musical-meets-rock-concert’ setting seemed like the perfect way to capture the passion, vibrancy and tongue-in-cheek playfulness of this classic story for a modern audience.” He continues, “Like most of my favorite shows, Onegin is a true ensemble piece with a cast of seven playing multiple roles throughout the show. And what a cast it is.”

“The great Russian novels feel so contemporary to us,” shares co-creator Hill. “You know these people, and you’ve had these feelings. We are so thrilled to have our American Premiere at GBSC. This production marks the first time that Amiel and I are not directing/music directing the show. We’ve been looking for the right company to hand Onegin to, and we feel we’ve found such excellent people at GBSC.”

The Onegin Cast features Peter Adams, Christopher Chew, Kerry Dowling, Josephine Ellwood, Mark Linehan, Michael Jennings Mahoney, and Sarah Pothier.

The Design Team is comprised of Scenic Designer Katy Monthei, Lighting Designer Jeff Adelberg, Costume Designer Deirdre Gerrard, Sound Designer John Stone, and Props Master Emme Shaw. Music Direction is by Steve Bass with choreography by Associate Artistic Director, Ilyse Robbins. Young Company Alum, Stephen Zubricki IV Assistant Directs.

There will be complimentary Pre-Show Vodka Tastings at each of the Friday performances courtesy of Vodka Sponsor Deep Eddy Vodka.

Single Tickets for Onegin: $50-60 Adults; $45-55 Seniors; $20 Students (with valid ID). Thrifty Thursday tickets cost $15 at the door and are available for the Thursday, March 14, 2019 performance at 7:30pm. For more information or to purchase tickets, call the Box Office at Greater Boston Stage Company at (781) 279-2200, or visit www.greaterbostonstage.org.

SPEAKEASY EXTENDS “ONCE” THRU APRIL 7, 2019

Hit Play Is Proving To Be Very Popular In Boston

New Block of Seats on Sale Friday, March 8 at noon 

MacKenzie Lesser-Roy and Scott Hawver
Photo Credit: Maggie Hall Photography

 Due to overwhelming demand, SpeakEasy Stage Company has added seven more performances of its acclaimed production of the Tony Award-winning musical ONCE.  The show will now play through Sunday, April 7, 2019.  

The entire original cast will remain for the additional week of performances. The new block of seats for these additional performances will go on sale this Friday, March 8, 2019  at noon.  

 Based on the 2007 Irish film written and directed by John Carney, ONCE employs an exceptional ensemble of actor-musicians to tell the story of an unlikely romance between a down-on-his-luck Dublin street musician and a determined Czech immigrant who inspires him to dream.  Featuring a book by Enda Walsh, and music and lyrics by Glen Hansard and Markéta Irglová, ONCE is a charming tale that reminds us of the importance of pursuing our dreams and the power music has to connect us all.  

 SpeakEasy General Manager Paul Melone directed this production of ONCE. Winner of two Elliot Norton Awards for his direction of the musicals Bloody Bloody Andrew Jackson (2013) and Adding Machine: A Musical (2010), Mr. Melone also directed the company’s Boston premieres of  Carrie: The Musical; reasons to be pretty; The Little Dog Laughed; Fat Pig; The Moonlight Room; Our Lady of 121st Street; and The Shape of Things. 

  Also on the artistic team are Steven Ladd Jones (music director) and Ilyse Robins (choreographer).

 Nile Scott Hawver and Mackenzie Lesser-Roy play the lead roles of Guy and Girl.  Jacob Brandt, Billy Butler, Clara Cochran, Chris Coffey, Reagan Gardiner, Billy Meleady, Robert X. Newman, Marta Rymer, Stephen Shore, Jeff Song, Kathy St. George, and Ellie van Amerongen make-up the ensemble of actor-musicians. 

 The design team is Eric Levenson (scenic); Rachel Padula-Shufelt (costumes); Karen Perlow (lighting); and Andrew Duncan Will (sound). 

 ONCE will now run through Sunday, April 7, 2019, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont St. in Boston’s South End.

For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com .         

Reveiwed Here

 

ArtsEmerson Presents “American Moor” Directed By Kim Weild 

KEITH HAMILTON COBB’S AWARD-WINNING EXPLORATION OF SHAKESPEARE, RACE, AND AMERICA RETURNS TO BOSTON 

TWO WEEKS OF PERFORMANCES, APRIL 10 – 21, 2019 AT 

THE EMERSON PARAMOUNT CENTER 

Keith Hamilton Cobb
Photos by C. Hovde and Chris Lang

ArtsEmersonwill host the return of the award- winning American Moorwritten and performed by Keith Hamilton Cobb, an urgent solo work examining the experience and perspective of black men in America through the metaphor of William Shakespeare’s character, Othello. The 2018 IRNE and Elliot Norton award-winning play received wide-spread acclaim from Boston audiences and critics – American Moorplays ArtsEmerson for two weeks of performances, April 10–21, at the Emerson Paramount Center Robert J. Orchard Stage. 

American Moorchallenges the capacity of theatre to fulfill the human longing to be fully visible and embraced; it’s a show that poses the question “who gets to perform Shakespeare?” while exploring the inequities of life as a black actor and life as a black man. The Boston Globe’s Don Aucoin calls it “a deep-from-the-heart spellbinder [that] is ablisteringly eloquent and penetrating meditation on the ever-urgent matter of race in America

“Keith’s got something timelessly entertaining, powerfully urgent and deeply disruptive to say with American Moor,” says ArtsEmerson artistic director David Dower. “In his first appearance in Boston he struck a chord that still reverberates. Just like we’ve done with Daniel Beaty’s Mr. Joy, Melinda Lopez’ Mala, and with companies like Whistler in the Dark, Arlekin Players, and Bedlam, we’re delighted to create the opportunity for more people to experience an award- winning production. Keith and Kim have continued to evolve the show since last we saw it here, as well, so even its fans will find surprises that reward a repeat visit. With Oregon Shakespeare Festival’s Othello having just wrapped a visit to A.R.T., it’s a perfect time to confront the complexities of that play, its title character, and the American culture — Keith is absolutely burning to take us there.” 

American Moorwas previously presented in Boston in 2017 by O.W.I 7:30pm

For more information:
Online: ArtsEmerson.org
Phone: 617-824-8400
In Person: Paramount Center Box Office, open Tuesday-Saturday from 10am-6pm (also open on Sunday 2/3 beginning at 12noon)

Peter Pan At North Shore Music Theatre Through July 22

Elena Ricardo as Peter Pan
Photo©Paul Lyden

PETER PAN, the high-flying Tony© Award-winning musical, follows the adventures of Peter Pan and his mischievous fairy sidekick, Tinkerbell, as they visit the nursery of the Darling children late one night. With a sprinkle of pixie dust, they begin a magical journey across the stars that none of them will ever forget. From ticking crocodiles, to fierce warriors, bungling pirates and the villainous Captain Hook himself, this fun classic will delight all ages. With its iconic score featuring songs like “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” PETER PAN is the perfect show for the child in all of us!

James Beaman (Captain Hook) and Paul Castree (Smee) Photo©Paul Lyden

PETER PAN playing at North Shore Music Theatre thru July 22, 2018.   (978) 232-7200, visit www.nsmt.org,  box office at 62 Dunham Rd., Beverly, MA.  

Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston

Announces 50th Annual Summer Season

A Chorus Line, Anything Goes, and The Music Man are on tap for this year’s summer season at the Reagle Music Theatre located at the Robinson Theater, 617 Lexington Street, Waltham. The three classic musicals will be directed by Leslie Woodies, Eileen Grace, and Susan Chebookjian respectively. 

A Chorus Line will run for 8 performances from June 7 through June 17. Anything Goes will have 8 performances running from July 5 through July 15, and The Music Man will close out the season also running for 8 performances from August 2 through August 12. 

For more information contact the box office at 781-891-5600, or go to 

www.reaglemusictheatre.org 

“Allegiance” Opens At SpeakEasy May 4

East Coast Premiere Of A New Version Of The Broadway Musical 

Allegiance 

Begins May 4 At The SpeakEasy Stage

From May 4 through June 2, 2018, SpeakEasy Stage will proudly present the East Coast Premiere of a new version of the acclaimed Broadway musical  Allegiance.  

 Inspired by the true childhood experience of TV/film actor and social media icon George Takei (Mr. Sulu on “Star Trek”), Allegiance tells the story of the Kimura family, whose lives are upended when they and 120,000 other Japanese-Americans are forced to leave their homes following the events at Pearl Harbor.  Sam Kimura seeks to prove his patriotism by fighting for his country in the war, but sister Kei fiercely protests the government’s treatment of her people.  An uplifting testament to the power of the human spirit, Allegiance follows the Kimuras as they fight between duty and defiance, custom and change, family bonds and forbidden loves.  

     This powerful and timely musical features a book by Marc Acito, Jay Kuo, and Lorenzo Thione,  and music and lyrics by Jay Kuo.

     SpeakEasy Founder and Producing Artistic Director Paul Daigneault will direct the New England premiere of Allegiance. The artistic team also includes Music Director Matthew Stern and Choreographer Ilyse Robbins.

   The cast for this New England Premiere production is Eymard Cabling, Paige Clark, Ron Domingo, Melissa Geerlof, Michael Hisamoto, Elaine Hom, Ryan Mardesich, Gary Thomas Ng, Ben Oehlkers, Isaac Phaman Reynolds, Tyler Simahk, Sam Tanabe, Rachel Wirtz, Micheline Wu, Kendyl Yokoyama, and Grace Yoo.

 Allegiance had its first reading at the Japanese American National Museum on July, 13, 2009, starring George Takei. That was quickly followed by two more readings in New York City in 2010, followed by a workshop in San Diego in 2011. The musical premiered in September, 2012 at San Diego’s Old Globe Theatre, where it broke box-office records.  The musical began previews on Broadway on October 6, 2015, and ran through February 14, 2016.  Allegiance was reworked a bit for its West Coast premiere at the East West Players in Los Angeles, where the show concluded a six-week run on April 1, 2018.  SpeakEasy Stage is presenting the East Coast Premiere of this new version of the show.  

Allegiance will run for five weeks, from May 4 through June 2, 2018, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

 617.933.8600 or visit www.SpeakEasyStage.com .                 

SpeakEasy Announces 2018-2019 Season

FUN HOME, ONCE, BETWEEN RIVERSIDE AND CRAZY, SMALL MOUTH SOUNDS, SCHOOL GIRLS, AND THE VIEW UPSTAIRS HIGHLIGHT SPEAKEASY’S 2018-2019 SEASON

The Tony Award-winning musicals FUN HOME and ONCE, the Pulitzer Prize-winning drama BETWEEN RIVERSIDE AND CRAZY; the Off-Broadway sensations SCHOOL GIRLS; OR THE AFRICAN MEAN GIRLS PLAY and SMALL MOUTH SOUNDS; and the triumphant new musical THE VIEW UPSTAIRS will make up SpeakEasy Stage Company’s 2018-2019 Season, the company’s Founder and Producing Artistic Director Paul Daigneault announced today.

In addition, the company’s new works program, THE BOSTON PROJECT, has been renewed for a third season, offering two more Boston playwrights commissions to create new plays about what it means to live in this city at this moment.
The schedule for SpeakEasy Stage Company’s 2018-2019 Season will be:

BETWEEN RIVERSIDE AND CRAZY –By Stephen Adly Guirgis / Sept. 7 – Oct. 6, 2018

FUN HOME– Music by Jeanine Tesori, Book and Lyrics by Lisa Kron,
Based on the graphic novel by, Alison Bechdel / Oct. 19-Nov. 17, 2018

SMALL MOUTH SOUNDS – by Bess Wohl / Jan. 4- Feb. 2, 2019

ONCE – by Enda Walsh, Music and Lyrics by Glen Hansard and Markéta Irglová
Based on the motion picture written and directed by John Carney / Mar. 1 – 30, 2019

SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY – by Jocelyn Bioh / May 3 – 25, 2019

THE VIEW UPSTAIRS – by Max Vernon / May 31-Jun 22, 2019

“Once again I am excited to offer Boston audiences an ambitious and entertaining slate of the very best contemporary plays and musicals,” said Daigneault, in announcing the new line-up. “Each of these shows is uniquely theatrical and celebrates the importance of sharing our stories to better appreciate our common humanity.”

“I am also excited for the many opportunities these shows offer a diverse group of local artists, both young talent and experienced professionals. It’s going to be a very exciting year!”

For more information on SpeakEasy’s 28th Season, the public can call the Boston Theatre Scene Box Office at 617-933-8600 or go online to www.SpeakEasyStage.com.

The Lyric Stage Presents Anna Christie

Anna Christie

By Eugene O’Neill Adapted By Scott Edmiston

Opens At The Lyric Stage April 6th
Runs Through May 6th

Winner of the Pulitzer Prize, O’Neill’s classic is a surprisingly contemporary play that crackles with fierce physicality, humor, and drama. After a 20-year separation, a coal barge captain (Lyric Stage favorite Johnny Lee Davenport) is reunited with the daughter he unknowingly abandoned to a life of hardship. When Anna falls in love with a shipwrecked sailor, her father and her suitor come to recognize their own culpability in her plight, and all three struggle in their own way for salvation. Following his acclaimed production of Who’s Afraid of Virginia Woolf?, Scott Edmiston takes a fresh look at one of America’s greatest playwrights.

A note from Director Scott Edmiston:

“In an era when most American plays were set in posh drawing rooms populated by wealthy white characters, O’Neill depicted a world of sea shanties, slums, and barrooms inhabited by the working class and immigrants, the outcast and oppressed, the lost and misbegotten. O’Neill offered them dignity and respect. He accepted them because he was one of them. He wrote complex female characters who were liberated beyond their time. He explored African American identity in the two groundbreaking works, The Emperor Jones (1920), which examines race-based violence, and All God’s Chillun’s Got Wings (1924), which portrays an interracial marriage. He refused to allow white actors in blackface in his plays and insisted on casting African American actors in the leading roles. Anna Christie, which premiered on Broadway in 1921 and earned him the second of his four Pulitzer Prizes, can be viewed as an early feminist drama. Tales of a

woman with a past were not new to the stage, but O’Neill dispelled the Victorian notion that prostitution was a result of female licentiousness. He tells Anna’s story with compassion and an awareness of gender economics. Consequently the role of Anna has become a favorite of great actresses including Ingrid Bergman, Liv Ullman, Natasha Richardson, and most recently Ruth Wilson. Greta Garbo chose the role for her first talking picture in 1930.

In adapting the play for 21st-century audiences, I’ve tried to remain true to O’Neill’s themes and the unique poetry of his hardscrabble dialogue. I’ve removed a few superfluous sailors, a bit of period slang, and the phonetically spelled dialect (Chris was originally Swedish). It’s my hope that this will intensify the conflict between the ill-fated trio of Chris, Mat, and Anna and place them center stage where their fight to find redemption remains as compelling to me as it was nearly 100 years ago.”

Johnny Lee Davenport

FEATURING:
Nancy E. Carroll, Johnny Lee Davenport, Lindsey McWhorter, James R. Milord, Dan Whelton

The Lyric Stage, 140 Clarendon Street, Copley Square, Boston, MA 02116
Box Office: 617-585-5678 lyricstage.com

Lyric Stage Presents Orlando

Virginia Woolf’s
ORLANDO
Adapted by Sarah Ruhl Directed by A. Nora Long

February 23 – March 25, 2018
At The Lyric Stage, Boston

(Photo: Mark S. Howard)

In this joyful romance of gender roles and expectations, Orlando the man wakes up, after a particularly wild night in 17th-century Constantinople, to find himself a woman! She abandons herself to three centuries of navigating love, desire, and the world from an entirely different perspective.  Oft described as the most charming love letter in literature – written by Woolf to Vita Sackville-West – Sarah Ruhl brings the novel to life on stage in a grand, epic adventure that transcends time, place, and gender.

Featuring: Caroline Lawton as Orlando with Elise Arsenault, Michael Hisamoto, Rory Lambert-Wright, Jeff Marcus, Hayley Spivey.

The Lyric Stage, 140 Clarendon Street, Copley Square, Boston, MA  02116 lyric stage.com

 

Every Brilliant Thing Opens At SpeakEasy Stage

The SpeakEasy Stage Presents Every Brilliant Thing

From March 2-31, 2018, SpeakEasy Stage Company will proudly present the Boston premiere of the charming and life-affirming solo show Every Brilliant Thing.

Written by British playwright Duncan MacMillan (Lungs; People, Places, and Things) , and originally performed by British comedian Jonny Donohoe, Every Brilliant Thing  explores depression, and looks at the lengths we will go to help those we love. The story begins when a young girl compiles a list of things worth living for in an effort to ease her mother’s sadness: things like ice cream, and water fights, and staying up past your bedtime to watch TV. Through adulthood, as the list grows, she comes to understand the deep significance the list has had on her own life, and the irrepressible resilience inside us all.

Adrianne Krstansky will star in this one person show, which explores this delicate topic with equal parts grace and humor. Ms. Krstansky recently won both an Elliot Norton and IRNE Award for her work as Lola in the Huntington Theatre Company’s production of Come Back, Little Sheba. Her SpeakEasy credits include lead roles in the Boston premieres of Tribes, Body Awareness, and Snakebit.

Marianna Bassham will be making her SpeakEasy directing debut with this production. Ms. Bassham received both an Elliot Norton and IRNE Award for her performance in SpeakEasy’s production of Blackbird. Her other SpeakEasy acting credits include In the Next Room (or The Vibrator Play); Reckless; and Hand to God. Ms. Bassham most recently appeared in as Marc Antony in an all-female production of Julius Caesar for Actors’ Shakespeare Project.

The design team for Every Brilliant Thing includes Eric Levenson (scenic and lighting); Amanda Ostrow Mason (costumes); Lee Schuna (sound), and Abby Shenker (props).

Becca Freifeld is the Production Stage Manager.

Every Brilliant Thing will run for five weeks, from March 2- 31, 2018 in the round in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Ticket prices start at $25, with discounts for students, seniors, and persons age 25 and under.
For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com.