All posts by Bobby Franklin

SpeakEasy Stage Presents Casa Valentina

New England Premiere Runs From October 24 to November 28th

From October 24 to November 28, 2015, SpeakEasy Stage Company will proudly present the New England Premiere of CASA VALENTINA, a hilarious, provocative, and touching new play about gender identity, self-acceptance, and the struggle to find the right pumps.

A 2014 Tony Award nominee for Best Play, CASA VALENTINA is the most recent work by Tony Award-winner Harvey Fierstein

Based on actual events, CASA VALENTINA takes place in 1962 at a Catskills resort where a group of heterosexual men secretly gather to dress and behave like women. Away from their families, in their beehives and brassieres, these men enjoy a carefree camaraderie of cocktails and McGuire Sisters. But when challenged to publicly reveal their female alter-egos in the pursuit of political acceptance, “the sorority” must decide whether freedom is worth the risk of ruin.

 

Casa Valentina
Casa Valentina

A 2014 Tony Award nominee for Best Play, CASA VALENTINA is the most recent work by Tony Award-winner Harvey Fierstein, whose credits include the books for the hit musicals Kinky Boots, Newsies, La Cage aux Folles, and A Catered Affair as well as the play Torch Song Trilogy. As an actor Mr. Fierstein is known worldwide for his performances in films like Mrs. Doubtfire and Independence Day, and his stage work in Hairspray, Fiddler on the Roof, La Cage aux Folles, and Torch Song Trilogy.

Director Scott Edmiston returns to SpeakEasy having previously directed the company’s productions of Far from Heaven; The History BoysThe Light in the PiazzaFive by Tenn; Other Desert CitiesNext FallIn the Next Room (or the vibrator play)RecklessThe WomenThe Last Sunday in June; and The Most Fabulous Story Ever Told. He has directed more than 60 productions across New England and is the recipient of SpeakEasy’s Outstanding Artist Award, three Elliot Norton Awards, two IRNE Awards, the StageSource Theatre Hero Award, and the Norton Prize for Sustained Excellence in Theatre. He is a Professor of the Practice and Chair of the Theatre Department at Northeastern University.

For this New England Premiere production, Edmiston has assembled an impressive cast of veteran Boston actors, including Timothy Crowe, Thomas Derrah, Kerry A. Dowling, Deb Martin, Greg Maraio, Will McGarrahan, Sean McGuirk, Robert Saoud, and Eddie Shields.

       The design team consists of Edmiston’s frequent collaborators: Janie E. Howland (scenic), Gail Astrid Buckley (costumes), Karen Perlow (lighting), and Dewey Dellay (sound).

CASA VALENTINA will run for six weeks, from October 24 to November 28, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Ticket prices start at $25, with discounts for students, seniors, and persons age 25 and under.

For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com.

Music Review: Jonathan Edwards

At The Center

For The Arts In Natick

September 26th

An Evening To Soothe The Soul

 

Jonathan Edwards
Jonathan Edwards

The program I was handed at the door as I entered the Center For The Arts In Natick read “In Concert, Jonathan Edwards”. I have seen Mr. Edwards perform on a number of occasions and I have never felt as if I was at a concert. Spending an evening with Jonathan is much more than that. Even though I am sitting in a performing arts venue I feel more like I have been invited into his home to share a night of music, stories, laughs, and warmth. Edwards has yet to disappoint me and the other night in Natick was no exception.

 

 

…there was never a dull moment.

From his opening song “Down In The Woods” until his closing encore two hours later with the Stephen Foster classic “Hard Times” there was never a dull moment. There were plenty of old favorites going back to his first album along with a nice taste from his latest and most personal work “Tomorrow’s Child” and many from in between.

 

Tomorrow's Child
Jonathan’s Latest Album “Tomorrow’s Child”

In two of his new songs we learn much about Jonathan. In the very touching “Jonny’s Come Home” Edwards talks about being given up for adoption shortly after his birth and of how he found his birth mother forty years later. It was a happy reunion. He and his 96 year old mother are still close. The song also tells of his own experience in giving up his daughter Brenda for adoption, “I never thought I’d had to do what was done to me.” They, too, reunited after years had passed.

 

If all of this is beginning to sound a bit sad, it isn’t at all. By listening to the songs and hearing Jonathan tell stories, and he is a wonderful storyteller, you understand why this was much more than a concert.

Edwards has yet to disappoint me and the other night in Natick was no exception.

Going back to his eponymous first album Mr. Edwards sang Emma, Sunshine, Don’t Cry Blue, and what is probably his best-known song Shanty. It is ironic that Shanty has become so well known seeing that it got no radio play when it first was released. The censors at the time had figured out what it meant “to get a good buzz on” and were not happy with it; however, the public loved it as did the audience in Natick putting their hands together upon hearing the first few notes on the mouth harp.

Jonathan is also terrific to listen to between songs. His stories are always so interesting, and he can be very funny. While struggling to get one of his guitars to rest in its stand he told it to stay put, he then quipped “The older we get the more inanimate objects need personalities.” And when introducing the song  Mole In The Ground he said “Now that is a title that really excites people.” The crowd loved it.

“The older we get the more inanimate objects need personalities.”

Gracie, from his new album, is a lovely song celebrating his second daughter. Grace is an accomplished musician in her own right and performs on occasion with her father. Talent definitely runs in the family. Sandy Girl is a foot tapping love song to the joy of Jon’s life and soon to be wife. I noticed that Sandy is a bit shy about having the song played in public, but it is also apparent how much in love she and Jonathan are.  Ain’t Got Time, Girl From the Canyon, Sailboat, The Beatles She Loves You, Evangeline, My Love Will Keep were also included in this wonderful evening.

Jon was accompanied by his “band” the extraordinary Tom Snow on keyboard.

 

Tom Snow
Tom’s Latest Album “Thomas Snow Friends”

Jon was accompanied by his “band” the extraordinary Tom Snow on grand piano, keyboard, and backup vocals. During Shanty they did a great dueling piano and guitar. They make it look easy and obviously love performing together. What a joy it is to see and hear such talent. These two elevate each other musically and get a great natural buzz playing together.

 

We are lucky to have Jonathan Edwards here in New England. He plays many nights, and if you haven’t yet seen him be sure to stop in the next time he is in your area. I can guarantee if you see him perform once you will go again and again. I got a good buzz on and didn’t even have to inhale.

For album information, concert dates, and lots of great information go to http://www.jonathanedwards.net

For info on Tom Snow and his album Tom Snow Friends go to http://tomsnow.com

Jonathan Edwards and Tom Snow Perform “Hard Times”

“Shanty” performed by Jonathan and Tom

James Montgomery To Appear At Jonathan’s

Ogunquit on November 6th

James Montgomery
James Montgomery

When blues legend James Montgomery plays the harmonica, he “brings it on home”. Whether it’s recording with Kid Rock, sitting in with Gregg Allman, or fronting his hot band of thirty years, Montgomery plays with authority. While growing up in Detroit he learned first-hand from the masters – James Cotton, John Lee Hooker, and Jr. Wells – at the legendary “Chessmate.” Over the years, he’s carried on in the tradition and continues to be a vital presence in Blues as one of the most dynamic performers on the scene.

James Montgomery and his band will be playing live at Jonathan’s Ogunquit on Friday, November 6, 2015 at 8:00 p.m.

In 1970, while attending Boston University, Montgomery formed the James Montgomery Band. His inimitable (oh yeah, he majored in English) harmonica playing combined with his incredibly energetic live shows led to the band’s quick ascension on the New England music scene. Within two years, the James Montgomery band was among the hottest acts in Boston along with J. Geils and Aerosmith, and they were quickly signed to a multi-album deal with Capricorn Records.

Montgomery has toured with many major artists, including Aerosmith, Bonnie Raitt, Bruce Springsteen, the Allman Brothers, Steve Miller and others. He has jammed on stage with B.B.King, Buddy Guy, John Lee Hooker, Jr. Wells, James Cotton, Charlie Daniels, Bonnie Raitt, Greg Allman, Laverne Baker, Patti LaBelle, and Peter Wolf among others, including an impromptu session with Mick Jagger at New York’s “Trax”
Over the years Montgomery’s band has been a springboard for many musicians. Members of his band have in

cluded Billy Squire, Wayne Kramer (MC-5), Jeff Golub (Rod Stewart), Jim McCarty (Mitch Ryder and the Detroit Wheels), Nunzio Signore Bo Diddley), Jeff Pevar (Ray Charles Orchestra, Crosby, Stills & Nash), Bobby Chouinard (drummer with Ted Nugent, Squire and Robert Gordon), Jeff Levine (Joe Cocker), Aerosmith’s Tom Gambel, and many others.

Back by popular demand, James Montgomery has become a regular at Jonathan’s Ogunquit. Coming up in the afternoon, grabbing dinner at Jonathan’s, playing some music and staying over in Ogunquit…They love the set up and so do their fans!
The James Montgomery Band will be playing live on Friday, November 6th, 2015 at 8:00 p.m. Tickets are available on line at http://tickets.jonathansrestaurant.com Tickets start at $22.50.

For more information about the concert please visit Jonathan’s Website.

Jonathan’s Restaurant is located at 92 Bourne Lane, Ogunquit, Maine.

Mayweather Goes To 49-0

Mayweather Goes To 49-0
Am I Supposed To Be Impressed? 
Comparisons To Marciano Are Ridiculous

With his recent decision victory over the very mediocre Andre Berto, Floyd Mayweather has improved his record to 49 wins with no losses. Many in the boxing world are now saying this puts Floyd on a par with Rocky Marciano who ended his career with a record of 49 and 0.

Today, boxing pundits discuss the sport more like it is baseball.

This comparison is just plain idiocy and I feel it sullies the name of Rocky Marciano to even discuss it. But, since so many so-called boxing experts seem convinced that Mayweather has done something earth shattering here, I feel I must chime in.

Former champs Fritzie Zivic and Henry Armstrong would have chased Floyd out of the ring.

Archie Moore vs Rocky Marciano
Archie Moore vs Rocky Marciano

Today, boxing pundits discuss the sport more like it is baseball. They use all kinds ofcrazystatistics to try to convince us that we are living in some golden age of boxing. They cite punch stats, the amount of consecutive rounds won by a fighter, and the most ridiculous of all, the number of titles a champion has won. Seeing that just about every fighter who has over a dozen fights manages to get crowned with some type of a title has only trivialized the whole concept of being a world champion. I have written on this subject before where I discussed how the heavyweight championship has lost any essence of prestige. This also goes for all of the other weight divisions.

 

Henry Armstrong vs Fritzie Zivic
Henry Armstrong vs Fritzie Zivic

As to this 49 and 0 business, Mayweather is a fighter with at most average talent whencompared to the days when boxing was an art. Former champs Fritzie Zivic and Henry Armstrong would have chased Floyd out of the ring. Emile Griffith and Luis Rodriguez would have toyed with him and made him look like an amateur. Curtis Cokes and Tony DeMarco would have destroyed him. Can you even imagine Mayweather putting up with the relentless pressure Carmen Basilio would have applied? Sugar Ray Robinson and Charley Burley would have surely been charged with attempting first-degree murder for even agreeing to fight him.

I could go on and on about the superior records of so many of the fighters of the past when boxing was an art, not the silly carnival it has become today.

Now we have this insane comparison between Floyd Mayweather and Rocky Marciano which is all based on the fact that in a period of almost 20 years Floyd has complied a record of 49 wins and no losses against hand picked opponents. The latest being Berto, a fighter who was not very good at his best and was three and three in his last six bouts.

Ezzard Charles vs Rocky Marciano
Ezzard Charles vs Rocky Marciano

Julio Cesar Chavez was 49 and 0 in just the first three years of his career and went on to have 87 straight victories without a loss. I don’t remember any comparison being made with Rocky Marciano then.

Rocky, unlike Floyd, also took on the top contenders when he was champion and never ducked anyone.

Rocky Marciano was a great fighter who compiled his record in eight years while fighting some of the greatest fighters of all time. What made Rocky’s record unique is the fact he was and still is the only heavyweight champion to retire without ever having lost a professional fight. Gene Tunney retried as the undefeated heavyweight champ but did have one loss on his record from earlier in his career.

Rocky, unlike Floyd, also took on the top contenders when he was champion and never ducked anyone. He took pride in being the champion and it showed in the way he performed both inside of the ring and out of it. He beat three former heavyweight champions, two of them twice. He stopped one of the all time greatest light heavyweight champions. Rocky had the heart, the determination, and the pride that is sorely lacking in fighters like Floyd Mayweather.

Those who insist on making these nutty comparisons have no respect for the rich history of the Art of Boxing. They are grasping at straws when they are making these ridiculous arguments.

Just the other day I read where a noted boxing historian said Roy Jones Jr will go down as

LaMotta vs Robinson
LaMotta vs Robinson

the greatest middleweight champion of all time. That means he would be better than Sugar Ray Robinson, Harry Greb, Jake LaMotta, Emile Griffith, and dozens of others. This is beyond belief.

The hucksters and con men who run boxing today are bamboozling the public into believing they are watching real talent in the ring, and they are having success selling this. They bring on commentators claiming to be “boxing experts” and have them spout all kinds of drivel in order to make it seem like boxing has some connection with the great sport it once was. This is all done to dumb down the average boxing fan. These people have no shame what so ever. It is more true now than ever before that there is a sucker born every moment, and they seem to gravitate towards boxing.

 

SpeakEasy Stage Presents NE Premiere Of appropriate

From September 12-October 10, 2015, SpeakEasy Stage Company will proudly present the New England Premiere of appropriate, the thrilling new drama about race and identity by acclaimed African-American playwright Branden Jacobs-Jenkins.

A 2014 Obie Award-winner for Best New American Play, appropriate follows the estranged members of the Lafayette clan as they gather at their crumbling Arkansas plantation home to mourn the loss of their father and settle his estate.  While sifting through a lifetime of memories and junk, they make a gruesome discovery that forces them to examine their own lives and confront their family’s dark past.

appropriate will run for five weeks, from September 12 through October 10, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Jacobs-Jenkins has said in interviews that, when writing appropriate, he was inspired by and “appropriated” bits from iconic American Family Drama plays such as Cat on a Hot Tin Roof, Long Day’s Journey into Night, Buried Child, and August: Osage County.  By remixing and riffing on his source material, Jacobs-Jenkins uses a genre traditionally dominated by white American playwrights to comment on race relations in both America’s history and theatre.

Director M. Bevin O’Gara returns to SpeakEasy Stage to direct the New England premiere of appropriate. This is her fourth project for the company, having directed A Future Perfect, Tribes (Elliot Norton and IRNE Award, Best Production) and Clybourne Park. Bevin is the Associate Producer at the Huntington Theatre Company and a recipient of the Lois Roach Award for Outstanding Commitment to the Boston Theatre Community.

To bring the Lafayette family to vivid life, Ms. O’Gara has gathered an exceptional cast of Boston-based actors: Bryan T. Donovan, Katie Elinoff, Tamara Hickey, Melinda Lopez, Brendan O’Brien, Alex Pollock, Eliott Purcell, and Ashley Risteen.

   The design team includes Cristina Todesco (scenic), Tyler Kinney (costumes), Wen-Ling Liao (lighting), Arshan Gailus (sound), and Angie Jepson (fight choreography).

appropriate will run for five weeks, from September 12 through October 10, in the Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

Ticket prices start at $25, with discounts for students, seniors, and persons age 25 and under. For tickets or more information, the public is invited to call the box office at 617.933.8600 or visit www.SpeakEasyStage.com .

Julius Caesar at the Trinity Rep

Beware the Ides of March,

But Have No Fear Of Buying A Ticket For This Production

Of Julius Caesar In Providence.

The other night I traveled south to Providence, Rhode Island to see the Trinity Rep’s production of Julius Caesar. This play kicks off their 2015-2016, and it is a great start.This version is set in contemporary times with the government rulers in business or military attire. The set conveys a somewhat decaying aura that fits with the turmoil that is to ensue. Director Tyler Dobrowsky also makes interesting use of a live video camera that projects certain parts of the play onto two walls giving us the flavor of the events being covered in this age of the 24 hour news cycle. There are also occasional news scrolls across the same walls.

The cast of Shakespeare’s Julius Caesar at Trinity Rep Photo by Mark Turek
The cast of Shakespeare’s Julius Caesar at Trinity Rep
Photo by Mark Turekto ensue.

The set conveys a somewhat decaying aura that fits with the turmoil that is to ensue.

A nice touch is the string quartet that is situated above the action but in full view of the audience. The music, by Polish composer Henryk Gorecki, is somber and influences the mood. My only quarrel with it is in the second act where it is a bit overdone as the mood has already descended and the audience does not need reminding of that fact.

Stephen Thorne’s Brutus is a perfect balance between the cold blooded conspirator, idealist, and a man who’s lust for power equals Caesar’s.

Caesar is played by Anne Scurria who does a wonderful job as a female but not feminine Caesar. I am not clear as to,or if, a message is being conveyed by having him played as a woman.  Ms Scurria is still called Julius and the pronouns referring to Caesar have all been changed to the femine. Calpurnia is renamed Calpurnius, the male version of the name, and is played by Mauro Huntman. Huntman reminds a bit of Al Bundy and you really can’t blame Caesar for not going to the senate on that fateful March day when faced with the choice of staying home with her husband who appears ready to spend the day in pajamas.  I am certain many will read much into this given that the current presidential election season has begun, but I really didn’t see any overt links to any of today’s politicians other than the fact Caesar is wearing a pantsuit.

Anne Scurria as Julius Caesar and Mauro Hantman as Calpurnius Photo: Mark Turek
Anne Scurria as Julius Caesar and Mauro Hantman as Calpurnius Photo: Mark Turek

Stephen Thorne’s Brutus is a perfect balance between the cold blooded conspirator, idealist, and a man who’s lust for power equals Caesar’s. While he may believe he is working for the greater good, and he does his best to convince himself, the people, and the audience, we find he is another manipulating politician.  It is a complicated role for an actor, but Mr. Thorne does a fine job getting all of these emotions across.

This Caesar, as bloody as any, also has a number of laughs. Fred Sullivan, Jr. as the hypocritical Casca is witty and sarcastic as he first takes the stage, though he has to repeatedly reach for liquid courage from the flask he keeps hidden.

 Marc Antony’s playing up to the press and mugging for the camera is very effective.

The funeral oration given by Joe Wilson, Jr.’s Marc Antony is very interesting. The live camera arrives on the scene to broadcast the speech, and Mr. Wilson does a marvelous job

Joe Wilson, Jr. as Marc Antony and Anne Scurria as Julius Caesar Photo by Mark Turek
Joe Wilson, Jr. as Marc Antony and Anne Scurria as Julius Caesar Photo by Mark Turek

of showing with his eye movements and turn of head how well the deep thinking Antony manipulates the crowd by turning what was expected to be a simple eulogy honoring his friend into a rallying cry for civil war.  Marc Antony’s playing up to the press and mugging for the camera is very effective and will certainly resonate in this age of sound bites.

 

It is impossible for the Trinity rep to put on a bad production of a Shakespeare play if Brian McEleney is in it. Having seen him in the Rep’s productions of Richard III and King Lear, I have to say he is one of the finest Shakesperaen actors gracing New England stages today. He does not disappoint as Cassius who at first is petty and manipulative as he convinces Brutus to conspire in the assassination of Caesar. Cassius redeems himself in Act II but it is too late. Mr. McEleney is a joy to watch as he practices his stage craft, and I could envision an evening of him doing a solo performance of the works of Shakespeare. He has a wonderful voice and exquisite timing.Brian McEleney as Cassius and Stephen Thorne as Brutus Photo by Mark Turek

 

Mr. McEleney is a joy to watch as he practices his stage craft

Some liberties were taken with this production, but they work. Particularly the closing scene, which is incredibly effective. I won’t spoil it for you.

I highly recommend this production even sans the togas. It is interesting, well played, staged, and directed as it shows us how ambition and the lust for power are timeless. Beware the Ides of March, but have no fear of buying a ticket for Julius Caesar in Providence.

Julius Caesar at the Trinity Rep playing through October 11th

201 Washington Street, Providence, RI, www.trinityrep.com, 401-351-4242

Directed by Tyler Dombrowsky. Set design by Michael McGarty. Costume design by Oliver Gajic. Lighting by John Ambrosone.

Cast:

Julius Caesar Anne Scurria*
Brutus Stephen Thorne*
Marc Antony Joe Wilson, Jr.*
Cassius Brian McEleney*
Portia RachaelWarren* Calpurnius/Octavius Mauro Hantman* Cicero Barbara Meek*

Casca/Titinius FredSullivan,Jr.*
Decius Brutus/Messalla Richard Donelly* Marullus/Metellus Cimber Timothy Kopacz Flavius/Trebonia Olivia Khoshatefeh Soothsayer/Lucilius GriffinSharps Pindarus GeorgeOlesky
Cinna/Cato Joshua Lomeli
Lucia TaraSullivan

Musicians:

Viola HannahRoss Violin ChaseSpruill Cello AdrienneTaylor Violin EthanWood

 

 

 

 

 

Pender vs Hagler

Pender Had The Style To

Give The Marvelous One Trouble

But Could He Have Won?

By Bobby Franklin

The Boston area has produced three World Middleweight Champions. Johnny Wilson, who was originally from Harlem, Paul Pender from Brookline, and Marvelous Marvin Hagler from Brockton by way of New Jersey. Interestingly, two of these champions, Wilson and Hagler, were southpaws.

Pender Defeating Ray Robinson
Pender Defeating Ray Robinson

While watching clips of Paul Pender in action I started to think about how a matchup between these two local world champions would have played out. Hagler’s name is always included in any list of great middleweight champions, while Pender is remembered as a very good, but not great, champion. However, a boxer not being ranked on the all time great list does not mean he would not have posed problems for one of the best. It has been repeated over and over but is still true, styles make fights. Ken Norton is never ranked as an all time great, yet in their three fights he gave Muhammad Ali, the number one choice of many boxing experts, all he could handle. Many believe he deserved the decision in all of their match ups, not just the first one where he broke Ali’s jaw. If they fought a hundred times it would always be a tough fight for Ali. Why? Because Norton had a style that Ali just could not cope with.

…it is interesting to note that neither champion was ever beaten by the same opponent twice.

In comparing Pender and Hagler it is interesting to note that neither champion was ever beaten by the same opponent twice. In Hagler’s case, with the exception of Ray Leonard, he avenged every one of his losses.

Paul Pender
Paul Pender

Pender had a record of 48 bouts with 40 wins (20 Kos), 6 losses, and 2 draws. Paul was stopped on 3 occasions. He fought a total of 345 rounds.

Marvelous Marvin Hagler
Marvelous Marvin Hagler

Hagler’s record stands at 67 total bouts with 62 wins (52 Kos), 3 losses, and 2 draws. He had a total of 398 rounds fought in his career. Marvin was never stopped.

Pender fought most his fights in the 1950s, his pro career began in 1949 and ended in 1962. Hagler’s ran from 1973 until 1987.

Pender and Hagler would both enter the ring supremely confident.

So, what makes this an interesting fight? Well, first off, since this is all conjecture, let’s assume each contestant has a piece of a divided Middleweight Crown. Remember, that when Pender won the title from Sugar Ray Robinson the majority of governing bodies did not recognize it. In promoting the bout at the Boston Garden it would not only be built up as a championship match between two local fighters, but two local fighters with a claim to the title. The winner would walk away as the undisputed titleholder, great motivation for both of them. This would probably be the only time in history that the Boston Garden would be sold out for a boxing match.

Pender and Hagler would both enter the ring supremely confident. Marvin having taken out Thomas Hearns in one of the greatest fights of all time, and Paul having defeated the great Sugar Ray Robinson twice. Neither man would be intimidated by the other.

Now to their styles: Pender is thought of as a boxer, but he was really a boxer puncher. He moved fast on his feet, had quick hands, and was a master of the feint. He also had an excellent left hook that he would work off of his jab, sometimes throwing it immediately after landing a jab, and sometimes feinting a jab and moving in with the hook. Paul also had power in both hands.

Marvin is best known as a lethal puncher, but he could box as well. It was also very difficult to hit him with a clean shot. He kept his chin tucked down and had excellent head movement. Once he had an opponent hurt he would finish him off. Marvin was always in excellent shape and had a burning desire to win that never abated throughout his career.

Hagler Defeating Duran
Hagler Defeating Duran

The two Hagler fights that give us a clue to how Pender would have done against him are the Duran and Leonard bouts. Duran, like Pender, was a master at feinting, though he used more body feints then Paul. That feinting kept Marvin a bit on edge and made the fight competitive. He ended up winning a much closer decision then most experts expected.

Paul’s most effective weapons against Marvin would be his footwork, his left hook off a jab feint, and his follow up right hand

Leonard showed how movement could be a problem for Marvin. Of course, there was a lot more going on in that bout that I will not get into here, but it did show that a boxer who kept his cool, stuck to a plan, and fought in flurries could be a problem for Marvin.

Pender could do all of that. Paul’s most effective weapons against Marvin would be his footwork, his left hook off a jab feint, and his follow up right hand. He would be moving in and out, attacking and retreating, moving side to side. All of this would give Marvin a lot of trouble, but for how long?

While Paul would be frustrating Marvin, he most likely would not be able to get a clear shot off on Hagler’s chin. Hagler would start increasing the pressure and begin cutting the ring off on the Brookline native in the hope of cornering him and landing a barrage of punches in order to at least slow him down. This would be difficult, but not impossible to do as Pender was always thinking in there and did not tire.

I think this would have been a very interesting fight. Remember, I am talking about both of these champions meeting in their primes with the title at stake. It would also be a fifteen round match and both would be local favorites.

I am going to leave the outcome up to my readers, but I do believe this fight would have gone the distance and the fans would have gotten their moneys worth.

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Give Him The Left Hook

Give Him The Left Hook

by Bobby Franklin

When first learning how to box, students of the Manly Art are usually told about the three basic punches: The jab, the right cross, and the left hook. (These would be reversed in the case of a southpaw.)

The jab has been called the most important punch in boxing, and it is. If you can’t reach your opponent with a jab, you will not be able to reach him with any other punch. It is both an offensive and a defensive blow and has many variations.

The right cross is used as a counter to the jab as it is the jab that it crosses over. When encountering a jab the person on the receiving end will attempt to slip it and fire a right hand over it with the intent of landing a good shot to the jaw.

The left hook is a great punch, but it is useless if not properly set up.

The left hook can be used in many ways. It is utilized as both a head and body punch. Like the jab, it can be thrown as a single punch or double and even tripled up. I have seen fighters through five and six in a row. It is also usually part of a combination such as, jab, right cross, left hook, all thrown in quick succession.

Robinson vs Fullmer
Robinson vs Fullmer

Many fighters have been known for having a great left hook, and it is a common, and usually true belief, that most boxers who rely on the hook tend to be shorter and often stockier then their counterparts. However, this is not always the case. Gerry Cooney was very tall and possessed a devastating left hook to the body. Tommy Morrison at 6’2” also had a tremendous left hook.

Robinson landed a perfectly timed hook to the chin of Fullmer knocking him out cold. Ray called the punch the most perfect of his career.

What has been called the greatest left hook ever thrown was not launched by a short stocky boxer but instead by a 5’11” middleweight by the name of Walker Smith Jr, more widely known as Sugar Ray Robinson. In the 5th round of his 1957 bout with Gene Fullmer, who was known as a hooker, Robinson landed a perfectly timed hook to the chin of Fullmer knocking him out cold. Ray called the punch the most perfect of his career, and many boxing experts have concurred with that sentiment. It was the only time Gene was ever knocked out. He was stopped in his last fight, but in that bout he retired on his stool.

A tall lanky boxer also landed two other memorable left hooks. Bob Foster at 6’3” and 174 pounds landed a picture perfect hook in winning the title from Dick Tiger. This was not a wild punch. Foster set Tiger up for the blow and then landed it flush on the chin with precision timing. Tiger was out cold for the only time in his career. As in Fullmer’s case, Tiger had only failed to go the distance one other time in his career, and that was a between rounds stoppage because of an injured thumb.

It is the paradox of boxing that fans were witnessing an artful display of boxing skill, a move that would rival that of any world class choreographed dancer, and at the same time watching a man possibly being killed…

In defending his title against Mike Quarry, Foster once again demonstrated the absolutely lethal power in his left hand. Again, he used his jab and shoulder feints to set up the

Bob Foster Stands Over Mike Quarry
Bob Foster Stands Over Mike Quarry

courageous Quarry. Once he made the opening, Foster let go with a left hook that rendered Mike unconscious before he hit the canvass. People in the arena and watching on closed circuit TV gasped as they saw the challenger fall to the canvas in a comatose state. It is the paradox of boxing that fans were witnessing an artful display of boxing skill, a move that would rival that of any world class choreographed dancer, and at the same time watching a man possibly being killed, and for a number of minutes following the blow it was in question whether the young Quarry would ever open his eyes again. Fortunately, he did regain his senses and got to his feet, but that punch will be remembered by all who witnessed it, and it will continue to invoke the question of how we can find such beauty in something so damaging to a fellow human being.

Ironically, Foster would later become the recipient of one of the most deadly left hooks ever landed when he challenged Joe Frazier for the Heavyweight Championship.

Joe fit the stereotype of the left hooker, being shorter and stockier then his opponent. He had also made a name for himself with the punch. His stoppage of Jimmy Ellis was another textbook example of how to throw the hook. In the final knockdown of that bout Frazier pivoted to his right and then landed a left hook flush on Ellis’s chin. Somehow Jimmy managed to get to his feet as the bell sounded, but Angelo Dundee mercifully stopped the fight at that point.

 

Frazier Knocks Out Foster
Frazier Knocks Out Foster

In the Foster vs Frazier fight Bob came out in the first round determined to make distance between himself and Joe. He was not going to fall into the trap of trading hooks with a hooker. He was jabbing and attempting to land his powerful right hand on Frazier, and he did manage to get a few in, but Joe was relentless. In the second round Joe dropped Foster with a left hook. When Foster arose, the champion pummeled him to the ropes where he landed a tremendous left hook to the jaw of the challenger. Foster was out cold. This time it was Bob Foster who was being counted over.

The left hook is a great punch, but it is useless if not properly set up. Yes, many boxers have gone out there and just thrown lots of hooks and eventually gotten lucky in landing one to win the fight, but as they move up to a higher caliber of competition they find that it takes more then just tossing punches. Both Foster and Frazier knew how to set up their opponents for the hook. Foster with his jab and feints, Frazier with his pressuring, slipping, and stepping to the side. It is these moves that put the art into the Art of Boxing.

 

 

Million Dollar Quartet

Opens At The Ogunquit Playhouse August 19th

The high voltage-voltage rock and roll musical Million Dollar Quartet will run at the Ogunquit Playhouse from August 19th through September 19th. The play is was inspired by the true story of a meeting at Sun Records Studio in Memphis that brought legends Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash together for an afternoon that turned into a legendary jam session.

Scott Moreau as Johnny Cash, Robert Britton Lyons as Carl Perkins, Jacob Rowley as Elvis, and Nat Zegree as Jerry Lee Lewis in Million Dollar Quartet
Scott Moreau as Johnny Cash, Robert Britton Lyons as Carl Perkins, Jacob Rowley as Elvis, and Nat Zegree as Jerry Lee Lewis in Million Dollar Quartet

The Playhouse production will feature the original Broadway set designed by Derek McLane.  I will be reviewing this play over the weekend. I’ll let you know what I think as soon as I get back. Looks like there will be a whole lot of shaking go on in Ogunquit, so i hope I am not all shook up after seeing this.

 

For more information you can contact the Playhouse at www.ogunquitplayhouse.org  or call the box office at 207.646.5511

Nice Work If You Can Get It

Nice Work If You Can Get It

At The Ogunquit Playhouse

Is S’Wonderful

A new musical featuring the songs of George and Ira Gershwin, with dance numbers inspired by Busby Berekely and Fred Astaire, along with tear inducing comedy routines, and beautiful sets created by the team at the Ogunquit Playhouse with a superb cast all make for as fun a night of theatre as you will have.

Nice Work first appeared on Broadway in 2012. This run is directed by Larry Raben who collaborated with choreographer Peggy Hickey to build this production from scratch.

Amanda Lea LaVergne and Joey Sorge
Amanda Lea LaVergne and Joey Sorge

The most familiar names in the cast, Sally Struthers and Valerie Harper , both do a fine job in their roles as Duchess Estonia Dulworth, the founder of The Society of Dry Women, and Millicent Winter respectively. Ms Struthers, who returns to the Playhouse each season, sings, dances, and even swings from a chandelier.

Sally Struthers as Duchess Estonia Dulworth
Sally Struthers as Duchess Estonia Dulworth

The play is set in Prohibition Era New York, and the leads Amanda Lea LaVergne as the swaggering bootlegger Billie Bendix and Joey Sorge as the not so terribly bright, but charming, wealthy playboy Jimmy Winter work wonderfully together. The scene where Billie Bendix sings the beautiful love song Someone To Watch Over Me while holding, loading, and cocking a shotgun is original and quite good. And then there is the spanking scene that brought down the house. You have to be there for that one.

“James Beaman as Cookie McGee who poses as the butler at the Winter estate while working with the gang to smuggle hooch almost steals the show with his wisecracking voice and superb timing.”

James Beaman as Cookie McGee who poses as the butler at the Winter estate while working with the gang to smuggle hooch almost steals the show with his wisecracking voice and superb timing. George S. Kaufman would have signed him up after seeing this performance. Of course, in order to deliver great lines an actor has to have them, and there are certainly plenty of them in this play such as when McGee cracks “I’m not going back to prison because it means spending more time with my family.”

McGee cracks “I’m not going back to prison because it means spending more time with my family.”

Sally Struthers is a very strong presence on stage who can say more with a look then many performers can say with an entire monologue; however, she has met her match in Mr. Beaman who never misses a beat.

Amanda Lea LaVergne as Billie Bendix
Amanda Lea LaVergne as Billie Bendix

It is refreshing to see a new production in this era of commodity musicals. While Nice Work would be successful just as a song and dance piece, it is side splittingly funny, so funny in fact that at times the cast members struggle to contain themselves. It is a pleasure to watch a play where the actors are having as much fun performing as the audience is watching it.

I often praise the shows at the Ogunquit Playhouse and there is a good reason for that, they are consistently good. Some are better then others and I have my favorites. Nice work If You Can Get It is now up near the top of my list. You will not be disappointed if you see this. What you will do is leave the theater smiling and humming a tune. I just may go see it again.

Nice Work If You Can Get It at the Ogunquit Playhouse, Ogunquit, ME through August 15th. For information call 207.646.5511 or go to ogunquitplayhouse.org

Update:

Brenda Vaccaro will step into the role of Millicent Winter

Academy Award nominated film star Brenda Vaccaro will step into the role of Millicent Winter in the production of Nice Work If You Can Get It now playing on the Ogunquit Playhouse stage through August 15. Valerie Harper, who had been performing in the role, continues to rest after falling ill on July 29. Ms. Vaccaro will take the stage for the 8PM

performance on Tuesday, August 4, and through the end of the run.

 

Brenda Vaccaro
Brenda Vaccaro

“Valerie is feeling great right now and we want her to continue to rest and to enjoy her family. After discussing with them, we decided that we wanted to relieve her of any pressure of having to return to the show, which only runs for two more weeks. With Valerie’s blessing, the Ogunquit Playhouse is thrilled to announce that Brenda Vaccaro, star of film, television and stage, has arrived in Ogunquit to take over the role of Millicent Winter,” stated Executive Artistic Director Bradford Kenney.

Brenda Vaccaro is considered to be one of our nation’s most respected actresses. She has received an Emmy Award, a Golden Globe Award, the People’s Choice Award, and the Theater World Award. In addition, she has been honored with two Academy Award nominations, five Tony Award nominations, and numerous Emmy Award nominations.