Category Archives: Theatre Announcements

Mala Opens At Huntington Theatre January 6th

POWERFUL PERSONAL DRAMA MALA WRITTEN AND PERFORMED BY MELINDA LOPEZ, DIRECTED BY DAVID DOWER BEGINS SATURDAY, JANUARY 6

The Huntington Theatre Company is pleased to present the ArtsEmerson production of Mala. This moving drama is written and performed by Huntington Playwright-in-Residence Melinda Lopez (Sonia Flew, Becoming Cuba) and directed by David Dower (Mala and Mr. Joy, Breath & Imagination at ArtsEmerson). Performances run from January 6 through January 28, 2018 at the South End / Calderwood Pavilion.

Melinda Lopez
Photo Credit: Paul Marotta

Set during the epic winter of 2015, Mala is inspired by text messages frantically typed on an iPhone by Lopez, while she cared for her increasingly frail and consistently fierce mother. These short missives ultimately create a moving and generous portrait of the way taking care of family tests, deepens, and changes our bonds to the ones we love. Lopez, a regular on Boston stages, also performs the play.

Mala won the 2016 Elliot Norton Award for Best New Script, and it was named one of the best plays of 2016 by The Boston Globe, WBUR’s ARTery, and DigBoston. This return engagement of Mala, back by popular demand, is funny, brutally honest, and ultimately cathartic. Mala puts a sharp focus on what it means to put our loved ones first, right to the very end, and what happens when we strive to be good but don’t always succeed.

“When I saw the sold-out performances of Mala at ArtsEmerson last year, I knew we had to bring this homegrown hit to the Huntington,” says Artistic Director Peter DuBois. “Melinda Lopez has a frank and funny approach to writing about life and family that is a gift to audiences. In Mala, she’s captured something so honest about what it is to be a daughter. This is a show to share with someone you love.”

“I am thrilled to bring Mala back to Boston,” says Melinda Lopez. “The Huntington has provided me the time and space to continue to create new work as their playwright-in-residence, and I am grateful to them for remounting the original production, as this play is extremely close to my heart.”
“It was a true joy collaborating with Melinda on the premiere of her play Mala,” director David Dower says. “The humor, intelligence, and courage that Melinda brought to her writing immediately resonated and provided a great foundation to tell her important story, universal to so many.”

huntingtontheatre.org

Celebrate With An Italian Christmas Revels At Sanders Theater

 

By Bobby Franklin

I recently had the chance to take in a preview of the The Christmas Revels: A Venetian Celebration of the Winter Solstice. It was a very enjoyable evening. The Revels have been a tradition for five decades and this year’s version takes us to Renaissance Venice. The preview attended was just marvelous and only small taste of what all be presented on the stage at Sanders Theater in Cambridge. Music, dancing, and audience participation make for a great evening for celebration to welcome Christmas. It is an event where the Italian in all of us comes out.

WHO LET THE DOGE OUT?
2017 Christmas Revels Synopsis: The Doge of Venice has had it. It is time for the solstice and the Feast of the Seven Fishes and everyone wants his opinion – merchants, lawyers, politicians, artists, even the fishwives want him to rule on who makes the best spaghetti Bolognese. So he is going to take a little unauthorized vacation and meet some of his more lowly subjects. The wild adventures ahead involve reckless actors, jailbreaks, itinerant musicians, English Morris men and maybe even the Spanish Armada!  A beloved holiday tradition since 1971, The Christmas Revels features luscious music, tricky sets and gorgeous costumes, superb musical guests, a tuneful, dancing chorus, some familiar Revels touchstones, and street kids who sing like angels.

Our 100-member ensemble includes musician and song leader David Coffin, The Revels Chorus of adults and children, a brilliant group of vocalists and musicians from the Early Music community (Sophie Michaux, Gideon Crevoshay, Lysander Jaffe, Daniel Meyers, Simon Martyn-Ellis, Nathaniel Cox, and Fabio Pirozzolo), The Serenissima Dancers, our acting troupe, Commedia Buffo (old friends Noni Lewis, Billy Meleady, Mark Jaster and Sabrina Selma Mandell), and Richard Snee as the Doge. The Cambridge Symphonic Brass Ensemble and The Pinewoods Morris Men also join us onstage at Sanders this year.  Besides the carols and rounds we’ll ask you to sing, performance highlights include the Bal do Sabre, an Italian Sword Dance, plus familiar Revels touchstones like the Abbots Bromley Horn Dance, Susan Cooper’s classic poem, The Shortest Day, and our signature piece, Lord of the Dance, which will literally have you dancing in the aisles!

The Christmas Revels design team includes Jeremy Barnett, set design; Heidi A. Hermiller, costume design; Jeff Adelberg, lighting design; William Winn, sound design and Kelli Edwards, choreographer.

For more information and to buy tickets go to www.revels.org. Phone 617-496-2222 (Tue-Sun 12-6pm) or IN-PERSON at the Harvard Box Office at Farkus Hall, 10 Holyoke Street, near Harvard Square (Tue-Sun 12-6pm).

 Seaglass Performing Arts Presents 2017 Holiday Concert: A Joyous Celtic Celebration

Seaglass Performing Arts, under the direction of Jean Strazdes, is pleased to announce its 2017 Holiday Concert: A Joyous Celtic Celebration.

The Chorale had the honor of participating in an exciting Choral Festival in Dublin, Ireland this summer. Choruses from around the United States joined together in song and raised money for the Hospice of Ireland. In “A Joyous Celtic Celebration,” the Chorale will continue the musical flavor of Ireland. The chorus will be joined by dancers from the Stilton School of Irish Dance in Gorham and the concert will include a sing-a-long of familiar holiday songs.

The concert will be part of Kennebunkport’s Prelude Week on December 2nd with a second performance at Holy Family Parish Church in Sanford the afternoon of December 3rd. Saturday, December 2, 2017 South Congregational Church Kennebunkport 7:00 pm Sunday, December 3, 2017 Holy Family Parish 66 North Avenue Sanford 3:00 pm.

Tickets are available through seaglass [at] gwi [dot] net or via phone at 207.985.8747; and at Morse Hardware on Post Road in Wells. Tickets are also available at the door. Prices: $15/adult; $12/senior and student In support of the local area food banks, Seaglass is requesting your kind donation of non-perishable food items. Thank you for your generosity during this holiday season.
seaglassperformingarts.org

 

Opening At The Lyric Stage

Hold These Truths

by Jeanne Sakata
Directed by Benny Sato Ambush
Choreography by Jubilith Moore

December 1-31, 2017

Hold These Truths is the true story of Gordon Hirabayashi, the American son of Japanese immigrants, who resisted internment during World War II, a policy which continues to be cited and debated today.  Michael Hisamoto (Stage Kiss) plays Hirabayashi, a college student and a Quaker, whose hope and unquenchable patriotism over 50 years will leave audiences cheering.  The theatricality of this production will be enhanced by the addition of three kurogos, stage assistants/dancers who make magic happen in the Kabuki tradition.

FEATURING:    Michael Hisamoto with Khloe Alice Lin, Gary Thomas Ng, Samantha Richert

Lyric Stage, 140 Clarendon Street, Copley Square, Boston
boxoffice [at] lyricstage [dot] com or call 617-585-5678.

THE HUNTINGTON THEATRE PRESENTS

TARTUFFE  BY MOLIÈRE

November 10 through December 10

The Huntington Theatre Company presents the brilliant classic comedy Tartuffe by Molière, directed by Huntington Theatre Company Artistic Director Peter DuBois (Sunday in the Park with George), translated by Ranjit Bolt, and featuring actor and comedian Brett Gelman (Murray Bauman on the upcoming season of Netflix’s “Stranger Things” and “Dinner with Brett Gelman” specials on Adult Swim) as Tartuffe and Tony Award winner Frank Wood (Side Man and August Osage County on Broadway and HBO’s “Flight of the Conchords”) as Orgon. Performances run from November 10 through December 10, 2017 at the Avenue of the Arts / Huntington Avenue Theatre.

“This production of Tartuffe is going to be everything you expect from Molière,” says Huntington Artistic Director Peter DuBois, “complete with a spin on period fashion and the brilliantly comic possibilities of staging this classic play for a modern audience. Boston is going to see 2017 alive onstage within the framework of a 17th century farce, and the result will be satirical, smart, and a gut-buster.”

Ranjit Bolt’s translation of Tartuffe premiered at the National Theatre in London in 2002. Many English translations of Tartuffe discard the rhyming couplets, but Bolt’s translation remains faithful to the way Molière wrote the French verse. For Bolt, verse provides a vehicle for examining the ridiculous; his imaginative use of language contrasts with the formal structure of the verse to create an explosively witty text. Audiences can use verse to “escape through anarchy into a surreal world,” Bolt says. “The joy of the verse is the contrast between the discipline of the form and the ludicrous nature of what’s being described.”

DuBois chose the Bolt translation because he thought it captured the energy necessary for his direction: free and loose while still clever and sophisticated. “I knew I wanted a translation that sang in the mouths of actors — that had rhythm and speed,” DuBois says. “Bolt’s translation reads well, but it sounds even better. He captures everything that is joyful and fun about rhyming verse across languages, never becoming rigid or stuffy.”

huntingtontheatre.org, 617 266 0800, Huntington Theatre, 264 Huntington Ave., Boston

NEW REPERTORY THEATRE PRESENTS

MAN OF LA MANCHA

BY DALE WASSERMAN
DECEMBER 1-24, 2017


New Repertory Theatre presents Man of La Mancha, December 1-24, 2017 in the MainStage Theater at the Mosesian Center for the Arts, 321 Arsenal Street, Watertown, MA. Music by Mitch Leigh, Lyrics by Joe Darion, original production staged by Albert Marre. Originally produced by Albert W. Selden and Hal James. Directed by Antonio Ocampo-Guzman. Music direction by David Reiffel. Movement Direction by Judith Chaffee.

“It has become a New Rep tradition during the holiday season to present a play that invites audiences of all ages to revel in this celebratory time of year,” says Artistic Director Jim Petosa. “This year we dream the impossible dream as we present the Tony-award winning musical Man of La Mancha. This classic musical adventure recounts the boundlessly idealistic tale of Don Quixote, epitomizing our season’s theme of resilience. We’re thrilled to bring this spirited revival to New Rep this winter.”

“New Rep is pleased to welcome so many new faces to our stage for our holiday production of Man of La Mancha,“says Managing Director Harriet Sheets. “Besides those joining us for the first time, we welcome back director Antonio Ocampo-Guzman and long-time collaborator Maurice Emmanuel Parent in the role of Don Quixote. Maurice’s presence on our stage over the years has been a highlight of many seasons, so we’re excited that he’s able to join us once again in this starring role.”

Tickets may be purchased by calling the New Rep Box Office at 617-923-8487 or visiting newrep.org.

Ogunquit Playhouse to Stage From Here to Eternity

North American Rollout Of New Musical 

Runs October 4 through 29

The Ogunquit Playhouse is honored to be part of the North American rollout of the new musical From Here to Eternity, on stage October 4 through 29. The musical is based on the acclaimed novel (which also became a multi-Academy Award-winning film), by James Jones with lyrics by Tim Rice, book by Donald Rice and Bill Oakes and music by Stuart Brayson. As part of its development path to Broadway, Sir Tim Rice is collaborating with the Ogunquit creative team to mount this compelling new musical set in Hawaii in the weeks before the 1941 attack on Pearl Harbor. “The epic story by WWII veteran James Jones, From Here to Eternity, is one of the most searing, honest and romantic views of the men and women who served our country during World War II. The way in which this story had to be told more than 60 years ago due to censorship, softened some of the reality of military life at that time. Today, we are able to tell the story as it was originally intended, revealing the grit and intrigue of military life that Mr. Jones experienced. It has been a great honor to collaborate with Sir Tim Rice, Donald Rice, Brett Smock and our entire creative team on this new musical adaptation to tell this iconic American story in a new way,” said Ogunquit Playhouse Executive Artistic Director Bradford Kenney.
This epic tale follows the powerful story of two U.S soldiers, the soulful Private Prewitt played by Derek Carley and ardent Sergeant Warden, played by Kevin Aichele, as they embark on doomed and dangerous love affairs with the wrong women. The sultry wife of G Company’s commanding officer, Karen Holmes, is played by Robyn Hurder, and Lorene, the beautiful escort who is looking to make a better life for herself, is played by Jenna Nicole Schoen. As the infamous date of December 7th approaches, the claustrophobic world of the four lovers and the desperation of the soldiers of G Company splinter amidst an escalating war. The compelling story of men at war along with a fantastic new score is not to be missed.
Returning to the Ogunquit Playhouse is Bradley Dean as Captain Dana Holmes, commanding officer of G Company. Mr. Dean last appeared in 2016’s The Hunchback of Notre Dame as Frollo, for which he was nominated for an Independent Reviewers of New England (IRNE) Award for Best Actor in a Musical. On Broadway he has starred in numerous productions including Dear Evan Hansen, A Little Night Music, The Last Ship, Doctor Zhivago, Monty Python’s Spamalot, The Story of My Life, Evita, and Man of La Mancha.

Kevin Aichele (First Sergeant Milton Warden) most recently portrayed Warden in the Finger Lakes Musical Theatre Festival production of From Here to Eternity. Some of his selected credits include, Sam in Mamma Mia!, Captain Von Trapp in Sound of Music, and Javert in Les Miserables. Derek Carley (Private Robert E. Lee Prewitt) regional credits include Ghost, Daddy Long Legs, Titanic, Big, and Gay Bride of Frankenstein, and he was in the first National Tour of Flashdance. Robyn Hurder (Karen Holmes) returns to the Ogunquit Playhouse after previously starring as Norma Cassidy in 2015’s Victor/Victoria. On Broadway she has performed in Nice Work if You Can Get It, Grease, Chicago, Wedding Singer, and Chitty Chitty Bang Bang. Ms. Hurder starred in NYCC Encores! productions of The New Yorkers, and Paint Your Wagon, as well as Off-Broadway in Play It Cool. She was in the National Tours of A Chorus Line, Monty Python’s Spamalot, and Starlight Express. Jenna Nicole Schoen (Lorene) recently appeared in the National Tour of Jersey Boys. Her regional theatre credits include CATS and Monty Python’s Spamalot at Pittsburgh CLO, Theory of Relativity at Goodspeed Opera House, and La Cage Aux Folles at Theatre By The Sea. Michael Tacconi (Private Angelo Maggio) is reprising his role from the Finger Lakes production of From Here to Eternity, and recently portrayed Nick in New World Stage’s Bare. Mr. Tacconi has also appeared on television on ABC’s The Family, and LMN’s I Love You…But I Lied. Reed Campbell returns to the Ogunquit Playhouse as Sergeant James Judson. He was seen earlier this season in his critically acclaimed performance as the hit-man “Cheech” in Bullets Over Broadway. Mr. Campbell was Cookie McGee in the National Tour of Nice Work If You Can Get It, and performed off-Broadway in Important Hats Of The Twentieth Century at the Manhattan Theatre Club, in The Comedy Of Errors at The Public Theater’s Shakespeare in the Park, and regionally as Judas Iscariot in Stage 773’s The Last Days Of Judas Iscariot.
www.ogunquitplayhouse.org 207-646-5511.

Oleanna Opens At New Repertory

The New Repertory Theatre Presents
Oleannna
by David Mamet
October 14 through November 5

Watertown, MA

“New Rep is proud to present this challenging play by one of its favorite playwright’s, David Mamet,” says Artistic Director Jim Petosa. “In the hands of director Elaine Vaan Hogue, the titanic talents of Johnny Lee Davenport and Obehi Janice will create a counterpoint of intensity that will bring the central conflict of this play into sharp focus.”
“New Rep is excited to welcome back both Johnny Lee Davenport and Obehi Janice to our stage,” says Managing Director Harriet Sheets.

“Johnny Lee returns after his masterful portrayal in our acclaimed productions of Thurgood and The Whipping Man and Obehi returns after her powerful performance in Lydia Diamond’s The Gift Horse last season. We hope New Rep audiences will enjoy watching these two powerhouse performers together in David Mamet’s classic drama.”

JOHNNY LEE DAVENPORT* (John) returns to New Repertory Theatre after performing in Thurgood, The Whipping Man, and A House with No Walls. Other area credits include The Unbleached American (Stoneham Theatre); It’s A Wonderful Life, A Radio Play (Wheelock Family Theatre); Water by the Spoonful and Broke-ology/Elliot Norton Award, Best Actor (The Lyric Stage Company); Driving Miss Daisy and Master Harold…and the Boys (Gloucester Stage Company); and Invisible Man/Helen Hayes Award, Best Ensemble (Studio Theatre Washington, D.C. and The Huntington Theatre Company). Mr. Davenport has played more than 50 roles in 24 of Shakespeare’s plays including Richard III (Commonwealth Shakespeare Company); Pericles (Actors’ Shakespeare Project); and Richard II (Shakespeare & Company). Film credits include Ted, The Fugitive, U.S. Marshals, and Ascendants. He was named Best Actor in Boston Magazine (2011). johnnyleedavenport.com

OBEHI JANICE* (Carol) returns to New Repertory Theatre after performing in The Gift Horse and New Rep’s Next Voices New Play Reading Series. Recent credits include Love’s Labour’s Lost (Commonwealth Shakespeare Company); We’re Gonna Die (Company One Theatre/American Repertory Theater); An Octoroon (Company One Theatre/ArtsEmerson); Mr g (Underground Railway Theater); her solo show FUFU & OREOS (IRNE Nomination, Best Solo Performance, Bridge Repertory Theater); Arabian Nights (Central Square Theater); It Felt Empty (Theatre on Fire); and Splendor (Company One Theatre). A graduate of Georgetown University, Obehi was named “Boston’s Best Actress” by The Improper Bostonian in 2014. Her comedic short, Black Girl Yoga, won the Reel 13/AfroPunk Film Competition (WNET/New York Public Media). American Theatre magazine named her one of “6 Theatre Workers You Should Know” in February 2017. She was also the TCG Fox Foundation Resident Actor at Company One Theatre from 2015-2017. Originally from Lowell, Massachusetts, she currently resides in Medford. obehijanice.com

ELAINE VAAN HOGUE (Director) is a director, actor, and teacher. Previous productions at New Repertory Theatre include directing Baltimore, The Amish Project, Imagining Madoff (Elliot Norton nominee for Outstanding Production), The Kite Runner, and co-curating the inaugural Next Rep Black Box Festival in 2014. Regional directing credits include A Disappearing Number (URT @ Central Square Theater); Metamorphosis (Boston Center for American Performance); Walking the Volcano (Boston Centerfor American Performance/Boston Playwrights’ Theatre); Crave (Nora Theatre Company); Thin Air: Tales from a Revolution (Kansas City); Infinity’s House (Majestic Theatre); Fen (New Theatre); The Penelopiad, Execution of Justice, Lizzie Stranton, The Trestle at Pope Lick Creek, The Other Shore, Angels in America, Three Sisters, Pains of Youth, Polaroid Stories, Marisol, and many others (Boston University). As an actor she has performed in The Road to Mecca (Boston Center for American Performance); Creation: Mythic Weavings (Women on Top & Magdalena USA); When Jennie Goes Marching (Olney Theatre & Spontaneous Celebrations). She is a member of the Magdalena Project, an international network of women in contemporary theatre, and is a participant in an international cyber-performance group collaborating in All the Better To See You With (Odin Teatret), MagFest KISS (Amsterdam), trans-hack- feminist UpStage Jam (Eclectic Tech Carnival). Ms. Vaan Hogue serves as Program Head of Theatre Arts at Boston University. Originally from Los Angeles, she resides in Central Massachusetts.

New Repertory Theatre presents Oleanna, October 14-November 5, 2017 in the MainStage Theater at the Mosesian Center for the Arts, 321 Arsenal Street, Watertown, MA. New Rep Box Office at 617-923-8487 newrep.org.

NEW REPERTORY THEATRE PRESENTS
 THE BOSTON-AREA PREMIERE OF 
IDEATION

BY AARON LOEB
DIRECTED BY JIM PETOSA
SEPTEMBER 2-24, 2017

“This season we felt compelled to look at the resilience of the human spirit,” says Artistic Director Jim Petosa. “At a time when it is increasingly difficult to decipher truth from fallacy in politics and the news, Ideation allows us to explore actions of thought in the creation of realties. In this thrilling, and darkly comic mystery, the truth becomes so twisted that we begin to question everything. We’re asking those who see the show to please spread the word, but don’t give away the ending!”
“After the tremendous success of last year, we’re thrilled to present another remarkable season at New Rep,” says Managing Director Harriet Sheets. “Our first production of the season takes us deep into the inner-workings of a fast-paced consulting firm and their a-list team. Joining us on that team are a number of New Rep regulars: Christine Hamel, Lewis D. Wheeler, and Ed Hoopman, along with Jake Murphy, who made his New Rep debut last season, and newcomer Matt Ketai. We welcome them all for what is sure to be one of our most talked about productions of the season!”

In Aaron Loeb’s darkly comic psychological thriller, a group of top-tier consultants are tasked with a mysterious project for an unnamed client. The team must come up with a solution to a morally and ethically ambiguous hypothetical—one that threatens to tear the team apart. Ideation is a captivating new work that will leave you on the edge of your seat.

CHRISTINE HAMEL* (Hannah) returns to New Repertory Theatre after performing in Brecht on Brecht, Broken Glass, On the Verge, Ragtime, and Sweeney Todd.
ED HOOPMAN* (Ted) returns to New Repertory Theatre after performing in Mister Roberts, Indulgences and touring productions of Macbeth and Hamlet. Recent credits include Camelot (Lyric Stage Company); and Finish Line (Boston Theater Company/Boch Center).
Mosesian Center for the Arts321 Arsenal Street, Watertown, MA 02472
For more information:Telephone: 617-923-8487
newrep.org

Commonwealth Shakespeare Company Announces 2017-2018 Season

Season includes Fear and Misery in the Third Reich,
Old Money, Death and the Maiden,
Richard III on Boston Common, and more

Steven Maler

Commonwealth Shakespeare Company (CSC) Founding Artistic Director Steven Maler announced today the 2017-18 Season, to be presented at the Sorenson Center for the Arts at Babson College in Wellesley, as well as in downtown Boston.

Mr. Maler explained the themes connecting the season offerings: “William Faulkner said ‘The past is never dead. It’s not even past.’  I keep coming back to this quote as I think about the world we find ourselves in today, as we struggle to make sense of our rapidly changing world. Industries are being disrupted, politics are being disrupted, lives are being disrupted. In this sea of change, where norms are being upturned and the future is murky, I wanted to look at how great writers responded to mercurial times, how they captured the fleeting moments of civic and personal decisions when history was not yet inexorably fixed, when a change of direction was still possible. These plays capture the subtle, and not so subtle, fissures in the daily domestic tapestry as the Nazi’s came to power in Germany in Bertolt Brecht’s Fear and Misery in the Third Reich; the half-lives of destruction in the wake of a tyrannical military dictatorship in Ariel Dorfman’s Death and the Maiden; the power of money, both old and new, in Wendy Wasserstein’s Old Money; the chaos and devastation of political instability in Macbeth; and of the destructive rise and fall of one of Shakespeare’s most riveting villains in Richard III. It’s an intense season for an intense time, a season of plays that we hope provoke deep thought about how we want to be remembered by history.”

Fear and Misery in the Third Reich:  A Staged Reading
by Bertolt Brecht, translated by Eric Bentley, directed by Steven Maler;
featuring Tony Shalhoub and Brooke Adams
Monday, November 13, 2017 at 7:00 P.M.
Carling-Sorenson Theater, Babson College

Brecht’s series of 18 interconnected playlets describe what life was like in German households in the 1930s as the Nazis came to power. Written while Brecht was in exile in Denmark and first performed in Paris in 1938, these poignant stories dramatize the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew. The reading features renowned film and theater actors Tony Shalhoub and Brooke Adams.

Theatre in the Rough is a script-in-hand reading series presented without common theatrical elements like sets or costumes. These pared-down readings uniquely engage the audience by immersing them in the immediacy of the text and the actors’ performances, allowing one’s own imagination to take creative flight.


Death and the Maiden           
a play by Ariel Dorfman, directed by Steven Maler
January 30–February 11, 2018
Sorenson Black Box, Babson College

After the fall of the totalitarian regime in a South American country, a former political prisoner finds herself face to face with the man she believes was her captor, a sadistic doctor who’s face she never saw. Is he guilty beyond a reasonable doubt, or is her paranoia getting the better of her?

Old Money
by Wendy Wasserstein, directed by Karen McDonald
March 6–18, 2018
Carling-Sorenson Theater, Babson College

A dinner party in a fashionable home offers a rich and witty look at social classes and issues of wealth and privilege — from the Gilded Age of the early 20th century to the present day.

Macbeth
by William Shakespeare, directed by David Gammons
featuring the CSC2 Company of early-career actors
Carling-Sorenson Theater, Babson College
June 1, 2018 Shakespeare’s classic tragedy dramatizes the damaging effects of political ambition on those who seek power for its own sake.

Richard III – Free Shakespeare on the Boston Common!
by William Shakespeare, directed by Steven Maler


July – August, 2018Shakespeare’s searing chronicle of a ruthless leader’s ascension through betrayals and multiple murders, and the devastation he leaves in his wake as he gains power over the realm.

In addition, CSC presents its annual series, Shakespeare and the Law and Shakespeare and Leadership as follows;

Shakespeare & the Law: Measure for Measure
Directed by Adam Sanders
Tuesday, September 26, 2017 at 6:00 P.M.
Lyric Stage Company, 140 Clarendon Street, Boston

Info: commshakes.org  617-426-0863